Early teleplay The Evening Paper had the same rigid (theatre or radio-derived) format as other early TV dramas of the 60s, but it did something never before seen on local screens. Written by playwright Bruce Mason, the drama dared to expose a stifling NZ suburban existence. Jaded visiting Pom, Phillip; snivelling Winsome and her domineering mother Elfrida, and passive father Ernest, proved too much for viewers, who decried the drama as inaccurate and "unfair"; in other words, The Evening Paper gave Kiwis their first on-screen dose of cultural cringe.
By focussing on a single complaint of sexual abuse made by an 11-year-old girl against her mother’s partner, this docudrama examines the work done by social workers at the former Department of Social Welfare (now Child, Youth and Family). The victim and her family are actors but the social workers are real people who talk frankly about the confronting situations they face in a “damned if you do, damned if you don’t” job. The issues are canvassed sensitively by Pamela Meekings-Stewart; Former Māori Language Commissioner Haami Piripi plays the victim’s father.
In this 2012 series, media personality Jaquie Brown chronicles a year as a young mother, as she raises her first child Leo. With a single rule — not to offer advice — Brown aimed to document honestly the realities of modern parenting. This first episode looks at everything from worrying nipple advice to installing car seats, from the pelvic floor to the post-baby body. Brown's candid reflections (captured in video diary 'Little Brother') are mixed with experts (Plunket nurses, baby whisperers), and a look at Kiwi child-rearing social history. The show was produced by JAM TV for TV One.
A song that manages to feel fast and gentle all at once, 'Hey Little' marked the first single for Auckland band Pluto. The low-tech stylings of the music video evoke the feel of a home movie; the shots of children, pets and good times with friends and family are an appropriate match to the lyrics, which evoke a parent talking affectionately to a child. 'Hey Little' vocalist Milan Borich was first seen in front of the cameras at age 12, as one of the stars of 1940s-set TV drama The Champion.
Chairman of company Greenstone TV, Richard Driver first broke into television as host of music show Radio with Pictures. After directing documentary Hokonui Todd, the ex singer ran production company Visionary TV and produced music series Give it a Whirl and award-winner Love, Speed and Loss. He went on to create and programme Sky TV's Documentary Channel for four years, before selling it to the BBC.
Actor, singer, and comedian Annie Whittle first won television fame on 70s comedy classic A Week of It. Since then she has presented a run of shows, had her own musical special, and acted alongside the likes of Billy T James, Miranda Harcourt, George Henare, and Anthony Hopkins.
Although better known as a songwriter and champion of New Zealand music, Arthur Baysting has also made a number of contributions to the screen. In the 1970s he was a scriptwriter on breakthrough dramas Winners & Losers and Sleeping Dogs, while his white-clad alter ego Neville Purvis graced cabaret stages and a short-lived TV series. Since then he has concentrated on writing songs and screenplays.
One of the funniest people on either side of the Tasman, John Clarke’s brand of droll wit (always delivered with a wickedly understated authenticity) defined the high-water mark of Kiwi and Australian comedy for 30 years. Spawned in the early 70s, his gumboot-clad character Fred Dagg marked a defining moment in the development of New Zealand comedy. Clarke passed away on 9 April 2017.
Bernadine Oliver-Kerby’s 25 plus years in broadcasting have ranged from sports reporting (including All Blacks tests and the Olympics) to reading the news — she was a longtime co-presenter on the One News weekend slot. Oliver-Kerby has hosted sports show Skoda Game On, the Halberg sports awards and quiz show New Zealand’s Brainiest Kid; she is also an award-winning radio newsreader.
Using the power of documentary film Frank Chilton made a difference to the lives of disabled children in New Zealand and around the world. The films he directed for the National Film Unit won many awards and he was honoured by the Queen with an OBE for services to the handicapped.