People of the Waikato makes frequent pitstops along the 425 km path of NZ's longest river. Made in an era of post-war electricity shortages, the film balances requisite beautiful scenery with excursions into the Waikato's extensive hydroelectric system: including then-unfinished fourth dam Whakamaru, whose development was slowed by the discovery of clay in the foundation rock. Alongside brief glimpses of those who live and work on the river, there is footage of stunt-filled canoe races, Turangawaewae Marae, and a veteran boatman tugging coal.
In this excerpt from James Belich's popular and acclaimed history series, George Grey returns to the governorship in the wake of the costly Taranaki war. Now bitter, secretive and reluctant to share power, he talks peace while secretly planning to strike at the heart of the King Movement in Waikato. As gunboats patrol the Waikato river and a great road is painstakingly built to take his army south, Grey fabricates plots and conspiracies, convincing London to send more troops and ships, until the military balance of power tips in his favour.
Tangata Whenua was a groundbreaking six-part series from 1974, on Māori. Barry Barclay directed, and historian Michael King was writer and interviewer. Each episode (remarkably screening in primetime on Sunday nights) chronicled a different iwi and included interviews with kaumātua — a first for New Zealand screens. This episode looks at the people of Waikato, and focuses on the Kīngitanga (Māori King Movement), examining why a movement formed in the Waikato in the 19th century to halt land sales and promote Māori authority has contemporary relevance.
For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."
Ken Bliss’s brief description of his father’s service in the Boer War is just one of the stories that make this interview essential viewing. Ken’s own military career began when he was called up at 18, in 1941. Too tall to be a pilot in the RNZAF, he became a radio mechanic and served in the war against the Japanese in the Pacific. Forming a surf lifesaving team on Bougainville to rescue American servicemen who couldn’t swim was an unexpected wartime duty. And having survived the war, a missed train in 1953 meant Ken also survived the Tangiwai disaster.
This documentary chronicles the story of Waikato women’s refuge Te Whakaruruhau, and shines a light on a subject not often shown in mainstream New Zealand media: family violence in rural areas. Written "by the women of the Waikato", the film features interviews with the women behind the refuge, who have created a space for victims of domestic violence, safe from danger. Directed by Richard Allan Litt, the documentary screens in Kiwi cinemas from March 2018, with proceeds going to the refuge. Te Whakaruruhau, founded in 1987, was the first Māori women’s refuge.
Rush-released, this Weekly Review special shows efforts to battle a Taupō forest fire which got out of control in February 1946. Scenes include an RNZAF plane flying the NFU cameraman over the flames, and a family readying to evacuate: “Where it is strongest, little can be done. Only rain can end it.” A drought and strong winds saw the fire spread across 250,000 acres, leap the Waikato River and threaten Taupō. Seen as a national disaster, the fire destroyed 30,000 acres of pine forest as NZ was rebuilding post World War II; it led to the Forest and Rural Fires Act 1947.
In this first feature film from writer/director Greg Page, two urban bloke best friends take off on a surfing weekend. Their prospects of finding fun go down with the sun. Instead of enjoying surf and black sand, the boys find themselves lost in a rural nightmare, battling an inescapable curse and nocturnal field bogans. Page, known for his high energy music videos, wheel-spins city limits phobia into the Waikato heartland for a Kiwi twist on thriller genre thrills. Horrorview.com called it: "different and inventive enough to stand out from the crowd."
Instrumental track ‘White Rabbit’ made Peter Posa a household name in the 60s — the success of the two minute guitar solo led to US recordings and meetings with Frank Sinatra and Chet Atkins. In 2012 a best of compilation debuted atop the NZ album chart, and later became the year’s biggest selling release. This May 2015 Seven Sharp piece sees Hadyn Jones head to Waikato Hospital to interview “New Zealand’s greatest guitar player”. Jones discovers that a stroke appears to have ended the 74-year-old pensioner's guitar playing; but it has also liberated him from depression.
This episode of Pioneer Women dramatises the life of Waikato leader Te Puea Herangi: from prodigal daughter to leader of the Tainui people. Te Puea helped establish the Kingitanga movement, and led Tainui to prosperity through wars, confiscation of their land, and an influenza epidemic. Future TV3 newsreader Joanna Paul plays Te Puea. Produced by Pamela Meekings-Stewart, the Pioneer Women series screened in a high profile slot on TV One and challenged the view that white male statesmen were the only noteworthy figures in NZ colonial history.