This collection of 40 classic Kiwi TV series offers up images spanning 50 years. The titles range from Gloss to Gliding On, from Olly Ohlson to Nice One Stu, from Ready to Roll to wrestlers. In this special backgrounder, Stuff's James Croot writes about favourite moments of Kiwi TV. The list is in rough chronological order of when each series debuted.
November 2014 marks 25 years since New Zealand TV’s third channel began broadcasting. This 25th birthday sampler pack looks back at iconic drama (Outrageous Fortune), upstart news shows (Nightline), fresh youth programming (Ice TV, Being Eve) and comedy high watermarks (bro’Town, Jaquie Brown, 7 Days). As the launch slogan said "come home to the feeling!"
This animated series stars a shed of friendly machines who live on Murray and Heather’s farm near Kumara Cove. In this episode Beaut the Ute goes through a midlife crisis when he meets a younger ute — Flash — in town, and worries his time might be over. But the machines soon learn that a slick new number plate isn't everything. The colour palette of this animated series makes it clear that the machines are the characters that matter. The show is narrated by broadcaster Jim Mora (Mucking In), who created it with Brent Chambers.
The first movie written and directed by playwright Anthony McCarten is a portrait of a family melting down under the media spotlight. The comedy/drama stars Danielle Cormack in two roles — as a swimmer on the cusp of Olympic glory, and as the twin sister back home, looking on as her family descends into spats and bickering as they find the pressure to perform too much to bear. Via Satellite showcases a topline cast, including Tim Balme, Rima Te Wiata, and a scene-stealing and heavily-pregnant Jodie Dorday, who won an NZ TV and Film Award for her work.
Anthony McCarten is an award-winning playwright, screenwriter and novelist, who has also directed two of his own feature films. His screenplay credits include Via Satellite, The English Harem, Show of Hands and Death of a Superhero. McCarten's most successful screenplay to date is Stephen Hawking biopic The Theory of Everything, which won him a BAFTA award for Best Adapted Screenplay in 2015. McCarten was interviewed for NZ On Screen when he was in Auckland for the 2015 Big Screen Symposium, organised by Script to Screen.
A Political Game charts not only intense rugby rivalry between South Africa and New Zealand, but also the politics of racism that came increasingly to the fore. The signs were there during the Springboks first tour of New Zealand in 1921: a South African reporter was outraged white New Zealanders had supported a Māori side. In 1976 an All Black tour of South Africa sparked an African boycott of the Montreal Olympics; the 1981 tour saw violent protests. Starting with the historic All Blacks win in 1996, this excerpt jumps back in time to chart conflicts on and off the field, up until 1949.
Created by Gavin Strawhan and Rachel Lang, Jackson’s Wharf was set in a fictional coastal town and revolved around a sibling rivalry between brothers Frank (the town cop) and Ben Jackson (a big smoke lawyer). Returning with his family, golden boy Ben has controversially inherited the local pub from his recently deceased father. Produced by South Pacific Pictures, the one hour popular drama screened for two seasons. Writer James Griffin and director Niki Caro worked on the show, alongside much of the talent who would later create Mercy Peak and Outrageous Fortune.
Peppermint Twist’s colourful, stylised portrait of 60s puberty floated onto NZ screens in 1987, winning a solid teenage following. Something of a homegrown homage to US sitcom Happy Days, Peppermint was set amongst a group of teens in small town Roseville, and made liberal use of period songs and arrangements. This episode involves mounting rivalries over a typically pressing issue: an upcoming limbo contest. Further nostalgia value is provided by real-life 60s music show host Peter Sinclair, who makes a cameo as compere of the contest.
This six-part All Blacks history showpiece series was commissioned by TVNZ in time for the lead-in to the 1999 Rugby World Cup. Broadcaster Keith Quinn and a six-person crew set off on "one of the most enjoyable and stimulating experiences" of Quinn's career. With Quinn as a genial guide (as both fan and expert), the episodes are framed around the All Blacks’ great rivalries with Britain, South Africa, and Australia; the Rugby World Cup; All Black captains and coaches, and a fascinating episode dedicated to the shift to professionalism after the 1995 World Cup.
A death-bed confession from a touch judge leads to a repeat of a test match between the All Blacks and Wales played 25 years earlier — with the same players. Before the footy, a former Welsh star is forced to face up to a past romance. Mateships and rivalries are rekindled in this genial "what if" yarn, that celebrates and satirises two nations' rugby obsessions. It won best screenplay and supporting actor (John Bach) at 1992's NZ Film Awards. The cast saw former All Blacks and Welsh rugby reps playing alongside acting greats from both countries.