This 1983 episode of arts series Kaleidoscope profiles the life of Rita Angus, whose paintings won critical acclaim both in New Zealand and abroad. After growing up in Hastings and Palmerston North, Angus moved down to Christchurch, initially to study at Canterbury College School of Art. Later she spent more than a decade in the Wellington suburb of Thorndon. Featuring interviews with those who knew her at various stages of her life, and numerous examples of her work, this half-hour documentary provides a thorough overview of who Rita Angus was.

As a showcase history of Christchurch on screen this collection is backwards looking; but the devastation caused by the earthquakes gives it much more than nostalgic poignancy. As Russell Brown reflects in his introduction, the clips are mementos from, "a place whose face has changed". They testify to the buildings, culture and life of a city now lost, but sure to rise. 

When TV began in New Zealand in 1960, posh English accents on screen were de rigueur. As veteran broadcaster Judy Callingham recalls in this sixth episode of Kiwi TV history: "every trace of a New Zealand vowel was knocked out of you." But as ties to Mother England weakened, Kiwis began to feel proud of their identity and culture. John Clarke invented farming comedy legend Fred Dagg, while Karyn Hay showed a Kiwi accent could be cool on Radio with Pictures. Sam Neill and director Geoff Murphy add their  thoughts on the changing ways that Kiwis saw themselves.

This short documentary series looked at New Zealand's landscape art from the arrival of Pākehā up until the 1980s. The four episodes moved from the development of a local version of the European tradition (through artists such as John Gully and Petrus van der Velden) through to the homegrown modernism emerging in the 20th Century: the distinct hard-edged styles of Binney, White and Smither, the spiritual abstracts of McCahon and Woollaston, to the later impact of Māori artists like Hotere, Whiting and Kahukiwa.

Eclectic comedy show Radiradirah featured Taika Waititi, Rhys Darby, Madeleine Sami and the talent behind animated hit bro'Town. The fast-paced sketch show included Monty Python-style animated inserts, the laconic talking sheep of The Pen, and bro'Town-ers Oscar Kightley and Dave Fane as elderly women who've done it all. This first episode introduces a number of ongoing characters, including an oddball alien with a beard, and crusading space captain Hemi T Cook (both played by Waititi). Radiradirah was created by bro'Town's Elizabeth Mitchell and Oscar Kightley.

In this intimate documentary painter Michael Smither lays bare his life — from a stern Catholic childhood in New Plymouth to the inspiration of Central Otago to his senior years in Otama Beach, collaborating on natural artworks. Smither is best known for his unflinching portraits of family life, works like 'Sarah with Baked Beans' which capture the untamed energy of small children. Smither acknowledges the hardship behind these famous paintings, and the toll it took on his first marriage. Ex-partners (including novelist Rachel McAlpine) open up about their time with Smither. 

This Coming Home episode introduces two Kiwi "pioneers in their fields": psychologist John Money and horse expert Wayne McIlwraith. Colorado-based McIlwraith works on top racehorses around the globe, then goes climbing on his rare days off. Money was celebrated and criticised for his game-changing work on gender and sexuality. Returning for a visit downunder, he sets about donating his artworks to a museum in Gore. The episode was made soon after doubts were first raised about the success of Money's most famous case of gender reassignment, David Reimer. 

An affectionate documentary about painter Rita Angus. Angus was well known for her enigmatic self portraits, and this Gaylene Preston-directed documentary explores the relationship between the work and biography. It gathers together new material about Angus's life, as well as interviews with a group of friends who knew her, and a new generation of appreciators including biographer Jill Trevelyan. Many of her paintings are also featured, evocatively shot by Alun Bollinger; actress Loren Horsley captures an uncanny likeness as a young Angus.