Topless Women Talk about Their Lives - First Episode

Television, 1995 (Full Length)

This is the first four minute episode of the late-night TV3 micro-series, written and directed by Harry Sinclair. As wannabe air hostess Liz (Danielle Cormack) and her aspiring scriptwriter boyfriend Ant (Ian Hughes) are getting ready for a night-out, the hapless Ant seems oblivious to the fact that he’s wearing out his welcome — and the hairbrush remedy for his 'itchy mouth' does little to heighten his allure. Meanwhile, Neil (Joel Tobeck) ponders one of the great male mysteries. The soundtrack is 'Into You', courtesy of Flying Nun act The JPS Experience.


Pioneer Women - Ettie Rout

Television, 1983 (Full Length Episode)

The Feltex-winning series Pioneer Women dramatised the lives of groundbreaking New Zealand women. This episode looks at the story of controversial safe-sex campaigner Ettie Rout. In World War I she travelled to Egypt to care for Kiwi soldiers; there she found venereal disease was rife, and recommended that prophylactic kits be issued and that brothels be inspected for hygiene. To the establishment her pioneering ideas on health, sex and gender were ‘immoral’ and received with hostility; while the RSA and some doctors considered her a “guardian angel of the ANZACs”.

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Topless Women Talk about Their Lives - Episode Two

Television, 1995 (Full Length Episode)

In the second episode of Harry Sinclair’s late night TV3 micro-series, Liz (Danielle Cormack) and Neil (Joel Tobeck) watch the sun rise from a Karangahape road carpark; but, romantic as this could be, it seems Neil has no more chance of keeping up with Liz than her less than inspiring boyfriend Ant (Ian Hughes). Meanwhile, back at home, Ant is making scones and entertaining some random visitors — larger than life drag queens (and K Road identities) Buckwheat and Bertha. But baking is a step too far for a hungover Liz ... and her mother is on the phone.


Pioneer Women - Hera Ngoungou

Television, 1983 (Full Length)

This episode in the Pioneer Women series dramatised the story of Hera Ngoungou. In 1874 in Taranaki, Māori kidnapped an eight-year-old Pākehā girl — Caroline “Queenie” Perrett — possibly in retribution for her father breaking a tapu. Her family didn’t see her again until she was 60, when she was a grandmother and had spent more than 50 years living with, and identifying as, Māori. A moving (Feltex award-winning) performance from Ginette McDonald (aka Lyn of Tawa) mixes stoicism with an acknowledgement of good times and a sense of loss for what might have been.

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Pioneer Women - Princess Te Puea

Television, 1983 (Full Length Episode)

This episode of Pioneer Women dramatises the life of Waikato leader Te Puea Herangi: from prodigal daughter to leader of the Tainui people. Te Puea helped establish the Kingitanga movement, and led Tainui to prosperity through wars, confiscation of their land, and an influenza epidemic. Future TV3 newsreader Joanna Paul plays Te Puea. Produced by Pamela Meekings-Stewart, the Pioneer Women series screened in a high profile slot on TV One and challenged the view that white male statesmen were the only noteworthy figures in NZ colonial history.

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Radio with Pictures - Women Songwriters

Television, 1988 (Full Length Episode)

A NZ Herald assertion that women’s music is just “gentle, political folk songs” leads off this report for TVNZ’s mid-80s rock show. It’s presented by Dick Driver from a showcase for women songwriters at Auckland’s much loved and missed Gluepot in Ponsonby. Featured musicians are singer/songwriter Mahinarangi Tocker, blues singer Mahia Blackmore and then member of When the Cat’s Away Dianne Swann. Those sensitive folksongs are in short supply but the same can’t be said for the obstacles encountered in dealing with a male dominated music industry.


Pioneer Women

Television, 1983–1990

The award-winning Pioneer Women series was producer Pamela Meekings-Stewart’s response to her perception that histories on NZ television, like The Governor, hadn’t adequately recognised the role played by women in shaping the nation. The initial series of six episodes focussed on the lives of Nurse Maude, Ettie Rout, Hera Ngoungou, Princess Te Puea, Elizabeth Colsenso and Ellen Hewett; it celebrated women who not only had to face hardship and deprivation but were charged with raising the next generation. A second series of three episodes screened in 1990.

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The Women of Pike River

Television, 2015 (Trailer)

On 19 November 2010, the first of a number of explosions occured at the Pike River coal mine. Twenty-nine men were left trapped in the tunnel. This documentary explores the lives of six of those left behind, who were wives and mothers of the miners. The disaster was NZ's worst single loss of life since the Erebus crash in 1979 — although it was eclipsed only four months later by the 2011 Christchurch Earthquake. Despite assurances that the survivors would be rescued and the dead retrieved, new owners Solid Energy announced in 2014 that the mine was still too dangerous to re-enter. 

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New Media Women New Zealand

Short Film, 2001

This short film by Clare O'Leary interviews New Zealand women at the forefront of new media design and development around the turn of the millenium. Among those on screen are Emily Loughnan, who moved from televison to co-founding company Click Suite, musician Jordan Reyne, and academic and author Lalita Rajasingham. Many agree that new developments in technology mean increased opportunity for women. The documentary first screened on the BBC World, Life series, as part of the Women Broadcasting for Change network. 


Topless Women Talk about Their Lives (Series)

Television, 1995

The feature film Topless Women Talk about Their Lives evolved out of this late night, low budget, TV3 micro-series about the lives, loves and travails of a group of 20-something Aucklanders. It was written and directed by former Front Lawn member Harry Sinclair with a cast including Danielle Cormack and Joel Tobeck. Each four minute episode was shot over a weekend with actors not sighting scripts until just before the camera rolled. Music from Flying Nun bands featured prominently; the women remained fully clothed despite the tantalising titular promise.