As a showcase history of Christchurch on screen this collection is backwards looking; but the devastation caused by the earthquakes gives it much more than nostalgic poignancy. As Russell Brown reflects in his introduction, the clips are mementos from, "a place whose face has changed". They testify to the buildings, culture and life of a city now lost, but sure to rise. 

Taika Waititi's blockbuster second movie revolves around an imaginative 11-year-old East Coast boy (James Rolleston) trying to make sense of his world — and the return of his just-out-of-jail father (Waititi). Intended as a "painful comedy of growing up", Boy mixes poignancy with trademark whimsy and visual inventiveness. The film was shot in the Bay of Plenty area where Waititi partly grew up. A winner in its section at the 2010 Berlin Film Festival, Boy soon became the most successful local release on its home soil (at least until the arrival of Waititi's 2016 hit Hunt for the Wilderpeople).

Some men joke about wanting a 'man cave'. Te Puke contractor Ron Hintz grabbed a shovel and dug one out by hand. This episode of the legendary TV series sees reporter/director Tony Benny experiencing Hintz's sometimes thrilling, sometimes whimsical outdoor home projects, including a flying fox, swing bridges and a cable car running down to the Mangorewa river. Hintz is a self-taught designer and inventor, a multi-skilled 'Renaissance man' ably supported by his partner Colleen, who can often be found behind the wheel of a tractor or bulldozer.

This whimsical film starring New Zealand artist Michael Smither, animal wrangler Caroline Girdlestone, and cartoonist Burton Silver, documents Smither's quest to learn to fly. It is a documentary in the accepted sense but lyrical and full of surprises. Made by Wellington filmmaker Tony Hiles, edited by Jamie Selkirk (future Oscar winner for The Return of the King), and gorgeously shot on location at Farewell Spit and Wharariki Beach. Smither is well known for his idiosyncratic realist paintings, such as Rocks With Mountain.

Born in Buenos Aires, artist Tom Kreisler arrived in New Zealand at age 13, studied painting at Canterbury University, taught art in New Plymouth, and spent time in Mexico. Shocked that he wasn't "in the mainstream canon of New Zealand art", documentarian Shirley Horrocks (Marti: The Passionate Eye) felt that the whimsical, subversive but publicity-shy Kreisler deserved to be better known. So Horrocks interviewed fans and friends of the late artist, and headed to Mexico to find out how the country influenced him. Tom Who? debuted at the 2015 Auckland Film Festival.

The quarter acre dream is in full flower in this colourful celebration of Kiwi gardening. Director Conon Fraser surveys the symbols (tool sheds, trimmed edges) and rituals (broken window, cricket ball), and muses on the role of gardens: from civic pride to “escape from the house”. A wide range of public and private landscapes are honoured, both reverentially — a time-lapse of blooms in Wellington's Lady Norwood Rose Garden — and whimsically — eg talking pests, and a couple rolling on the lawn in front of a knitting oldie. The film won top prize at a US Horticultural Society Festival. 

In 1957 Connie Radar became the first woman on the moon. At least that's what this whimsical take on the space race would have you believe. Years later the heroic Connie (played by Anna Jullienne) brings the fight to two arrogant American astronauts. The short film was created by 15 Bachelor of Art and Design students from Auckland's Media Design School, led by award-winning director James Cunningham. It was nominated for Best Short at the 2014 New Zealand Film Awards, and played at Comic-Con in San Diego. Connie was first created by Kiwi comic artist Karl Wills. 

The Insiders Guide to Happiness follows the interconnecting lives of eight 20-something characters — one of them dead — as they search for happiness. Dramatic, comic, sexy, surreal, the drama won critical acclaim and was a ratings success. An ambitious chaos theory-derived 'meta' concept is underpinned by strong performances from the ensemble of burgeoning acting talent, and stylishly-shot Wellington city locations. The Gibson Group production won seven awards at the 2005 NZ Screen Awards, including Best Drama and Best Director (Mark Beesley)