From the icons (Sky Tower, Otara Market, Rangitoto, The Bridge), celebs, clans and stereotypes (Jafas), to the streets (Queen St, K Road), and Super City suburbs (Ferndale, Mt Raskill, Morningside), this collection celebrates Auckland onscreen. Reel through the moods and the multicultural, metro, muggy charms of New Zealand’s largest city. In this backgrounder, No. 2 director Toa Fraser writes about Auckland as a place of myth, diversity and broken jaws.
On 8 June 1987 Nuclear-free New Zealand became law. This collection honours the principles and people behind the policy. Prime Minister Norman Kirk put it like this: "I don't think New Zealand's a doormat. I think we've got rights — we're a small country but we've got equal rights, and we're going to assert them." In the backgrounder, journalist Tim Watkin explores the twists and turns of Aotearoa's nuclear history.
Goodbye Pork Pie was a low-budget sensation, definitively proving Kiwis could make blockbusters too. Young Gerry (Kelly Johnson) steals a yellow Mini from a Kaitaia rental company. Heading south, he meets John (Tony Barry), who wants his wife back, and hitchhiker Shirl (Claire Oberman). Soon they're heading to Invercargill, with the police in pursuit. High on hair-raising driving and a childlike sense of joy, the Blondini gang are soon hailed as folk heroes, on screen and off. Remake Pork Pie (2017) was directed by Matt Murphy — son of Geoff, who drove the original film.
Off the Rails was a 12-part journey through the railway memories of New Zealand, with raconteur Marcus Lush at the wheel. With a trainspotter's reverence for ways rail, the beautifully shot, and gently wry travelogue guided viewers around (with thanks to the Raurimu Spiral) the heart of Aotearoa. Off the Rails’ award-winning achievement was to show that energetic storytelling (Super 8 footage, contemporary pop score and snappy editing), combined with the homespun charms of local subject matter, could make for high-rating television.
Marcus Lush goes "right up the guts" of the North Island from Wairarapa to Gisborne in this episode of his award-winning telly romance with NZ's railways. He meets railcar restorers and recounts the murders by rail porter Rowland Edwards in 1884. Particular praise is reserved for the "spectacular and beautiful" Napier to Gisborne line (now mothballed) with its viaducts at Mohaka and Kopuawhara. The latter is on the site of a flash flood that killed 21 workers in 1938 and it inspires an idiosyncratic Lush demonstration of NZ's then 10 worst disasters.
This vibrant NFU travelogue takes the pulse of NZ's capital after 125 years of Pākehā settlement and finds a "colourful, casual" city that has had to impose itself on the landscape to endure. Highlights include the 90 sec opening flyover, some off-the-wall music choices in the score and vox pops that are well shy of 'coolest little capital' chutzpah. The wind puts on a requisite show but so do the city's 32 miles of beaches, with a Riviera-esque Oriental Bay beaming on a good day. The mower on a rope trick looks dodgy to a more health and safety conscious age.
Named after the exaggerated facial expressions performed in a haka, this long-running children's series emphasises the energy of contemporary youth culture. Made by company Cinco Cine, Pūkana was pioneering in Māori language programming for kids. This 2015 episode sees the crew of reporters stunt driving, skydiving, camping, kayaking, bungy jumping, and hanging out with a tarantula. The crew includes past Homai te Pakipaki champ Pikiteora Mura-Hitai, and veteran Pūkana presenter Tiara Tāwera, who is about to follow Mātai Smith and switch to directing on the show.
Designed to inspire school leavers to find their career, Pathways sees a selection of young New Zealanders talk about their job paths. The pilot episode of this 1994 Careers NZ resource is bookended with a 'mini-drama' about young people flatting together, which includes some familiar faces. Karl Urban plays lazy surfer Wayne, while Robbie Magasiva is the sales assistant whose plans of climbing the career ladder go awry. Marcus Lush plays a DJ who links a series of interviews with people either working or training. Later Lush interviews experts on youth employment prospects.
This consolidating episode of the archive-based New Zealand history series finds World War II at an end, the return of Kiwi servicemen and the country in an optimistic mood. That's sealed by the 1950 British Empire Games where New Zealand is third on the medal table. But rising prices and low incomes lead to more militant unionism, culminating in the fractious waterfront workers dispute of 1951. At the same time there's a new flowering of the arts. The New Zealand Symphony Orchestra is established and a new generation of writers and artists take centre stage.
This NFU documentary showcases the hydroelectric power-generating might of the Waikato River. The ‘man harnesses nature’ narrative — shown via concrete, steel and earthmoving for dam building — highlights the path of the power: to drive farms, factories and Wellington’s electric trains. Director Cecil Holmes later wrote that post-war NZ was "a desperately poor country"; the film aimed to highlight Government efforts to overcome power shortages. After the 'satchel snatch' smear campaign of 1948, Holmes left for a highly regarded screen career in Australia.