This Landscape doco looks at the muttonbirding culture of the deep south, as Rakiura (Stewart Island) Māori exercise their customary right to harvest the birds for food, oil and feather down. The hunt begins with a rugged trip to the islands where hundreds of thousands of tītī (or sooty shearwater) arrive annually to breed. The kinship of birding is evident as families (and a poodle) set up camp. Soon the salty kai is plucked from burrows and sent by wire downhill to the ‘pluckhole’. This was an early gig for director Bruce Morrison (Heartland, Shaker Run).
This documentary looks at the history of the island of Motutaiko, the prominent landmark in the middle of Lake Taupō. Motutaiko is a sacred site for Ngāti Tūwharetoa. Directors Toby Mills and Moana Maniapoto use interviews and shots of island life to examine Motutaiko’s geological and mythological origins, its strategic place in Māori history (from the muttonbirds that gave the island its name, to its role as a stronghold), desecration of burial sites, and its contemporary place as a conservation bastion free of predators — and home to rare birds, insects and trees.
This documentary tells the story of the inimitable kea. The 'Clown of the Alps' is heralded as the world’s smartest bird (its intelligence rivals a monkey’s). Kea are famous on South Island tracks and ski fields for their insatiable (and destructive) inquisitiveness. Curiosity almost killed the kea when it was labelled a sheep killer, and tens of thousands were killed for a bounty. After shots of baby kea being fed, there is extraordinary night footage in clip four of the 'avian wolf' in action. The award-winning film makes a compelling case for the charismatic kea as a national icon.
This 1968 Looking at New Zealand episode travels to NZ’s third-largest island: Stewart Island/Rakiura. The history of the people who've faced the “raging southerlies” ranges from Norwegian whalers to the 400-odd modern folk drawn there by a self-reliant way of life. Mod-cons (phone, TV) alleviate the isolation, and the post office, store, wharf and pub are hubs. The booming industry is crayfish and cod fishing (an old mariner wisely feeds an albatross); and the arrival of tourists to enjoy the native birds and wildness anticipates future prospects for the island.
After showing she could definitely generate a headline from an interview (when she quizzed Bachelor winner Art Green on matters sexual, in a 2015 NZ Herald web series) Anika Moa got her own chat show on Māori Television in 2016. The couch interview format saw Moa interview guests and review media in her trademark candid style, from actors Cliff Curtis and Lucy Lawless to politician Chloe Swarbrick. Eleven 30-minute episodes were made for series one; a second series began in 2017. The series won praise for its fresh (non white male) perspective.
Merata Mita argued forcefully that the voices of Māori and of women were sorely lacking on-screen. Best known for her Springbok tour documentary Patu!, the straight-talking director and actor later set up an indigenous filmmaking programme in Hawai'i, and spoke about indigenous film around the globe. After Mita passed away in 2010, her youngest son Hepi began making a film about her — discovering new sides to his mother as he trawled through footage, and interviewed his older siblings. The feature-length documentary debuted at the 2018 NZ International Film Festival.
This 2014 documentary celebrates Māori Television’s first decade. It begins by backgrounding campaigns that led to the channel (despite many naysayers). Interviews with key figures convey the channel's kaupapa – preserving the past and te reo, while eyeing the future. A wide-ranging survey of innovative programming showcases the positive depictions of Māoridom, from fresh Waitangi, Anzac Day, basketball and 2011 Rugby World Cup coverage, to Te Ao Māori takes on genres like current affairs and reality TV (eg Native Affairs, Homai Te Pakipaki, Kai Time on the Road, Code, and more).
A magazine show with an edge, The Living Room won awards for its creative and dynamic approach to covering the arts. These excerpts from series two cover a wide range of artists, from those working in multimedia to those puttng stencil art on walls. Also featured are dub band Kora, novelist Kelly Ana Morey and drummer Anthony Donaldson. In the second to last clip, Taika Waititi pretends he hasn't done any rehearsals for his one man show Taika's Incredible Show, which features an alien with ridiculous teeth and Gunther the dancing German.
Packed with Kiwi comedy talent, The Breaker Upperers is the tale of two women whose business is ending other people's relationships. Leading both the cast and the filmmakers are Madeleine Sami (Super City) and Jackie van Beek (who played a wannabe vampire in What We Do in the Shadows). Sami's character finds herself falling for a teen (James Rolleston) who needs to dump his girlfriend. The film won its first rave review when it debuted at US festival South by Southwest, in March 2018. New Zealand release followed in May. The cast includes Rima Te Wiata and Rose Matafeo.
Creating and playing all of the main characters in Super City made for a "physically exhausting" experience for Madeleine Sami. But the hard yakka paid off, with the first season winning Sami a best actress gong and rave reviews. The show weaved the storylines of very different Aucklanders (five in season one, and four new characters in season two): including a ditzy Indian cheerleader, an Iranian male taxi driver obsessed with Māori culture, and a homeless woman. Taika Waititi (Boy) directed the first series; Oscar Kightley (Sione's Wedding) took over for season two.