Geoff Murphy was the trumpet player who got Kiwis yelling in the movie aisles. His 1981 road movie Goodbye Pork Pie was the first big hit of the Kiwi film renaissance. He completed an impressive triple punch with the epic Utu, and Bruno Lawrence alone on earth classic The Quiet Earth. From early student heists to Edgar Allen Poe, this collection pays tribute to the late, great, laconic wild man of Kiwi film. Plus read background pieces written in 2013 by cinematographer Alun Bollinger, friend Roger Donaldson, writer Dominic Corry and early partner in crime Derek Morton.
The premise of this long-running makeover show was “celebrating people by doing their gardens”. In this very first episode, the Mucking In team rally together with Mangere Bridge locals to surprise unsung teacher Phillipa Todd, who goes the extra distance for her students. Co-presenter Jim Mora humbly describes their efforts as “more of a tidy-up than anything else”, but the show would prove enduringly popular and run until 2009, and picking up a 2004 Qantas Media Award for Best Lifestyle Programme along the way.
In the early 1960s two North Island schools — Oruaiti and Hay Park — experimented with an innovative method of practical education. This episode of Survey sees principal Elwyn Richardson revisiting Oruaiti, and reminiscing on how the two schools functioned. He offers his views on traditional textbook learning — the more “American” system, as he calls it. Ex students reflect on their time at the school, and how an education based on arts, building and play shaped the people they’ve become. Modern schooling in Aotearoa now follows the example set in those early days.
After-school show Nice One was a popular classic of NZ childrens television, with the show's signature theme tune ("Nice one Stu-y!") and Stu's thumbs-up salute, totemic for kids of the 70s. Host Stu Dennison played a cheeky, long-haired schoolboy who delighted children and infuriated adults with his irreverent antics. But Dennison developed the persona in short live segments for Ready to Roll (shot live at Avalon Studios, excerpted here). Prototype Stu is seen being a truant, reciting rude poetry, singing 10cc and ribbing Roger Gascoigne and 70s metrosexuals.
The Country GP (Lani Tupu) takes a back seat in an episode set in the first week of 1950, which centres around the arrival in Mason’s Valley of the parents of local teacher Tim Bryant (Duncan Smith). The discovery that Tim’s father Sid (played by Vigil scriptwriter Graeme Tetley) is a unionist and paid up member of the Communist Party shatters the township’s apparently relaxed way of life. Sid has come to warn his son of difficult times ahead that could see him back in prison, but his presence inflames some of the locals and leads to a questioning of the true meaning of freedom.
Independent television network TV3 launched its prime time news bulletin on 27 November 1989, a day after the channel first went to air. Veteran broadcaster Philip Sherry anchors a reporting team that includes future politician Tukoroirangi Morgan (probing kiwi poaching), Ian Wishart (investigating traffic cop-dodging speedsters) and future newsroom boss Mark Jennings (torture in Timaru). Belinda Todd handles the weather, and Janet McIntyre reports on TV3's launch. The Kiwi cricket team faces defeat in Perth (although history will record a famous escape there).
In this 1985 Colenso commercial, a Creme Egg is a guilty pleasure behind raised desk lids for two school kids. Courtesy of some smooth copywriting, the narrator lets on that the cherubic girl and devious boy are doomed by the “smooth shell of Cadbury dairy milk chocolate and the irresistible creamy flowing yolk that will ultimately give them away!” The Murray Grindlay composed chorus “don’t get caught" (with egg on your face) entered Kiwi pop culture. Variations of the commercial ran until 1996; in 2016 stuntwoman Zoe Bell later shared her fondness for the product on Instagram.
In this episode from a series for secondary school music students, James Reid (from The Feelers) and his brother Donald (a singer-songwriter who has co-written several Feelers songs) recall their school days when music making was frowned on by guidance counsellors rather than encouraged by projects like this one. Armed with acoustic guitars and a piano, they play excerpts from four songs (‘Communicate’, ‘We Raised Hell’, ‘Fishing For Lisa’ and ‘Unleash the Fury’) and discuss their philosophy of songwriting which is “all about being in the moment”.
This Work of Art documentary follows veteran actor and director Ian Mune as he works with NZ Drama School graduates, to write and shoot a 15 minute film in just two days. Many of the actors (who include future bro'Town voice David Fane and Saving Grace's Kirsty Hamilton) have little experience acting for the camera. Mune passes on lessons learned in a career that began long before such tuition was available locally. Shot at Wellington Railway Station, Rush Hour, the resulting film, is included in its entirety during this fascinating insight into the creative process.
Visionary educationalist and novelist Sylvia Ashton-Warner is interviewed by leading educationalist of the day, Jack Shallcrass, in this documentary about her life and work. From her home in Tauranga the film explores her educational philosophies (“organic teaching” and her “drive to diffuse the impulse to kill”) and her “divided life” between woman and artist, as she plays piano and interacts with children. It is the only interview she ever made for television, and was the first of the Three New Zealanders documentaries made to mark International Women's Year.