This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.
Presenter Chris Nichol explored the spirituality of New Zealanders in this interview based documentary series. It ran for five years and was intended to broaden TV One’s religious programming to reflect a growing diversity of faiths and philosophical approaches to life (from conventional religions through to a Wiccan, a rationalist and an atheist). Each episode examined the life and beliefs of one person and subjects included Sir Ray Avery, Gareth Morgan, Wynton Rufer, Moana Maniapoto, Joy Cowley, Nandor Tanczos, Ahmed Zaoui and Ilona Rogers.
Religion is the subject of this fourth episode of the series satirising colonial relations between Māori and Pākehā. Chief Te Tutu (Pio Terei) is disturbed by the bells ringing from the new church being built by settler Henry Vole, and goes to investigate. He finds a tohunga dressed like a tui. Te Tutu’s interpretation of the scripture leads to complications. Meanwhile Mrs Vole (Emma Lange) continues to do all the work while the Pākehā blokes chinwag. John Leigh (Sparky in Outrageous Fortune) guest stars as an Anglican minister under pressure from Vole to spice up his sermons.
This Asia Downunder episode is a half-hour special on Asian religions. Two Muslim brothers are interviewed about their faith, followed by a comparison of the Islamic faith with Christianity. The revival of interest in the Catholic church is explored, then the show visits the sikh temple in Manurewa Sikh. Hinduism and Buddhism also feature, while in the kitchen Geeling Ng (Gloss) rustles up some Chicken in Adobo Sauce.
The debut episode of McPhail and Gadsby plunged into religion as the object of satire, and the result spawned death threats and annoyed letters to the editor. The pair dress up as angels, devils, monks, nuns, priests and Moses, and also make the first of many appearances as the smug Denny (McPhail) and not so clever Ron (Gadsby). McPhail argued later that a simple sketch involving an Anglican vicar dispensing communion unexpectedly caused the most offence. The thematic approach was soon abandoned in favour of shorter episodes, and a more familiar style of topical satire.
Sedition - The Suppression of Dissent in World War II New Zealand chronicles the experiences of Kiwi pacifists during wartime. New laws affecting meetings, mail and media coverage meant that talking about pacifism could result in arrest, and imprisonment. By June 1940, holding more than one copy of a 'subversive' magazine could mean nine months hard labour. Ironically many of the MPs backing the laws had earlier been imprisoned for their anti-war beliefs; while Christian Pacifist Society leader Ormond Burton was twice decorated for bravery during World War I.
This episode of the long-running religious programme focuses on Auckland's Anglican Cathedral of the Holy Trinity. It features hymns from the Holy Trinity Choir and Auckland Choral Federation. The Graeme Thomson-hosted show also discusses the history and architecture of the cathedral following the completion of its nave in 1995. Built on land bought by Bishop Selwyn in 1859, the completed cathedral reflects the undulating landscape of Auckland, combining Gothic and Polynesian elements.
Saving Grace sees spiky street kid Grace (Kirsty Hamilton) get taken in by enigmatic carpenter, Gerald (Jim Moriarty). As Grace falls under (much older) Gerald's spell, she's flummoxed by his claim that he is the messiah. Could Gerald be Jesus of Cuba Street or is he a delusional dole bludger? The screenplay was adapted by Duncan Sarkies (Scarfies) from his stage play. Botes' dramatic feature debut converted fewer viewers than his earlier work, the classic hoodwinker Forgotten Silver; although critic Nicholas Reid welcomed an NZ film that offered "style and brains".
This episode of director Geoff Steven's USA road trip is another study in contrasts. In North Dakota, there’s impressive access to an underground missile control room staffed by highly trained officers who hope they never have to do the job for which they've prepared. Nearby, the members of a determinedly pacifist, Christian, socialist Hutterite community make for unlikely neighbours. There's also an exploration of small town values as Gilby celebrates its centenary on the 4th of July — while a John Birch Society member provides a less festive note.
Before turning to directing, Barry Barclay did more than five years training to become a priest. That experience surely percolates through his film Ashes, with its reflections on identity, spirituality and living (or feeling) apart from others. The film centres on the thoughts of four people: an artist, a woman struggling with her identity as a high achiever, an actor, and a priest. Are all of them acting, or only Sam Neill? The film features readings from Ash Wednesday, the poem written by TS Eliot after converting to anglicanism. Ashes screened on NZ television on 17 March 1975.