Classic sci-fi TV series Under the Mountain follows the adventures of redheaded twins with psychic powers — Rachel and Theo — as they battle the alien Wilberforces. This fourth episode sees the twins venture into the aliens' submarine lair for the first time. The lair's uterine production design, the NZSO score, and still-creepy transmogrifying SFX contributed to the slimy imprint the series left on a generation of NZ kids, haunted by the giant slugs slithering underneath Auckland's volcanoes. The award-winning series was adapted from the Maurice Gee novel.
This documentary on legendary Kiwi playwright Bruce Mason premiered soon after his death. The result is a portrait of a man who become an artist despite, as much as because of, his fellow Kiwis. There are shots of Mason performing solo classic The End of the Golden Weather on his beloved Takapuna Beach, and insights from a cast of Kiwi theatrical heavyweights. In an extended interview with The Listener's Helen Paske, Mason ranges from his works looking at Māori-Pākehā relations, to over the top reaction to controversial tele-play The Evening Paper.
Starting his World War II military service in the army, Jack Harold was soon transferred to the navy. He saw active service at Guadalcanal in the Solomon Islands, and was aboard minesweeper HMNZS Moa when it and sister ship HMNZS Kiwi engaged a Japanese sub, eventually sinking it after the Kiwi dropped depth charges. The Moa’s luck didn’t hold; it was sunk in a Japanese raid, taking five of its crew with it. Jack survived, and returned to action in the Pacific aboard submarine-hunting ships. Jack Harold was discharged from the Navy in 1945; he passed away on 15 April 2017.
As part of the radical 80s neoliberal reform of the public and corporate sector in New Zealand, many government-run assets were turned into state owned enterprises; some were sold off to foreign buyers. Screening on TV3, this 1991 film, written by Metro columnist Bruce Jesson, examines the controversial programme by asking “who owns this country and who controls it?”. Those answering range from businesspeople to politicians, academics, journalists, vox pops and critics of the ‘cashing-in’, from the Hamilton Jet family to UK environmentalist Teddy Goldsmith.
Directed by Jane Campion, An Angel at My Table is adapted from author Janet Frame's renowned three-part autobiography. It threads together a series of images and scenes to evoke Frame's dramatic life story. Originally made as a TV drama, the much-acclaimed dramatisation won cinema release in 35 countries, establishing Campion as an international director, launching actress Kerry Fox, and introduced new audiences to the "mirror city" of Frame's writing. This excerpt follows Frame's life-saving escape from Seacliff Asylum, to first publishing success at Frank Sargeson’s bach.
This documentary reviews that 1983 Royal Tour downunder by Prince Charles and Princess Diana. The tour was notable for the presence of royal baby William; images of the son and heir playing with a Buzzy Bee on the lawn of Government House in Auckland were published around the world. The royals also visit the ballet, banquet, waka, hongi, plant kauri, and see Red Checkers and firemen’s displays. Prince Charles’s duties include announcing an extra holiday for school kids and he meets younger bro Edward on his gap year (tutoring at Wanganui Collegiate).
Set over a Christmas beach holiday in 1935, The End of the Golden Weather chronicles the friendship between a teenage boy and the wild-limbed Firpo, dreamer and social outcast. Writer/director Ian Mune spent more than 15 years "massaging" Bruce Mason's classic solo play into a movie, before assembling a dream team to bring it to the screen. The finished film captures the world view of a boy for whom fantasy, hope and disappointment intermingle. Among an impressive awards haul, 12-year-old star Stephen Fulford was recognised at America's Youth in Film Awards.
Classic sci-fi TV series Under the Mountain follows the adventures of redheaded twins with psychic powers — Rachel and Theo — on their Auckland summer holiday. They meet the mysterious Mr Jones, an alien emissary who enlists them in the battle against the evil Wilberforces, who are plotting planetary destruction. Adapted from the Maurice Gee novel, the series' fx left their slimy imprint on a generation of NZ kids, haunted by the transmogrifying Wilberforces, who changed from humans into giant slugs slithering underneath Auckland’s volcanoes.
In this children's sci-fi caper, an all-singing all-dancing gang of cronies led by 'evil Eva' (Nevan Rowe) holds Auckland to ransom for $5,000,000. As in Under the Mountain Auckland's volcanoes play a starring role, with Eva threatening to drop a nuclear bomb into the crater of Rangitoto. Who will save the city? A trio of intrepid kids and their DIY anti-gravity machine are on the case. Writers Ian Mune and Keith Aberdein give director Roger Donaldson (and a bevy of industry talent) plenty of goofy 70s fun to play with. Donaldson would shortly helm the acclaimed Smash Palace.
Teen actors Nikki Si'ulepa and Toby Fisher won acclaim in Ian Mune's fourth feature as director. Si'ulepa plays a Samoan street kid who meets a well-off white teen, when both are facing mortality in a hospital ward. The co-production between NZ and Canada (where it debuted on cable TV) won over critics in both nations. "Si'ulepa dominates the camera and the action with a natural authority", raved Metro. Moon scooped the gongs at the 1996 TV Guide Awards (including for originating screenwriter Richard Lymposs); and won notice at Berlin and Giffoni film festivals.