This National Film Unit promotional film begins at the Aratiatia rapids on the Waikato River and heads on up to Lake Taupō, where it chucks on the waders and casts into the waters of the volcanic crater lake, to extol the virtues of fishing for rainbow trout. The narration is firmly of its time: “Here’s one man’s idea of the complete angler: complete with radio and pretty girl. Maybe the fish won’t bite, but he’s planned a good day whatever line he uses.” Lake Taupō - Paradise for Fishermen was the NFU’s first production to be shot on 35mm colour film (specifically 35mm Ansco Colour).
NFU-produced TV series These New Zealanders explored the character and people of six NZ towns, 60s-style. Fronted by Selwyn Toogood, it was one of the legendary presenter's first TV slots. In this episode Toogood dons the walk shorts and long socks and visits Taupō, extolling the lake district as a place of play (camping, fishing, swimming, jet-boating) and work (the development of Lochinver Station for farming). Toogood does a priceless vox pop survey of summertime visitors, including the requisite quizzing of an overseas couple about whether they like it here.
Rush-released, this Weekly Review special shows efforts to battle a Taupō forest fire which got out of control in February 1946. Scenes include an RNZAF plane flying the NFU cameraman over the flames, and a family readying to evacuate: “Where it is strongest, little can be done. Only rain can end it.” A drought and strong winds saw the fire spread across 250,000 acres, leap the Waikato River and threaten Taupō. Seen as a national disaster, the fire destroyed 30,000 acres of pine forest as NZ was rebuilding post World War II; it led to the Forest and Rural Fires Act 1947.
This collection celebrates the legendary moments that New Zealanders — huddled around the telly — gawked at, chortled with, and choked on our Choysa over as they played out on our screens. "There's a generation who remember where they were when JFK was shot", but as Paul Casserly asks in his collection primer, "where were you when Thingee's eye popped out?"
Forget who shot JR or what was under the hatch ... where were you when Thingee's eye popped out, 'O' was for 'awesome', or Bob "stormed out of the bracken like a yeti" to bop Rod in the 'Tumble in Taupō'? From Wainuiomata to Guatemala this Top 10 presents the most viewed clips from the previous NZ On Screen Legendary Moments collections (in descending order).
After being fired from his first New Zealand film Under the Southern Cross in the late 1920s, American director Alexander Markey returned to make Hei Tiki. Following a sometimes tense shoot, mostly around Taupō, he departed Aotearoa, leaving badwill and fears he'd stolen a number of taonga in his wake. Inspired partly by Māori legend, Hei Tiki sank quickly when finally released in 1935. This documentary features extensive clips from the movie, plus interviews with surviving cast and crew — including co-star Ben Biddle, and pioneering cameraman Ted Coubray.
This documentary looks at the history of the island of Motutaiko, the prominent landmark in the middle of Lake Taupō. Motutaiko is a sacred site for Ngāti Tūwharetoa. Directors Toby Mills and Moana Maniapoto use interviews and shots of island life to examine Motutaiko’s geological and mythological origins, its strategic place in Māori history (from the muttonbirds that gave the island its name, to its role as a stronghold), desecration of burial sites, and its contemporary place as a conservation bastion free of predators — and home to rare birds, insects and trees.
Comedian Mike King retraces the 1840 journey of the nine sheets of the Treaty of Waitangi in this 10-part series. The introductory first episode explores the epiphany that inspired King to embark on “his dream project”. He rues his Treaty ignorance and lack of te reo, shares his struggle with memory loss since he suffered a stroke in 2006; and makes an emotional return home to learn about his link to the Treaty via his tīpuna. After debuting on Waitangi weekend, 8 February 2009, Dominion Post critic Linda Burgess called it “dignified, conciliatory, informative.”
A rod and rally race is the angle for this 1969 light comedy. Legendary angler ‘Maggots’ McClure lures “glamour boy” lawyer and fishing novice Applejoy (Peter Vere-Jones) into a contest to catch three trophy fish in Russell, Taupō, and Waitaki. The old dunga versus Alvis ‘Speed 20’, north versus south duel transfixes the nation; snags, shags and scenic diversion ensue. Directed by noted UK documentary maker Derek Williams, the caper was made with NFU help and funded by energy company BP. It showed with Gregory Peck western The Stalking Mood in New Zealand theatres.
This NFU documentary showcases the hydroelectric power-generating might of the Waikato River. The ‘man harnesses nature’ narrative — shown via concrete, steel and earthmoving for dam building — highlights the path of the power: to drive farms, factories and Wellington’s electric trains. Director Cecil Holmes later wrote that post-war NZ was "a desperately poor country"; the film aimed to highlight Government efforts to overcome power shortages. After the 'satchel snatch' smear campaign of 1948, Holmes left for a highly regarded screen career in Australia.