Jack Lovelock won New Zealand’s first Olympic athletics gold medal. He did so in spectacular fashion, winning the 1500m at the 1936 Berlin Olympics. In front of Hitler and 110,000 spectators, the famous ‘Lovelock kick’ unfurled into NZ’s sporting and collective consciousness: from Timaru to Oxford to Berlin triumph. Yet Lovelock was an enigmatic achiever. In this short film, the race — the supremely judged apex of a sporting career — is contrasted with his mysterious and tragic death, falling in front of a train from a New York subway platform in 1949.
“In the dark and scary depths of a subway, one young man finds fear has a new name: FIZZ.” Jemaine Clement (pre-Flight of the Conchords fame) is the young man who faces up to a sentient soda machine in this short from Jason Stutter. Made for $2000 and filmed over two wintry Wellington nights, Fizz screened at festivals including Locarno, New York, and Clermont-Ferrand. Stutter would successfully repeat the combo of dark wit and dangerous appliance in his Careful with that … series; Clement starred in Stutter’s debut feature Tongan Ninja (2002).
In this full-length Intrepid Journey actor/director Katie Wolfe takes her "appalling sense of direction" to China, a country caught between old ways and new. Wolfe travels by plane, boat, cyclo and train, which she calls "the perfect way to travel". She does three days in the Blade Runner-like cityscapes of Shanghai, where she meets an 86-year-old dancer, and visits the Forbidden City of Beijing. Wolfe also heads up the Yangtze River, visiting ghostly cities and apartment blocks, drained of people by major dam construction — before stumbling upon a most effective way to haggle.
The band has its origins in Christchurch, but this video takes their trademark sonic guitar to the subways and streets of their adopted home of New York. Shot in 1996 it feels more emblematic of the recession era as a robotic businessman crawls on its belly towards redundancy on Wall St. It's a striking key image as he/its battery runs down in front of the Stock Exchange Building amongst oblivious pedestrians. Liberty: Bailterspace style.
With an art-school background and avant-garde sensibilities, director Florian Habicht is responsible for some of this decade's most original New Zealand films. Since his breakthrough feature, the surreal Woodenhead, Habicht's subsequent films — most notably 2011 award-winner Love Story — have blurred the boundaries between drama and documentary.
Alison Maclean has brought an original vision to screen, whether it be in personal, expressionistic films: the Kiwi gothic duo of Kitchen Sink and her first feature, Crush, the acclaimed junkie redemption song Jesus' Son; her adaptation of Eleanor Catton novel The Rehearsal — or in high profile television series (Sex in the City, Carnivale, Homicide, The Tudors).