Phar Lap — the pavlova of the equine world — is the subject of this episode in a series looking at some of Te Papa’s holdings. Bred and trained in New Zealand, he spent most of his outstanding racing career in Australia (before dying in suspicious circumstances in California) and is regarded as a national treasure on both sides of the Tasman. His fate reflects those claims, with his skeleton at Te Papa, his hide in Melbourne and his heart in Canberra. This mini-doco backgrounds Phar Lap’s life and includes some of the scarce footage available of him.
Stories behind 100 of more than 2 million pieces in Te Papa’s collections are investigated in this series of mini-documentaries commissioned by digital channel TVNZ6. Presenters Simon Morton and Riria Hotere talk to the museum’s curators and researchers about items ranging from the quirky to the nationally, and internationally, significant. Subjects include artworks by Colin McCahon and John Reynolds, a Fijian war club, a Samoan cricket bat, a “murder house” dental nurse’s equipment, the Playschool toys, an Egyptian mummy and the fate of the Huia.
This collection, launched to honour 10 years of NZ Fashion Week, celebrates Kiwi fashion on screen. From TV showpieces (B&H, Corbans) to docos on designers; Gloss to archive gold, from Swannies to Split Enz, taniko to foot fetish ... take a stroll down the catwalk of our sartorial screen past. Beauties include ex-Miss Universe Lorraine Downes and a teenage Rachel Hunter.
Celebrate iconic Māori television, film and music with this collection, in time for Māori New Year. Watch everything from haka to hip hop, Billy T to the birth of Māori Television. Two backgrounders by former TVNZ Head of Māori Programming Whai Ngata (Koha, Marae) look at Matariki, and the history of Māori programming on New Zealand television.
Brian Brake is regarded as New Zealand's most successful international photographer. But before heading overseas to work for photo agency Magnum and snapping iconic shots of Picasso and the Monsoon series for Life magazine, he was also an accomplished composer of moving images. He shot or directed many classic films for the NFU, including NZ's first Oscar-nominated film.
Hosted by Jason Gunn, this popular late 90s teen talent quest became a pop culture marker for young Kiwis of the era. In this 1999 grand final at Te Papa’s marae, judges King Kapisi and Stacey Daniels assess the year's finalists. They include 11-year-old Hayley Westenra performing ‘The Mists of Islay’, which Westenra would later record after finding global fame as a classical crossover singer. The international guest is another young prodigy: violinist Vanessa Mae. Future Sticky TV/C4 presenter Drew Neemia was one of the members of house troupe The Super Troopers.
Like the digital ‘mash-up’ concept to come, this 1970 film uses content from more than one source to create something new. In this film collage, relics of visual and material culture from New Zealand museums are combined to evoke life in earlier eras. These objects — from moa skeletons, to scrimshaw, to a stereoscope, and surveys of Māori culture and sex appeal (!) — are mixed with historical footage (including turn of the century Queen Street) and a classical score. Another Time was directed by Arthur Everard for the National Film Unit.
This edition of a series of TV3 shorts retelling Kiwi World War I stories follows Māori soldier Rikihana Carkeek into war. The 24-year-old Te Aute College old boy was working as a clerk in Wellington when he volunteered for the Native Contingent. His grandson, Te Waari Carkeek, a kaumatua at Te Papa, reads excerpts from Rikihana’s diary: recounting waiting for a chance to fight in Malta, and the “hell on earth” carnage of Gallipoli. Carkeek returned home to Otaki and became a Ngāti Raukawa leader. This third episode screened during 3 News on 6 August 2014.
This documentary is a view into the crucible that forged Te Papa Tongarewa, the Museum of New Zealand, which opened in 1998. Fascinating fly-on-the-wall moments are captured as a new kind of national museum is conceived. This excerpt features a board meeting where Saatchi & Saatchi present branding options. As political, ideological, creative and commercial considerations collide, the frustrations of decision making by committee are palpable: the body language, tears, cautions, grumbles, and finally, smiles, as they settle on the contentious thumbprint logo.
Backch@t was a magazine-style arts and culture show that appealed, from the opening acid-jazz theme tune, to a literate late-90s arts audience. Fronted by media personality Bill Ralston, these excerpts from the first episode come out guns blazing with a debate by panellists about Tania Kovats's controversial artwork 'Virgin in a Condom', the sculpture that caused national upset when it was exhibited at Te Papa in 1998. Managing to keep a panel discussion convivial rather than confrontational, Ralston handles the catholic debate with aplomb.