Lion Man Craig Busch, and his unlikely colleagues — African lions and white Bengal tigers — were a ratings and international sales success across three TV seasons. The Lion Man went behind the scenes at his Zion Wildlife Gardens animal park. In this first episode of the Great Southern TV show, Busch talks about his introduction to working with the big cats — and the scars that are part of the job. There's also a peek at the making of an award-winning Sky TV promo that featured his lions. Busch, and the park, were later to be the centre of regular controversy.
The first leg of Peter Hayden’s journey across latitude 45 south takes him across the Waitaki Plains and up to Danseys Pass. He visits the site of a moa butchery and the sunken circular umuti (cabbage tree ovens) of early Māori. Guided by colonial literature, he visits New Zealand’s tallest tree (a eucalypt, which he finds horizontal). Drought busting desperation of 1889 and the provenance of Corriedale sheep is also covered. In a riparian side trip, Hayden heads up the Maerewhenua River where gold miners succeeded only in ravaging the landscape.
In TVNZ’s Journeys Across Latitude 45 South, writer and presenter Peter Hayden traverses east to west from Otago’s Waitaki Plains to George Sound in Fiordland. Hayden walks, hitches, cycles, paddles a mōkihi (a traditional Māori canoe made of reeds) and white water rafts along the 45 south line. Along the way he builds a social, industrial and natural history of latitude 45 south. From the lonely wilds of Fiordland to the tourist Mecca Queenstown, Hayden encounters the quixotic and gruff, and pioneer species of the past, present in a changing world.
In 1865, Wellington became the Kiwi capital. In the more than 150 years since, cameras have caught the rise and fall of storms, buildings, and MPs, and Courtenay Place has played host to vampires and pool-playing priests. Wind through our Wellington Collection to catch the action, and check out backgrounders by musician Samuel Scott and broadcaster Roger Gascoigne.
Producer Philip Smith comes from a family of entrepreneurs, so it’s always been in his nature to pursue opportunities. Currently working as head of the production company he created, Great Southern Television, Smith also had an eventful career in journalism before moving into producing. He was once expelled out of Tanzania while working as a print journalist, and sold his first production company for several million dollars while still in his early 30s. Great Southern has produced Lion Man, Eating Media Lunch, The Unauthorised History of NZ and The Cult. Smith lives in both Auckland and Queenstown, where he does a lot of brainstorming out in his woolshed.
Producer Rachel Gardner studied at the London School of Economics, and worked as a journalist at the BBC. After returning downunder in 2002 she moved into producing: her work on hit show The Lion Man resulted in an invitation to spend time as Head of Drama at Great Southern Film and Television. Gardner has also worked with Angela Littlejohn on a run of short films, plus features Apron Strings and Show of Hands.
Michael Firth's follow-up to his 1977 Oscar-nominated ski documentary Off the Edge, but this time with a plot and scripted dialogue. Canadian Matt hitches from Auckland to meet a bunch of Kiwi extreme thrill-seekers at a southern ski field. They throw themselves off volcanoes, glaciers, mountains and into an Iron Man with "get more go" abandon. Cinematographer Stuart Dryburgh's first feature shoot — "I was relatively cheap and I could ski" — is notable for its action sequences (set to an 80s pop soundtrack) and Billy T James as a mad pilot.
Director Dustin Feneley’s first feature is set in a wintry Central Otago landscape. It charts the relationship between a man on parole (Kieran Charnock from The Rehearsal and short Cub) and a woman just out of a psychiatric facility (Arta Dobroshi, from Belgian film Lorna’s Silence). A highly successful crowdfunding campaign raised $125,000 towards the film. Stray won the first of many awards (for actor Charnock) when it premiered at the 2018 Moscow International Film Festival. Critics found it "compelling and haunting" (The NZ Herald) and "indelibly beautiful" (Stuff).
This Depression-era road movie tails teen runaway Kate (Greer Robson) as she tags along with World War I veteran Patrick (Aussie actor Peter Phelps) — also on the run after assaulting a repo man. The odd couple relationship grudgingly evolves as they narrowly escape the law, while crossing the southern badlands. Director Sam Pillsbury's film won wide praise; LA Times critic Kevin Thomas called it "pure enchantment". Robson's Listener award-winning turn followed her breakthrough role in Smash Palace. The film was nominated for another eight awards, including Best Film.
This documentary tells the epic story of helicopter deer culling in the Southern Alps. Introduced deer had become destructive environmental pests; in the 60s entrepreneurs shifted culling from ‘man alone’ to machine-driven hunting, as deer were shot then later captured alive from helicopters. Deer Wars — Top Gun in choppers, over the beech forest — revisits the heady ‘gold rush’ days, when heli-cowboys calculated often fatal pay-offs between risk and reward. It features interviews with survivors and fearsome footage of men hanging from helicopters and leaping onto deer.