This episode in the Open Door series looks at the Whangarei Native Bird Recovery Centre. The centre rescues, raises and rehabilitates over a thousand birds every year. It runs breeding programmes for kiwi and other native birds as well as education programs for children and the general public. "No bird is turned away" is the mantra of founders Robert and Robyn Webb. This episode features The Centre's most famous resident, Woof Woof the talking tui (RIP) — see it to believe it!
In episode two of The Big Art Trip hosts Douglas Lloyd-Jenkins and Nick Ward discover the art of crochet with sculptor Ani O’Neill and attend CAKE Collective’s roadside poster exhibition where they talk to photographer Deborah Smith. They also visit renowned sculptor Greer Twiss in his studio, talk with young multi-media artist Gerald Phillips about his music videos for band Betchadupa, drop in on painter and political activist Emily Karaka and head to Whangarei to see filmmaker Gregory King and the veteran star of his short film Junk, Rosalie Carey.
In this 2011 series Te Radar re-teams with company JAM TV (Off the Radar, Radar’s Patch) to meet people making a difference to sustainability issues. This first episode sees the comedian exploring green motoring: he visits a Kiwi project to make potato starch wing mirrors for a Nottingham F3 racing team; checks out the Trekka (the only NZ designed and mass-produced car) with journalist Todd Niall; rides a battery-powered Citroën in Whangarei, and tinkers with his Dad’s Land Rover. The first season won a 2012 NZ Television Award for Best Information Series.
Open Door is a community-based TV series where groups or individuals make a documentary about an issue that concerns them. This episode is about The Papermill - a charitable organisation based near Whangarei, where artists with intellectual disabilities create decorative paper products. Papermill Creative Director Trees van Ruth, along with parents of the disabled artists, and the artists themselves talk about this thriving small business and tourist attraction, and stress the positive impact it has on the self-esteem of its workers.
Craig Busch aka The Lion Man is a self-taught big cat handler who has brought Barbary lions and white Bengal tigers to New Zealand. With both species extinct in the wild, Busch launched a breeding programme to add to limited numbers remaining in captivity. Great Southern Television produced three series following the often controversial Busch and his giant feline charges, from the early days of his Zion Wildlife Gardens park near Whangarei (later relaunched as The Kingdom of Zion). An international sales success, the show has played in more than 120 countries.
An echoey guitar instrumental called ‘White Rabbit’ made Peter Posa a huge star in 60s New Zealand. This 2003 Sunday report offers a ‘whatever happened to?’ style report on Posa’s life and career. Presenter Cameron Bennett catches up with the once prolific Posa in Kamo, Whangarei, where he learns of guitarist’s struggles with depression and alcoholism, the devotion of his wife Margaret and their salvation through faith — and his journey to performing again. Nine years later, a 'best of’ release of Posa’s music would top the NZ album charts.
In the first of this two-part documentary about Kiwis and cars, actor Rima Te Wiata sets off on a road tour of New Zealand. Starting in the South Island, Te Wiata learns about the first bus tours to Aoraki, which were handled by the Mount Cook Motor Company. Then she travels to Westport via the infamous Hawks Crag, and hears from locals about the difficulties and dangers of transit before the introduction of cars. A trip back up the country takes Te Wiata to Northland, where the locals suggest they may have been better off when the primary mode of transport was by boat.
This Māori Television series follows South Auckland dance crew The Palace as they prepare for the World Hip Hop Dance Championships, and a shot at their fourth title. This first episode films open auditions where dancers, including two gay brothers from Tokoroa, hope to join 'The Royal Family'. Led by choreographer Parris Goebel — who talks here about her method and early days — the crew have won global fame, including bringing its 'Polyswagg' to the hit video for Justin Bieber’s Sorry. There are also scenes of Goebel choreographing 2015 Kiwi movie Born to Dance.
Tis the season to be toxic in this "distinctly Kiwi take on the f***ed up whanau" (Chris Knox, Real Groove). Broke, depressed oldest son Keri arrives home to face up to a suburban Christmas countdown and two messed up sisters, a gay brother, drunk kids, and narcoleptic parents. Director Gregory King wrests bleak comedy and holiday horrors from the tokes, tinsel and frequent toilet visits. The raw realism of his debut feature saw it selected for Toronto, Locarno, Edinburgh, and Melbourne festivals. It won best digital film and script at the 2003 NZ Film Awards.
Joan Butland forged her father’s signature to join the Women’s Land Service. Her parents had already stopped her from becoming a nurse, so nothing was going to get in her way this time. Coming from a farm, her transition to the service was easy. But at just 17, her slight frame raised eyebrows among burly farmers, especially when it came to harnessing horses and driving four-horse teams. Butland shows pride in her home front contribution to World War ll in this interview, although in common with other former Land Girls it was only formally recognised in 2015.