This four-part TVNZ series from 1986 surveyed the history of soul music, with a roll call of talented Kiwi performers belting out the genre's classics. In this first episode —  presented by Dalvanius with Stevie Wonder braids — the focus is on the influential 60s soul music of New York label Atlantic Records. Singers include Bunny Walters, Debbie Harwood, The Yandall Sisters, Peter Morgan and more. Ardijah chime in with their contemporary soul hit ‘Your Love is Blind’. The series writer was Murray Cammick, founder of music magazine Rip It Up. 

Tattooing — "The world's oldest skin game" — is the subject of this documentary made by Geoff Steven who scored a major coup when he obtained the services of Peter Fonda as his presenter. Shot in NZ, Samoa, Japan and the United States, it traces the history of tattooing from Ancient Egypt through its tribal importance in the Pacific, to a counter culture renaissance that began in the 1960s. Leading practitioners (including superstar Ed Hardy) are interviewed and observed at work, while their clients wince their way towards becoming living canvasses.

Gardening with Soul follows four seasons in the life of irresistible gardening nun Sister Loyola Galvin. Director Jess Feast (Cowboys and Communists) unearths sage gems from the nonagenarian on everything from compost to Catholic Church sex abuse scandals. The cycles of Wellington’s weather are charted via its influence on Loyola’s Island Bay garden, from the 2011 snow to flax-drunk tui. Feast worked with editor Annie Collins to piece together a paean to a life lived with zest and compassion. Soul won the Best Documentary at the 2013 Moa (NZ Film) Awards.  

This four-part 1986 series offered a lively musical survey of the history of soul. Each episode focussed on a United States city, and its influence on the evolution of the genre. Presented by Dalvanius, the show was built around performances of soul classics by Kiwi performers (Bunny Walters, Peter Morgan, The Yandall Sisters), filmed in a nightclub style setting at Auckland’s Shortland Street Studios. The series writer was Rip It Up editor and future record label owner Murray Cammick (Southside, Wildside). 

Beneath the escarpments, the gold miners have perished as Wellington rockers Flesh D-Vice come thundering out of the wastelands of a Wild West desert landscape from hell. This studio performance video was made for a 1985 single. For all of the serious intent on display, 'Flaming Soul' is practically a torch song compared to some of the band's more ferocious outings and there are some lighter touches to be seen: a guitar lead plugged into the sand and lead singer Gerald Dwyer nonchalantly lighting his cigarette from the inferno of a flaming oil drum.

This black and white performance music video is taken from  debut album Live at Bats (2004), back when the plan was for the Fly My Pretties ensemble to be a one-off project. Written and sung by Age Pryor — with vocal help from Tessa Rain — the gentle folk song is enhanced by simple but effective shooting, and attentive use of split-screen editing. The track was recorded in Wellington's Bats Theatre.

‘Heart and Soul’ — sometimes called 'You Took Me (Heart and Soul)' — was the biggest hit for rockers The Narcs. It peaked at number four on the NZ charts and took away two gongs at the 1984 NZ Music Awards. A spare, brooding rumination on love, it represented a departure from the more full on rock’n’roll that marked the band’s sound when they emerged on the Christchurch pub scene in the early 80s. Shot on a blacked out set, the video has all the hallmarks of a test run for a new digital effects suite — although that doesn’t explain the red pyramid at the centre of proceedings.

This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.

"Those were our people today, and that's Holmes tonight" went the sign-off to Paul Holmes' long-running current affairs show. This collection is a screen tribute to the broadcaster's sometimes controversial, always colourful career. As Jason Gunn writes: "From Dennis Conner's walkout to MPs' moans and groans / You lit up all our living rooms, you made our house a Holmes".

This collection looks at some of New Zealand's most significant national tragedies. Spanning 150+ years, it tells stories of drama, caution, hope and recovery — from the 1863 wreck of the Orpheus at Manukau Heads, to Tarawera, the Wahine, Erebus, Pike River and Christchurch. In the backgrounder, Jock Phillips writes about the collection, and the "common sequence" to disaster.