He learnt kapa haka as a child. He learnt to smoulder on Shortland Street. He punched a country in the guts with Once Were Warriors. Temuera Morrison has starred in Māori westerns, adventure romps, and cannibal comedies. In the backgrounder to this special collection, NZ On Screen editor Ian Pryor traces Temuera Morrison's journey from haka to Hollywood.
Before X Factor there was New Faces, before Masterchef ... Graham Kerr, before Country Calendar there was ... er, Country Calendar. This collection picks the screen gems from the decade that gave Kiwi pop culture, "miniskirts, teenagers — and television." Peter Sinclair, Sandy Edmonds, Howard Morrison, and Ray Columbus star. Do your mod's nod and C'mon!
This collection of tourism promos sets out to entice the world with the "upbeat, action-filled New Zealand scene". Skis, swimsuits and scenery are all on the itinerary — plus mile-high hairdos, some totally groovy music, Boy's James Rolleston and an excerpt from three-screen classic This is New Zealand. Listen to the man: C’mon to New Zealand.
Long ago a beloved NZ tourism advertisement revolved around a globe-trotting Kiwi who made the mistake of leaving town without seeing his country. This tourism-themed short is a variation on the theme. Veterans Kate Harcourt and Helen Moulder play speed-crazed neighbours, whose competitive spirit stretches to comparisons of the extent of their grandsons' travels. Directed by Australian Aya Tanimura, Sweet As nabbed the People's Choice award in Your Big Break, an international contest run by Tourism New Zealand to promote Aotearoa's scenery.
The rich scenery around Lake Wakatipu has inspired painters, postage stamps and director Peter Jackson. Shortly before leaving NZ in 1954, photographer Brian Brake headed south for the NFU to capture images of lake, mountain, tourist and miner. Amid the postcard perfection, Brake films mist-shrouded hills sliced open by mining, and a trio of skiers on Coronet Peak, travelling hand in hand. Tourists swap lake steamers for open top buses, en route to the Routeburn track; and one old-timer sets out on horse to pan for gold, via the abandoned mining village of Macetown.
This Weekly Review features: An interview with Sir Peter Buck in which Te Rangi Hīroa (then Medical Officer of Health for Maori) explains the sabbatical he took to research Polynesian anthropology, a subject in which he would achieve international renown; Landscapes: The Lakes at Tūtira sets the stunning scenery of the Hawke's Bay lakes to verse by James Harris; finally Southern Alps: RNZAF Drops Building Materials hitches a ride on a Dakota full of building materials being parachuted in to workers at Mueller Hut on Mount Cook.
This NFU production covers the Shah of Iran’s first tour downunder, and uses the occasion to showcase New Zealand to international viewers: from scenery to topdressing, dental clinics and Wellington Girls’ College. The four day visit could be seen as a symbol of globalisation: NZ had been cut adrift by Britain and was looking for markets for its lamb, cheese and wool, and to secure oil supplies. The Shah needed food for his modernising petroleum exporting country. (The booming trade was to be curtailed by the 1979 Iranian Revolution, when the Shah was exiled.)
In the era before 24 hour transmission, packages like these opened the day on TV1 and TV2. United by patriotic zeal, they focused on Kiwi people at work and play, and on scenery, and could have doubled as tourism promos. (The 1976 edition — second clip — borrows more than just the soundtrack from short film This is New Zealand). The party piece is the first clip: an epic tag-team version of the national anthem, sung by Annie Crummer, Peter Morgan, the Patea Māori Club and Dalvanius, backed by the NZ Youth Jazz Orchestra. It was originally recorded for Expo 88 in Brisbane.
“I’d no idea what I’d been missing!” This 1985 film pitches Aotearoa as a destination to our Aussie cobbers. Long haul air travel had led to a tourism boom, and promo campaigns were becoming increasingly sophisticated. This effort tries to overcome expectations of NZ as a place for oldies where “nothing is ever open”. A dinky-di Sydney family go on a tour of “Kiwiland” for a smorgasbord of sun, sea and snow. There’s crayfish and wine on the sand, and Barry Crump tells a less than 100% Pure tale at the pub. Australian John Sheerin (McLeod's Daughters) plays Dad.
After bad weather curtailed an ambitious film about Mount Aspiring in 1949, Brian Brake returned to the Southern Alps the following year to shoot Mount Cook — the first NFU film to feature Brake's mountain imagery in glorious blue and white colour. The wait was worth it: the longtime mountain-lover coaxes a succession of breathtaking images of the cloud-piercing mountain — plus a rollicking snow fight scene. The plot, what there is of it, centres on some skiers wandering closer to Aoraki/Mt Cook to get a better look, then demonstrating the joys of descent.