This four-part series explores New Zealand social history through rugby, from the first rugby club in 1870 to the 1995 World Cup. In this episode commentators muse on the roots of rugby in a settler society, in "a man's country". Rugby's unique connection with Māori, from Tom Ellison and the Natives’ tour to a Te Aute College haka, is explored; as well as the national identity-defining 1905 Originals’ tour, and the relationship between footy and the battlefield. As the Finlay Macdonald-penned narration reflects: “Maybe it's just a game, but it's the game of our lives”.
This edition of the Rangatira (‘chief’) series on Māori leaders, looks at academic and politician Dr Pita Sharples, a key figure of the Māori cultural renaissance. The future Māori Party co-leader visits his Takapau home, acknowledges his pivotal time at Te Aute College, talks candidly about the pressures his tireless schedule places on his whānau, demonstrates his cherished taiaha, and goes ten pin bowling. In extensive interviews he enthuses about realising the dream of kaupapa Māori (education, language, prison) cultures, and on the importance of kapa haka.
This second episode of the early 80s chat show sees host Ian Johnstone welcome Howard Morrison, Pita Sharples and Rosa Tamepo to talk about ‘breaking in’. Morrison and Sharples discuss being Māori ‘breaking in’ to a Pākehā world. Tamepo reflects on being a Pākehā married to a Māori. Sharples recalls being a Kahungungu boy from the backblocks at Auckland University; Morrison twists the theme to talk about growing up as a Te Arawa tama in Tūhoe country. Made by David Harry Baldock, the show was inspired by the relaxed style of English interviewer Michael Parkinson.
This four-part series from 1996 presents the game of rugby as a mirror for New Zealand social history. Written by Finlay Macdonald, it sets out to explain how rugby became such an intrinsic part of New Zealand's identity. Each episode visits iconic paddocks (from schools to stadiums) and players (from amateurs Nepia, Meads, and Shelford, to professional star Lomu); and observers muse on the influence of the inflated pig's bladder on Kiwi culture, including historian Jock Phillips, writer Ian Cross and journalist TP Mclean.
Gladiator: the Norm Hewitt story is the story of former All Black hooker Norm Hewitt's battle with alcoholism and his journey to redemption. After disgracing himself, a tearful public apology became a personal "defining moment" for Hewitt: he reinvented himself as a youth worker and ambassador for Outward Bound. Directed by Michael Bennet, shot by Rewa Harre and based on the best-selling biography by Michael Laws the doco takes him to meet legendary youth worker Mama Teri on the streets of South Auckland, and chronicles Hewitt's life change.
"1-2-3, Ngāti!" This is a behind the scenes look at the Ngāti Porou East Coast Rugby team’s 2001 campaign. Beginning with a Ruatoria marae live-in, the film follows the team’s unlikely efforts to win National Provincial Championship’s 2nd Division. The classic underdog story captures grassroots rugby’s strong community ties. The secret weapon of NZ’s only iwi-founded union? "Whānau spirit". As prop Orcades Crawford says: "when you put on a sky blue jersey it’s totally different to anything else - it’s probably better than the All Blacks [jersey]!"
This edition of a series of TV3 shorts retelling Kiwi World War I stories follows Māori soldier Rikihana Carkeek into war. The 24-year-old Te Aute College old boy was working as a clerk in Wellington when he volunteered for the Native Contingent. His grandson, Te Waari Carkeek, a kaumatua at Te Papa, reads excerpts from Rikihana’s diary: recounting waiting for a chance to fight in Malta, and the “hell on earth” carnage of Gallipoli. Carkeek returned home to Otaki and became a Ngāti Raukawa leader. This third episode screened during 3 News on 6 August 2014.
This 2002 documentary profile of the late Ngāti Porou master carver and 2013 Arts Foundation Icon award winner Pakariki Harrison won that year’s Best Māori Language Programme at the TV Guide NZ Television Awards. The documentary follows Harrison, the eldest of 21 children from Ruatoria, who honed his practice while still a student at Te Aute College in Hawke’s Bay and who left a legacy as one of the finest tohunga whakairo (expert carvers) of his generation. It also examines the unique chisels used by the carver, and their specific uses and patterns.
Rowley Habib — also known as Rore Hapipi — was one of the first writers to bring a genuinely Māori perspective to New Zealand stage and screen. His play Death of the Land is seen as a landmark in the development of Māori theatre. In 1983 Habib won a Feltex Award for land rights drama The Protestors, part of a trio of pioneering one-off plays for television. Habib passed away on 3 April 2016.
Wi Kuki Kaa was a diverse, formidable presence on New Zealand stage and screen for almost 30 years. His iconic roles included Iwi in Barry Barclay-directed feature Ngati, Rewi Maniapoto in TV series The Governor, Wiremu in Geoff Murphy-directed Utu, the koroua in Trinity Roots' music video Little Things, a scarecrow maker in Worzel Gummidge Down Under, and many more.