In TVNZ’s Journeys Across Latitude 45 South, writer and presenter Peter Hayden traverses east to west from Otago’s Waitaki Plains to George Sound in Fiordland. Hayden walks, hitches, cycles, paddles a mōkihi (a traditional Māori canoe made of reeds) and white water rafts along the 45 south line. Along the way he builds a social, industrial and natural history of latitude 45 south. From the lonely wilds of Fiordland to the tourist Mecca Queenstown, Hayden encounters the quixotic and gruff, and pioneer species of the past, present in a changing world.
The first leg of Peter Hayden’s journey across latitude 45 south takes him across the Waitaki Plains and up to Danseys Pass. He visits the site of a moa butchery and the sunken circular umuti (cabbage tree ovens) of early Māori. Guided by colonial literature, he visits New Zealand’s tallest tree (a eucalypt, which he finds horizontal). Drought busting desperation of 1889 and the provenance of Corriedale sheep is also covered. In a riparian side trip, Hayden heads up the Maerewhenua River where gold miners succeeded only in ravaging the landscape.
This self-funded feature follows the travails of Lexi (Request Ahomana), a young Pacific Island Kiwi cleaning for a bitter elderly woman, and struggling to find her identity in the town of Oamaru. A meeting with a young man (Dean Hanns) provides her with a prospective ride out of town — but obstacles on that road include the young man's past, the gambling addict sister she shares a flat with, and finding the courage to chase her dreams. Lexi marks the first feature film written, directed and produced by Wayne Turner. In the excerpt, Lexis argues with her sister.
A rod and rally race is the angle for this 1969 light comedy. Legendary angler ‘Maggots’ McClure lures “glamour boy” lawyer and fishing novice Applejoy (Peter Vere-Jones) into a contest to catch three trophy fish in Russell, Taupō, and Waitaki. The old dunga versus Alvis ‘Speed 20’, north versus south duel transfixes the nation; snags, shags and scenic diversion ensue. Directed by noted UK documentary maker Derek Williams, the caper was made with NFU help and funded by energy company BP. It showed with Gregory Peck western The Stalking Mood in New Zealand theatres.
This edition of the National Film Unit’s long-running monthly magazine series features a diverse line-up. The first report covers the opening ceremony of the meeting house at Waiwhetu Marae, Lower Hutt, where Prime Minister Walter Nash and Sir Eruera Tirikatene receive the pōwhiri and haka. Then it’s a canter to Auckland’s 1960 Pony Club Championships; before flowing down south for the diversion of the Waitaki River in the Otago town of Otematata, as part of the Benmore hydroelectric scheme: a massive earth dam destined to be the “powerhouse of the South Island”.
This documentary examines the alpine flora and birdlife in the Upper Waitaki area of the South Island. Its distinctive bird-life includes karearea (falcons), mirimiro (tomtit), kererū and kea. The native vegetation is profiled in depth. The area's introduced animals include deer, chamois, and thar, which have become pests. Beautifully shot, directed, and packed full of information, this is the kind of film the NFU was famous for. It was commissioned by the Soil Conservation Council, NZ Forest Service and the Department of Internal Affairs.
"So the Queen comes to New Zealand. 12,000 miles from the motherland she is not among strangers. She has come to her New Zealand home." When the Queen and Prince Philip began the first tour of NZ by a reigning monarch (soon after her coronation), a National Film Unit crew followed the journey, before condensing 40 days and 46 stops into a mere 25 minutes. Along the way the newly crowned Queen wears her coronation gown to open Parliament, and witnesses geysers, long-jumpers, Māori canoes, plus masses of enthused Dunedinites refusing to keep behind the barrier.
Veteran weatherman Jim Hickey sums up A Flying Visit at the start of the first episode: “We’re going to be visiting some of the more unusual and out of the way places, and I’ll be chatting with the locals and they can tell me what makes their little place tick”. He touches his Cessna 182 down on NZ’s northernmost airstrip, meets a pig hunting nana, flies by the lighthouse and Ninety Mile Beach, then crosses to Russell to meet a boogie-boarding dog, a lawn-mowing goat, a uniquely-painted ute — and check out some history. Then it's a flying visit to giant kauri Tāne Mahuta and its kai cart.
These New Zealanders was a series presented by Selwyn Toogood (one of his first television roles) looking at six Kiwi towns. Here Toogood travels to Benmore Dam, to find out what it was like to live and work on NZ’s (then) largest construction project. He interviews engineers, workmen and housewives, discussing work and pay, social opportunities and family life. As the town had the highest birthrate in the country, facilities for children were also important. The itinerant workers earned good money — about 25 pounds a week, and enjoyed a low cost of living.
This beautifully shot documentary is a social and architectural history of the great NZ bach (or crib, for those south of the Waitaki). Maggie Barry tracks their evolution from workers’ cottages to a fully fledged icon in danger of extinction: as the blind eye turned by councils that made them possible becomes a thing of the past, and the coastline becomes too valuable to allow ‘just anyone’ to erect a shack on it. The Kiwi spirit that created the building is celebrated. The bach enthusiasts interviewed include Sam Hunt, Keri Hulme, Karl Stead and Rawiri Paratene.