For a small country from the edge of the world, achievements on the Olympic stage are badges — silver fern-on-black — of national pride: precious moments where we gained notice (even if it was Mum’s anthem playing on the dais). This legacy collection draws on archive footage, some rarely seen, to celebrate the stories behind Kiwis going for gold.
It started with grunge and ended with Spice Girls; Di died, Clinton didn't inhale and the All Blacks were poisoned. On screen, Ice TV and Havoc were for the kids and a grown-up Kiwi cinema delivered a powerful triple punch. Tua's linguistic jab proved just as memorable, Tem got a geography lesson and Thingee's eye popped and reverberated around our living rooms.
Oft-derided across the dutch for its vowel-mangling pronunciation (sex fush'n'chups anyone?) and too fast-paced for tourists and Elton John to understand, is New Zealand's unique accent. Presented by Jim Mora, New Zild follows the evolution of New Zealand English, from the "colonial twang" to Billy T. Linguist Elizabeth Gordon explains the infamous HRT (High Rising Terminal) ending our sentences, and Mora interprets such phrases as 'air gun' (how are you going?). Features Lyn of Tawa in an accent face-off with Sam Neill and Judy Bailey.
Heartland host Gary McCormick visits 'New Zealand's last frontier' - Haast on the West Coast. It's whitebait season, and Haast's population has increased five-fold. McCormick talks to whitebaiters on the Arawata River and a Department of Conservation Ranger, visits a "secret whitebaiters' town" and helps local residents prepare for the annual Whitebaiters' Ball. When McCormick asks what the best line for getting a girl to dance is, one of the locals tells him to say, "I've got a Valiant". The programme also touches on the tensions between some residents and conservationists.
On 19 January 1967, an explosion rocked the Strongman coal mine on the West Coast, causing the deaths of 19 miners. This documentary, part of a series investigating NZ disasters, sees TV personality Leigh Hart examining what happened that day in Rūnanga, and how it affected the community. Interviewees include Hart’s own family: his Dad, who was in the mine at the time, his mother, and his Uncle Terry, who was part of the rescue team. This two-minute excerpt includes a reenactment of the disaster, and Leigh examining the outside of the old mine.
This short 1979 National Film Unit documentary heads up the steep bush-clad West Coast valleys from Rūnanga, to profile the men at work at five private coal mines. Director Conon Fraser (Looking at New Zealand) showcases the remarkable DIY resourcefulness required by the small groups of miners. The rugged individuals work the seams, push bins along steep incline railways and dump the loads down vertiginously steep flumes. At the time this film was made waning prospects for the unique way of life were looking up, as high oil prices spurred demand for coal.
After their house explodes and they bump into a gunman, journalist Alf (Temuera Morrision) and his American girlfriend (Beverly Hills Cop’s Lisa Eilbacher) head to the West Coast, on the run from the cops and mysterious forces. The conspiracy plot is mostly an excuse for chases, capers and crashes galore, all imbued with plenty of pell-mell shenanigans (this time heading north in a red Falcon) by Goodbye Pork Pie director Geoff Murphy. The movie marked Temuera Morrison's first big screen starring role. This excerpt sees John Clarke cameo as a used car salesman.
This debut feature from director Niki Caro follows a Tokyo woman and her fiance who elope to New Zealand. A stunted beginning to their sexual relationship is overcome in a cave on an isolated West Coast beach. Shortly afterwards he drowns. She returns to a suffocating Tokyo before being drawn back to the cave. The restrained study of eroticism and grief was based on a short story by Peter Wells (itself inspired by a true story). Desire was selected for Critics' Week at Cannes (1998), and won best film at 1999's NZ Film Awards and a special jury prize for Caro.
Wild Man is the missing link between early 70s musical legends Blerta, and the burgeoning of Blerta trumpeter Geoff Murphy as a man whose directing talents knew few bounds. The Blerta ensemble relocated to the mud-soaked West Coast to create this tale of pioneer con men and silent movie style pratfalls. Bruno Lawrence and Ian Watkin arrange a fight - and bets - in each town they arrive in, while Bruno channels his inner wild man from under a leopard skin. Wild Man was released in cinemas alongside John Clarke and Geoff Murphy’s Dagg Day Afternoon.
This feature tells the true story of the notorious 1941 manhunt for Stanley Graham. The West Coast farmer went bush after a shooting spree that followed police pressure to have him hand over his firearms. Seven men were ultimately killed. Written by Kiwi-born Andrew Brown (from Harold Willis’ book), Bad Blood was made during the tax break era for UK TV, but was released in NZ cinemas. Directed by Brit Mike Newell (Four Weddings and a Funeral), it won strong reviews. Aussie legend Jack Thompson and compatriot Carol Burns star as the isolated Bonnie and Clyde coasters.