'No 8 wire' Kiwi ingenuity is defined by problem solving from few resources (No 8 wire is fencing wire that can be adapted to many uses, an ability that was particularly handy for isolated NZ settlers). Embodied in heroes from Richard Pearse to PJ, Kiwi ingenuity is a quality dear to our national sense of self. It has been memorably celebrated, and sometimes satirised, on screen.
This documentary showcases some of the tricks of the trade used by Peter Jackson in the making of his first feature — the aliens-amok-in-Makara splatter classic, Bad Taste. Compiled following the film's 1988 Cannes market screening, it's framed around an extensive interview with a 25-year-old Jackson at his parents’ Pukerua Bay home. These excerpts offer fascinating insight into his ingenuity: from building a DIY Steadicam, to the making of the infamous sheep-obliterating rocket launcher scene, to PJ musing on the impetus that being an only child provided him.
Ask Country Calendar viewers which shows they remember and inevitably the answer is "the spoofs" — satirical episodes that screened unannounced. Sometimes there was outrage but mostly the public enjoyed having the wool pulled over their eyes. Created by producer Tony Trotter and Bogor cartoonist Burton Silver, the first (in late 1977) was the fencing wire-playing farmer and his "rural music". This special episode collects the best of the spoofs, from the infamous radio-controlled dog, to the gay couple who ran a "stress-free" flock, and more malarkey besides.
In the late 1980s, Kiwi inventor John Britten developed and built a revolutionary racing motorcycle. He pursued his dream all the way to Daytona International Speedway; in 1991, as an unlikely underdog, he came second against the biggest and richest manufacturers in the world. Britten: Backyard Visionary documents the maverick motorcycle designer as he and his crew rush to create an even better bike for the next Daytona. But when they get to Florida, another all-nighter is required to fix an untested vehicle which includes at least ten major innovations.
Around 31 March 1903, eccentric farmer Richard Pearse climbed into a self-built monoplane and flew for about 140 metres, before crashing into a Waitohi gorse bush. The amount of control he maintained and exact date (before the Wright brothers?) has been oft-debated. This award-winning TV film (an early script for Hunter's Gold's Roger Simpson) dramatises the life of the reclusive young inventor and his flying machine, from his youth up until the flight itself. Actor Martyn Sanderson captures 'Mad Dick's' obsession in a Feltex-winning performance.
Aotearoa as adventure sport mecca is vividly captured in this classic Roger Donaldson-directed doco. Sir Edmund Hillary leads an A-Team of mates on an old school epic to tackle Fiordland's unclimbed Kaipo Wall. In part one, they set out to kayak and raft down the Hollyford River's white water rapids for the first time (they're soon overturned, bashed and wet). At Lake McKerrow they build a DIY sailboat with a tent fly and branches (Bear Grylls take note) before tramping along windswept sands and through thick bush to reach the imposing wall.
Paul Henry surprises bungy jumping entrepreneur Alan John Hackett at Auckland Airport with the immortal words, "This is your life". The many guests in this 70-min. special include childhood go-kart friends, bungying celebs and police boat chief Lloyd McIntosh, who recalls the day he witnessed Hackett leaping off Auckland Harbour Bridge as "a highlight from his career". Hackett later stole up, and leapt off, the Eiffel Tower (less Man on a Wire, more man with rubber rope). Adds his mother Margaret: "I'm buggered if I consider him famous. He's just AJ."
An epic documentary chronicling the extraordinary, unbelievable life of pioneer Kiwi filmmaker Colin McKenzie. Or is it? The first clue that none of this story is true is that the film begins (the opening 10 minutes is excerpted here) with Peter Jackson leading the viewer down a garden path. Much that is absurd and unlikely follows, leading to a curiously emotional climax. The screening of Forgotten Silver memorably stirred up NZ audiences, and it screened at international film festivals such as Cannes and Venice, where it won a special critics' prize.
Presented by Kenneth Cumberland, Landmarks looked at New Zealand history through the landscape — and at man "coming to terms" with it. In this episode Aotearoa's "last, lonely, remote" geography is framed as a stimulus for ingenuity. A narrative of "triumph over the elements" finds its flagbearer in the DIY story of jetboat inventor Bill Hamilton. Cumberland is donnish but game in pursuit of telling landmarks: exposing seashells alongside the Napier-Taupō highway (700 metres above sea level) like a downunder Darwin, or in a gas mask on an erupting White Island.
Inspired by the ageing Burt Munro — who took his home-engineered motorbike to America, and won a land speed record — this passion project was Roger Donaldson's first locally made film in two decades. Variety called it a "geriatric Rocky on wheels”; Roger Ebert praised Anthony Hopkins' performance as one of the most endearing of his career. The result sold to 126 countries, spent five weeks in the Australian top six, and became Aotearoa's highest-grossing local film — until Boy in 2010. Alongside an excerpt and making of material, Costa Botes writes about the film here.
