Over more than two decades presenting the weather on One News, Jim Hickey kept the nation informed of the wind, rain and sunshine they could expect. In this documentary he explains how forecasts are done, and looks at some stranger meteorological phenomena. Among them are Christchurch's infamous behaviour-altering nor’wester, Wellington's persistent wind and Auckland tendency for "four seasons in one day". He checks out some of the country’s more extreme weather events too, including interviewing a tornado survivor and finding answers on climate change.

Director Peter Salmon's sci-fi short is set in a dystopian future where citizens spend most of their lives in virtual reality to escape the bleak Blade Runner-like offline world. Grace (Sara Wiseman, in a NZ Film Award-winning performance) is a lonely programmer looking for cyberspace love via Angelife: a fantasy-fulfillment site with "five billion connections worldwide". Disenchanted with her Adam (Rupert Cocks), her desire for real world connection, plus a chance meeting, push her into a dangerous underworld. Ray Woolf cameos as a winged Angelife agent.

Set over a Christmas beach holiday in 1935, The End of the Golden Weather chronicles the friendship between a teenage boy and the wild-limbed Firpo, dreamer and social outcast. Writer/director Ian Mune spent more than 15 years "massaging" Bruce Mason's classic solo play into a movie, before assembling a dream team to bring it to the screen. The finished film captures the world view of a boy for whom fantasy, hope and disappointment intermingle. Among an impressive awards haul, 12-year-old star Stephen Fulford was recognised at America's Youth in Film Awards.   

Evoking nostalgia for summer holidays, Crowded House lark around at the beach with partners, kids and Lester the dog. Shot in the Bellarine Peninsula near Melbourne, the music video features bassist Nick Seymour's 1961 T-Bird convertible, plus a brief shot of the police who pulled him over for driving it unregistered, then took it around the carpark. American record executives were unimpressed with the video, which won more favour in the UK. The first fruit of a writing session by Neil and Tim Finn, the song was one of eight Finn brothers compositions on third Crowded House album Woodface.

After Bic Runga's debut album Drive sold — and broke — a bunch of records, another five years passed before she found time to perfect her follow-up. Fears it would join the long list of disappointing second albums proved unfounded: Beautiful Collision scored three NZ Music Awards, and became the biggest-selling local release of 2003. The album's third single 'Listening for the Weather' spent 20 weeks in the Kiwi charts. Shot mostly on DV and Super 8mm, the video offers a snapshot of life on tour: dressing rooms, concert halls, road signs...and lyrics about home not being too far away.  

This 2014 single comes from Nobody / Everybody, the sophomore album by Kiwi guitar pop outfit Clap Clap Riot. Coming a couple of years after ballet psychodrama Black Swan (2010), the video concentrates on a ballet dancer who eventually pirouettes into an alternative reality; from the dance floor to submarine world and a pine forest, where a prone Stephen Heard is doing the singing.  The promo was created by director Karlie Fisher and cinematographer Jeremy Toth. Kody Nielson (Mint Chicks, Opossum) produced the song.

Rappers Upper Hutt Posse were the first NZ hip-hop act to release a record (and one of the most radical) — but this reflection on troubles at home and abroad brings out a more reflective side. Against news footage of the Springbok Tour, Bastion Point and a host of international trouble spots, the sweet soul vocals of Teremoana Rapley and Acid Dread (Steve Rameka) float in and out of the raggamuffin toasting of MC Wiya (Matt Hapeta) and Dean Hapeta’s less than cheery weather forecast. This music video was one of the first to be funded by NZ on Air.

Brian Brake is regarded as New Zealand's most successful international photographer. But before heading overseas to work for photo agency Magnum and snapping iconic shots of Picasso and the Monsoon series for Life magazine, he was also an accomplished composer of moving images. He shot or directed many classic films for the NFU, including NZ's first Oscar-nominated film. 

In 1865, Wellington became the Kiwi capital. In the more than 150 years since, cameras have caught the rise and fall of storms, buildings, and MPs, and Courtenay Place has played host to vampires and pool-playing priests. Wind through our Wellington Collection to catch the action, and check out backgrounders by musician Samuel Scott and broadcaster Roger Gascoigne. 

From the icons (Sky Tower, Otara Market, Rangitoto, The Bridge), celebs, clans and stereotypes (Jafas), to the streets (Queen St, K Road), and Super City suburbs (Ferndale, Mt Raskill, Morningside), this collection celebrates Auckland onscreen. Reel through the moods and the multicultural, metro, muggy charms of New Zealand’s largest city. In this backgrounder, No. 2 director Toa Fraser writes about Auckland as a place of myth, diversity and broken jaws.