"I hope you're braver than your brother." A young schoolboy (James Ordish) finds his day plunging into nightmare, when he gets called in for a session with the school dental nurse. The nurse (a sly performance by future casting director Tina Cleary) seems to take pleasure in other people's pain. Directed by cinematographer Warrick ‘Waka' Attewell (Starlight Hotel), this short film for the dental wary was written by Ken Hammon, who was part of the team behind Peter Jackson's debut feature, splatter flick Bad Taste.
Bitch is a tale of "infidelity among friends" which explores trust and romance, and stars three people and a canine. Isabel (Joanne Simpson) recalls a trio of relationships — one with a man in the middle of discovering he is gay, one with a man who doesn't like the smell of Isabel's pet dog, and the last with her friend Ruth. Creator Fiona Samuel (TV's Marching Girls) intended the short, one of her earliest as a director, to combine two perspectives: one of the world as the main character perceives it, and another as things might appear to the casual observer.
Crush is a tale of simmering sexuality set in Rotorua. Moral or sexual ambiguity pervades the narrative of conflicted desire. Its mix of blocked-up writer, spurting mud-pools, infatuated teen, eel farm, American femme fatale (Marcia Gay Harden), noir motels, limp pongas and wheelchairs, plays out in a symbolic NZ landscape not seen before (or since). Director Alison Maclean's debut feature (which she co-wrote with Anne Kennedy) played in competition at the Cannes Film Festival.
Known for his stylish reinventions of familiar genres, Scott Reynolds followed successful short A Game with No Rules, with rave reviews and a host of awards for his debut feature, serial killer tale The Ugly. Two further movies — Heaven and When Strangers Appear — have followed.