This NFU classic tells Peter Snell's story, up until just before his triumph at the Tokyo Olympics (he'd already won 800 metres gold in Rome, and beaten the world record for the mile). Snell's commentary — focused, candid — plays over footage of training and some of his key races. "It always gives a feeling of exhilaration to run in the New Zealand all black singlet." Snell offers insights into the marathon-style training of coach Arthur Lydiard (15 miles daily, 100 miles a week), and there's priceless footage of Snell running through bush and leaping fences in Auckland's Waiatarua hills.
This National Film Unit film follows Nobel Prize-winning scientist Ernest Rutherford, from Marlborough Sounds farm boy to leading Cambridge University's legendary Cavendish Laboratory. Described by Einstein as "a second Newton", Rutherford is renowned as one of the founders of modern atomic physics. Director David Sims pays special attention to Rutherford's colonial upbringing and education, and how it encouraged him to experiment. The atom-splitter famously said of Kiwi ingenuity, "we don't have the money, so we have to think". Rutherford is voiced by actor Grant Tilly.
This madcap, Qantas award-winning TV2 children's show gives young inventors the opportunity to realise their ideas. It was created by Neil Stichbury and Luke Nola after their zany inventions show for kids, The Goober Brothers, had viewers sending in their own suggestions. There's serious intent in the mayhem with practical science explanations and intellectual property safeguarded. Contributors over six series (to 2012) have included engineer Chris Chitty (creator of animatronic sheep for the film Babe) and Sam Britten (son of motorcycle designer John Britten).
Director Florian Habicht's follow-up to his offbeat fairytale Woodenhead is a documentary tribute to a community of characters, drawn together by a desire to jump in a car for the local demolition derby. Behind the bangs, prangs, and blow-ups, the heart and soul of a small Far North town — Kaikohe — is laid bare in this full-length film, thanks to a cast of fun-loving, salt of the earth locals. Kaikohe Demolition won rave reviews, and The Listener named it one of the ten best films of 2004. Filmmaker Costa Botes writes about the film's characters and qualities here.
By 1976 there were only seven Chatham Islands' black robins left. It was the world's rarest bird. In a bid to save the species, the surviving birds are taken from one island to another more hospitable island in a desperate rescue mission. This is part of an incredible conservation success story led by Don Merton and his NZ Wildlife Service team. With Project Takahē, this documentary captured viewers' imaginations, and was one of the first in the acclaimed Wild South series of 'rare bird' films, which were foundational for TVNZ’s Natural History Unit (later NHNZ).
Flip & Two Twisters is a Shirley Horrocks documentary about New Zealand artist Len Lye. Motion maestro Lye's international reputation rests on his work as a filmmaker and kinetic sculptor and his lively contributions to the London and New York avant-garde. The documentary explores Lye's career and ideas, with the help of historical footage and excerpts from his films. It includes footage of Lye in typically exuberant form outlining his process, introduces many of his kinetic works, and documents how some of his most ambitious plans are now being realised in NZ.
This Christchurch-based TVNZ science and technology show put science in primetime in the 1980s (notably on Friday nights before Coronation Street). The successor to Science Express, it sought to explain how science was changing everyday NZ life; and reporters (including Jim Hopkins, Liz Grant, Peter Llewellyn and Julie Colquhoun) attempted to engage the public without alienating the scientific community, and vice versa. Its run ended in 1989 when TVNZ decided it couldn't compete with the runaway success of Australian counterpart Beyond 2000.
The Feltex-winning series Pioneer Women dramatised the lives of groundbreaking New Zealand women. This episode looks at the story of controversial safe-sex campaigner Ettie Rout. In World War I she travelled to Egypt to care for Kiwi soldiers; there she found venereal disease was rife, and recommended that prophylactic kits be issued and that brothels be inspected for hygiene. To the establishment her pioneering ideas on health, sex and gender were ‘immoral’ and received with hostility; while the RSA and some doctors considered her a “guardian angel of the ANZACs”.
Cowboys of Culture is director Geoff Steven's personal perspective on the Kiwi cinema renaissance of the 1970s. It traces the development of the local film industry from the ‘she'll be right' days when filming permits were unknown, and all that was needed to get a picture up were a Bolex camera, enthusiasm and ingenuity. Raw they might have been, but the films (Wild Man, Sleeping Dogs, Goodbye Pork Pie, Smash Palace) represented a vital new cultural force. The film features interviews with the major players, and clips from their movies.
Visionary educationalist and novelist Sylvia Ashton-Warner is interviewed by leading educationalist of the day, Jack Shallcrass, in this documentary about her life and work. From her home in Tauranga the film explores her educational philosophies (“organic teaching” and her “drive to diffuse the impulse to kill”) and her “divided life” between woman and artist, as she plays piano and interacts with children. It is the only interview she ever made for television, and was the first of the Three New Zealanders documentaries made to mark International Women's Year.
