This 2002 documentary explores contemporary Aotearoa from the perspective of Kiwis from a range of different (non-Māori, non-Pākehā) ethnic backgrounds. These citizens speak frankly about their experience of assimilation and stereotyping in a supposedly multicultural society, where ethnic food is beloved — but not ethnic difference — and where jokes and racism blur. Directed by Libby Hakaraia, the documentary screened on TV3 as part of doco slot Inside New Zealand. It was a follow up to 2000's The Truth about Māori, which looked at identity from a Māori perspective.
Late night music show Space launched on TV2 in 2000, with a pair of hosts introducing live performances, interviews, music videos and occasional silliness. The show marked the first ongoing screen gig for Jaquie Brown, who appeared with future X Factor New Zealand host Dominic Bowden. When Bowden left in 2002, he was replaced by Hugh Sundae. The final season was helmed by Jo Tuapawa and ex Space researcher Phil Bostwick. Space was made by production company Satellite Media, whose credits include many shows involving music (Ground Zero, Rocked the Nation).
When TV began in New Zealand in 1960, posh English accents on screen were de rigueur. As veteran broadcaster Judy Callingham recalls in this sixth episode of Kiwi TV history: "every trace of a New Zealand vowel was knocked out of you." But as ties to Mother England weakened, Kiwis began to feel proud of their identity and culture. John Clarke invented farming comedy legend Fred Dagg, while Karyn Hay showed a Kiwi accent could be cool on Radio with Pictures. Sam Neill and director Geoff Murphy add their thoughts on the changing ways that Kiwis saw themselves.
Director Jason Stutter's endearing martial arts parody (and cult classic in the making) was filmed on a shoestring on the mean streets of Wellington. Sam Manu stars as the Tongan Ninja, while Jemaine Clement (Flight of the Conchords), who co-wrote the script, chews the scenery as his arch nemesis, the anonymously named Action Fighter. The film plays for laughs - think B movie accents and bad post-dubbing - and hangs off a flimsy plot involving an evil crime syndicate's hostile takeover of a Chinese restaurant.
This edition of the early 90s magazine arts show begins with a visit to Auckland's Herald Theatre to preview a production of Romeo and Juliet, directed by Michael Hurst and starring 16-year-old actor Sophia Hawthorne. Raybon Kan explores fatal books; author Ian Cross is interviewed and Bill Ralston reviews Cross’s latest novel (with Ralston wanting to know why all New Zealand art is "so bleak, so barren"). Film Festival director Bill Gosden previews the event's programme, and comedy group Facial DBX is interviewed ahead of the Watershed Comedy Festival.
Fifteen wannabe comedians combat nerves and a tight deadline in this first episode of talent quest So You Think You're Funny. The first task for judges Jon Bridges, Raybon Kan and Paul Horan is to eliminate five contenders from the line-up. The contestants are given a few days to write and practise a short set, before performing it in front of a live audience at Queen Street's Classic Comedy Bar. This scenario would be terrifying for most, and it confirms a harsh truth that Horan offers early on: "If the audience hates you, there's not a lot we can do'. One hundred people originally auditioned.
NZ Herald writer Michele Hewitson described the concept behind this series as "Popstars with jokes". Experienced comedian Paul Horan scours Aotearoa for fresh comedic talent; over the course of a month, fifteen newbies are tested in live and television settings. Each episode ends with eliminations — the "last stand-up standing" is crowned the winner. Comedians Jon Bridges and Raybon Kan join Horan as judges. The first episode features Queen St venue The Classic Comedy Club. The show was partly inspired by a stand-up contest for new acts held in the United Kingdom.
Edwin Rouper has a habit of annoying people within seconds of meeting them. Cursed with 'Koontz-syndrome', a neurological condition in which temper and confidence dominate, he travels to Hollywood, trying to assemble a team of stars to raise awareness for the Koontz cause. Jason Stutter’s mock-documentary gleefully skirts the borderland between the koontz 'condition', and an expletive with a very similiar sound. Acting newbie Bryce Campbell scored an LA comedy award as Edwin; Raybon Kan, Jeremy Corbett and scribe Nick Ward all have cameos as sundry wackos.
The light-hearted but star-heavy I'll Make You Happy unapologetically showcases a group of Auckland prostitutes, united by girl power — and a general distaste for their pimp (Michael Hurst). Jodie Rimmer dons many wigs and personas as Siggy, the spunky young sex worker who fends off Hurst's pleading advances, while pulling a nerdy banker (Ian Hughes) into her plans for a game-changing heist. The eclectic soundtrack is heavy on electronica, while the cast includes Rena Owen, Jennifer Ward-Lealand, dancer Taiaroa Royal, and a one-minute cameo by Lucy Lawless.
Featuring a rare star turn by stand-up comedian Raybon Kan (who also co-wrote the script), Diagnosis: Death is a genre-stretching tale of oddball nurses, haunted hospitals and bedside romance. Kan plays a cynical teacher sharing a hospital ward with a young student (Jessica Grace Smith), after both are diagnosed with cancer. Trapped in the ward during an experimental drug trial, the duo investigate a strange case of haunting. Shot specifically for DVD, Jason Stutter's second feature also features cameos by Conchords Jemaine Clement, Bret McKenzie, and Rhys Darby.