The role of women in a traditionally male dominated profession is highlighted in this episode of Wellington police drama Shark in the Park. The episode was penned by Norelle Scott and directed by Ginette McDonald. New arrival 'Wally' (Joanna Briant) faces a baptism of fire from her colleagues — and a rough ride on the streets as a drunken couple's antics escalate into major problems for the thin blue line. The third episode of season one features Robyn Malcolm in her first screen role, while Mark Wright provides some late 80s colour as an inebriated yuppie.

This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.

On 8 June 1987 Nuclear-free New Zealand became law. This collection honours the principles and people behind the policy. Prime Minister Norman Kirk put it like this: "I don't think New Zealand's a doormat. I think we've got rights — we're a small country but we've got equal rights, and we're going to assert them." In the backgrounder, journalist Tim Watkin explores the twists and turns of Aotearoa's nuclear history.   

This edition of Great War Stories series revisits “a candidate for the darkest day in New Zealand war history” — 12 October 1917. The Passchendaele disaster in Belgium is explored via a letter smuggled home from 23-year-old private Leonard Hart. The front was a quagmire of mud and blood where, in a catastrophic blunder, Kiwi soldiers were shelled by their own artillery fire before being caught in barbed wire, and slaughtered by enemy machine guns. Hart called it “the most appalling slaughter I’ve ever seen.” Presenter Hilary Barry also sings the opening hymn, 'Abide with Me'.

This feature dramatises an ill-fated offensive that Kiwi soldiers undertook during World War I’s Gallipoli campaign. On 8 August 1915 the Wellington Battalion briefly seized Chunuk Bair, a pivotal peak overlooking the Dardanelles; they suffered huge losses. The film pitches the attack as a formative New Zealand nationhood moment, with Kiwi guts and resilience countered by inept, careless British generals, as much as their Turkish foes. Filmed on an Avalon set and the Wainuiomata coast, the story was based on Maurice Shadbolt’s classic play Once On Chunuk Bair.

In this award-winning short film Michael is a 17-year-old who gets the abattoir blues during his first day at 'the works'. Fitting in turns out to be the least of Michael’s worries as young blood is welcomed on the line in the old fashioned way, and rite of passage is interpreted literally to meaty effect. Meathead was filmed at the Wallace Meat plant in Waitoa. Based on the true story of a mate of his, director Sam Holst’s debut short was selected for Cannes and won the Crystal Bear in the Generation (14plus) section of the 2012 Berlin Film Festival.

This documentary tells the epic story of helicopter deer culling in the Southern Alps. Introduced deer had become destructive environmental pests; in the 60s entrepreneurs shifted culling from ‘man alone’ to machine-driven hunting, as deer were shot then later captured alive from helicopters. Deer Wars — Top Gun in choppers, over the beech forest — revisits the heady ‘gold rush’ days, when heli-cowboys calculated often fatal pay-offs between risk and reward. It features interviews with survivors and fearsome footage of men hanging from helicopters and leaping onto deer.

In this dark and malevolent offering from the sinister mind of director Daniel Batkin-Smith, we witness the savagery of a female fight club in full swing. Forgoing traditional pinching and biting for brutal punching and strangulation, the girls round off this savage symposium with slaughter, before the corpse is jettisoned by goons, and the lady-victor parades her trophy. Charming.

This episode of Greenstone Pictures' documentary series about maritime misfortune recounts the fate of the Boyd — a shipwreck created by a bloody act of revenge. Presenter Paul Gittins travels to Whangaroa Harbour in the Far North where, in 1809, local Maori slaughtered more than 60 passengers and crew. This savagery — and the cannibalism that followed — severely strained early Maori-Pakeha relations for decades. Gittins carefully examines the lead-up to the attack and former Race Relations Conciliator, and local resident, Hiwi Tauroa provides further context.

The 1978 death of Kerry Hamill in Khmer Rouge prison S21 provided a tangible link for New Zealanders to a genocide that claimed two million Cambodian lives. Thirty years later, this acclaimed documentary by filmmaker Annie Goldson follows Hamill’s brother Rob — an Olympian and Trans-Atlantic rowing champion — as he attends the war crimes trial of Comrade Duch, one of the architects of the slaughter. Hamill is there to make a victim impact statement, but also to understand how his brother died, confront the man responsible, and discover if forgiveness is possible.