Before he achieved worldwide fame as an actor, Sam Neill directed documentary films for the National Film Unit. This film examines the philosophy, early achievements and frustrations of one of New Zealand's most innovative architects, Ian Athfield. Athfield won an international competition in 1975 to design housing for 140,000 squatters in Manila, in the Philippines, yet struggled to gain recognition back home. This film culminates in Athfield's trip to the Philippines to pursue the project. Shooter John Toon later memorably shot feature film Rain.
This documentary tells the epic story of helicopter deer culling in the Southern Alps. Introduced deer had become destructive environmental pests; in the 60s entreneurs shifted culling from ‘man alone’ to machine-driven hunting, as deer were shot then later live-captured from helicopters. Deer Wars — Top Gun in choppers, over the beech forest — revisits the heady ‘gold rush’ days where heli-cowboys calculated often fatal pay-offs between risk and reward. Features interviews with survivors and fearsome footage of men hanging from strops and leaping onto deer.
Jim Hopkins presents this doco — based on his bestselling book — about backyard inventors and their inventions. Some of these “sheddies” are seeking their fortunes but others seem to simply derive a quiet satisfaction from their ingenuity. They might come from a tradition of number eight wire, string and chewing gum, but amphibious planes and hovercraft feature prominently (with one basement boasting a wind tunnel); while a rural bent extends to fence brackets, gate openers, shearing tables, possum pluckers and a serious rat trap (designed by a poet).
In the 40s and 50s sheep shearers Godfrey and Ivan Bowen developed the 'Bowen Technique', an innovative method involving rhythmical sweeps of the handpiece. The legendary Godfrey was described in The Guardian as having arms that “flow with the grace of a Nureyev shaping up to an arabesque”. Here he runs through the 'blows' (strokes) designed to achieve "maximum speed, quality work with a minimum of physical effort". Shearing Technique was originally produced in 1956; this shorter cut screened in NZ theatres in 1958 with UK coming of age film High Tide at Noon.
With a large helping of Kiwi ingenuity and a hint of James May, broadcaster James Coleman and director Greg Page host this popular science series where they attempt to supercharge everyday objects. Aided by people who actually know what they’re doing, Page and Coleman’s targets include toasters, letterboxes, BBQs, juicers and lawnmowers. There’s a natural chemistry between the pair. At times they look like they’re having just a bit too much fun: the show might have its practical science angle but it also channels their inner 10-year-old boys.
Allan Wilson was the Pukekohe-raised scientist who revolutionised the study of evolutionary biology. Inspired by birds, he developed molecular approaches to 'clock' evolutionary change, and raised the hypothesis that humans evolved from one 'Eve' in Africa about 200,000 years ago. He is the only New Zealander to win a pretigious US MacArthur “genius” Award. The Listener called the film, a "shrewd insight into the man himself: the quintessential pioneering expat Kiwi individualist." It was made in partnership with UC Berkeley where Wilson was based for 35 years.
This whimsical film starring New Zealand artist Michael Smither, animal wrangler Caroline Girdlestone, and cartoonist Burton Silver, documents Smither's quest to learn to fly. It is a documentary in the accepted sense but lyrical and full of surprises. Made by Wellington filmmaker Tony Hiles, edited by Jamie Selkirk (future Oscar winner for The Return of the King), and gorgeously shot on location at Farewell Spit and Wharariki Beach. Smither is well known for his idiosyncratic realist paintings, such as Rocks With Mountain.
When Forgotten Silver — the story of pioneer filmmaker Colin McKenzie — unspooled on 29th October 1995, in a Sunday TV slot normally reserved for drama, many believed the fable was fact. Controversy ensued as a public reacted (indignant, thrilled) to having the wool pulled over their eyes. Costa Botes, who originated the mockumentary, later made this doco, looking at the construction of McKenzie's epic, tragic, yet increasingly ridiculous story. He interviews co-conspirator Peter Jackson and other pranksters, and they muse on the film's priceless impact.
Jack Brown Genius is the story of an obsessive flight of fancy. The spirit of a thousand year old Monk (Stuart Devenie) inhabits the mind of a contemporary New Zealand inventor (Tim Balme), who is inspired to turn the idea of human-powered flight into reality. Along the way he creates havoc for his pal Dennis (Marton Csokas), steals his girlfriend (Nicola Murphy), incinerates the factory of his Boss, and incurs the wrath of the Boss's financial backer Sylvia (Lisa Chappell). The film won director Tony Hiles a 1996 Film and Television Award.
A continuation of the classic 70s UK TV series cherished by herds of horse-loving girls, the New Adventures follow Vicky Denning (Amber McWilliams) who has emigrated to the antipodes with her step-mother, where she is captivated by a mystic black horse. The co-production was set in NZ, and features many Kiwi names in front of and behind the camera. This extract from the eighth episode sees Manfred attempt to fly on Karekare beach in a Richard Pearse-like contraption, as a shady-looking Kurt (Michael Hurst) looks on, and Vicky charges to the rescue on Beauty.