In this excerpt from James Belich's popular and acclaimed history series, George Grey returns to the governorship in the wake of the costly Taranaki war. Now bitter, secretive and reluctant to share power, he talks peace while secretly planning to strike at the heart of the King Movement in Waikato. As gunboats patrol the Waikato river and a great road is painstakingly built to take his army south, Grey fabricates plots and conspiracies, convincing London to send more troops and ships, until the military balance of power tips in his favour.

People of the Waikato makes frequent pitstops along the 425 km path of NZ's longest river. Made in an era of post-war electricity shortages, the film balances requisite beautiful scenery with excursions into the Waikato's extensive hydroelectric system: including then-unfinished fourth dam Whakamaru, whose development was slowed by the discovery of clay in the foundation rock. Alongside brief glimpses of those who live and work on the river, there is footage of stunt-filled canoe races, Turangawaewae Marae, and a veteran boatman tugging coal. 

Tangata Whenua was a groundbreaking six-part series from 1974, on Māori. Barry Barclay directed, and historian Michael King was writer and interviewer. Each episode (remarkably screening in primetime on Sunday nights) chronicled a different iwi and included interviews with kaumātua — a first for New Zealand screens. This episode looks at the people of Waikato, and focuses on the Kīngitanga (Māori King Movement), examining why a movement formed in the Waikato in the 19th century to halt land sales and promote Māori authority has contemporary relevance.

For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."

When Mount Tarawera erupted on 10 June 1886, it took over 100 lives. It was also thought to have destroyed the Pink and White Terraces on Lake Rotomahana, then hailed as the eighth wonder of the natural world. This documentary follows a team of New Zealand and American scientists — led by Kiwi geologist Cornel de Ronde — as they scour the lake floor, to see if any traces of the legendary structures remain. Also examined are the area's history, and the lead-up to the eruption. In 2018 de Ronde robustly criticised a theory that the remains of the terraces were now partly on land. 

Ken Bliss’s brief description of his father’s service in the Boer War is just one of the stories that make this interview essential viewing. Ken’s own military career began when he was called up at 18, in 1941. Too tall to be a pilot in the RNZAF, he became a radio mechanic and served in the war against the Japanese in the Pacific. Forming a surf lifesaving team on Bougainville to rescue American servicemen who couldn’t swim was an unexpected wartime duty. And having survived the war, a missed train in 1953 meant Ken also survived the Tangiwai disaster. 

This documentary chronicles the story of Waikato women’s refuge Te Whakaruruhau, and shines a light on a subject not often shown in mainstream New Zealand media: family violence in rural areas. Written "by the women of the Waikato", the film features interviews with the women behind the refuge, who have created a space for victims of domestic violence, safe from danger. Directed by Richard Allan Litt, the documentary screens in Kiwi cinemas from March 2018, with proceeds going to the refuge. Te Whakaruruhau, founded in 1987, was the first Māori women’s refuge.

This NFU documentary showcases the hydroelectric power-generating might of the Waikato River. The ‘man harnesses nature’ narrative — shown via concrete, steel and earthmoving for dam building — highlights the path of the power: to drive farms, factories and Wellington’s electric trains. Director Cecil Holmes later wrote that post-war NZ was "a desperately poor country"; the film aimed to highlight Government efforts to overcome power shortages. After the 'satchel snatch' smear campaign of 1948, Holmes left for a highly regarded screen career in Australia. 

Bruce Graham, wife Lynn and son Mark are in the funeral business, serving the people in the Waikato town of Tūākau at their darkest times. This episode of First Hand takes place in the aftermath of local man Athel Parsons' death, from collecting his body to his funeral and cremation. Athel lived alone but was from a large family. He contributed to his town through his love of sports, in particular indoor bowls. As Bruce organises Athel's farewell we learn about both men's lives, and how the most common of events can affect a small community. 

More than 430,000 people watched television coverage of the Māori Queen's tangi. Broadcast across three networks and streamed around the world, the coverage began with the coronation of the successor to Te Arikinui Dame Te Atairangikaahu. Cameras then traced Dame Te Atairangikaahu's final journey from Turangawaewae along the Waikato River by waka, to her final resting place on Mount Taupiri. The presenting team, led by veteran journalist Derek Fox, was chosen by both TVNZ and Māori Television Services.