This episode of C4's music series Homegrown Profiles features singer/songwriter Anika Moa, who was signed to international label Atlantic Records and recording her debut album Thinking Room in New York when she was barely out of her teens. Moa talks about growing up in a musical household in Christchurch; being discovered through the annual Rockquest competition; her American experience and the decision that it wasn't a good fit for her; and her return to New Zealand and the happier experience of making her second album Stolen Hill.
Peter Jackson has gone from shy fanboy to master of his craft; from Pukerua Bay to Wellywood. With six journeys into Middle-earth now behind him, he has few peers in the realm of large scale filmmaking. Led by early 'behind the scenes' docos this collection pays tribute to PJ's journey, from re-making King Kong in his backyard to err ... re-making King Kong in his backyard.
On a Tuesday evening in April 1968, the ferry Wahine set out from Lyttelton for Wellington. Around 6am the next morning, cyclone-fuelled winds surged in strength as it began to enter Wellington Harbour. At 1.30pm, with the ferry listing heavily to starboard, the call was finally made for 734 passengers and crew to abandon ship. The news coverage and documentaries in this collection explore the Wahine disaster from many angles. Meanwhile Keith Aberdein — one of the TV reporters who was there — explores his memories and regrets over that fateful day on 10 April 1968.
New Zealand's representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases their screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange, Olympic boycotts), revolutions, nukes, and snap elections, to political punches (Bob Jones), and young leaders (Clark). Listener writer Toby Manhire writes about Kiwi politicians on screen here.
It started with grunge and ended with Spice Girls; Di died, Clinton didn't inhale and the All Blacks were poisoned. On screen, Ice TV and Havoc were for the kids and a grown-up Kiwi cinema delivered a powerful triple punch. Tua's linguistic jab proved just as memorable, Tem got a geography lesson and Thingee's eye popped and reverberated around our living rooms.
Singer-songwriter Anika Moa admits she wanted to be a rugby player. "I played for Canterbury for years. But I chose music". The decision paid off: in 2000 she became the first New Zealander to sign to an international record label without a home release. Although her debut album Thinking Room produced hit singles (‘Youthful', 'Falling in Love Again'), Moa wanted to "stay true to herself and her musical path", and returned to her Kiwi roots in 2002. Since then she has recorded a series of popular albums, and also composed music for a run of documentaries.
Raybon Kan gave up his legal career to become a humorist and stand-up comedian.
Fifteen wannabe comedians combat nerves and a tight deadline in this first episode of talent quest So You Think You're Funny. The first task for judges Jon Bridges, Raybon Kan and Paul Horan is to eliminate five contenders from the line-up. The contestants are given a few days to write and practise a short set, before performing it in front of a live audience at Queen Street's Classic Comedy Bar. This scenario would be terrifying for most, and it confirms a harsh truth that Horan offers early on: "If the audience hates you, there's not a lot we can do'. One hundred people originally auditioned.
Samoan-born, New Zealand-raised director Sima Urale is our first prominent Samoan female director. Urale has brought touching stories of Pacific people to the screen, often from an NZ outsider’s point of view. Urale credits her film success to determination and dealing with social issues close to her heart.
After her husband is jailed, matriarch Cheryl West (Robyn Malcolm) decides the time has come to set her family on the straight and narrow. But can the Wests change old habits? So begins the six-series long saga of the Westie dynasty. Hugely popular at home (beloved by public, critics and awards-nights alike), and imitated overseas, Outrageous Fortune has been a flag-bearer for TV3 and contemporary NZ telly drama; the series proved — in all its grow-your-own glory — that genre TV in NZ could be so much more than overseas stories pasted to a local setting.