This collection celebrates women and feminism in New Zealand — the first country in the world to give all women the vote. We shine the light on a line of female achievers: suffrage pioneers, educators, unionists, politicians, writers, musicians, mothers and feminist warriors — from Kate Sheppard to Sonja Davies to Shona Laing. In her backgrounder, TV veteran and journalism tutor Allison Webber writes how the collection helps us understand and honour our past, asks why feminism gets a bad rap, and considers the challenges faced by feminism in connecting past and present.

This episode in the Pioneer Women series dramatised the story of Hera Ngoungou. In 1874 in Taranaki, Māori kidnapped an eight-year-old Pākehā girl — Caroline “Queenie” Perrett — possibly in retribution for her father breaking a tapu. Her family didn’t see her again until she was 60, when she was a grandmother and had spent more than 50 years living with, and identifying as, Māori. A moving (Feltex award-winning) performance from Ginette McDonald (aka Lyn of Tawa) mixes stoicism with an acknowledgement of good times and a sense of loss for what might have been.

In the second episode of Harry Sinclair’s late night TV3 micro-series, Liz (Danielle Cormack) and Neil (Joel Tobeck) watch the sun rise from a Karangahape road carpark; but, romantic as this could be, it seems Neil has no more chance of keeping up with Liz than her less than inspiring boyfriend Ant (Ian Hughes). Meanwhile, back at home, Ant is making scones and entertaining some random visitors — larger than life drag queens (and K Road identities) Buckwheat and Bertha. But baking is a step too far for a hungover Liz ... and her mother is on the phone.

This episode of Pioneer Women dramatises the life of Waikato leader Te Puea Herangi: from prodigal daughter to leader of the Tainui people. Te Puea helped establish the Kingitanga movement, and led Tainui to prosperity through wars, confiscation of their land, and an influenza epidemic. Future TV3 newsreader Joanna Paul plays Te Puea. Produced by Pamela Meekings-Stewart, the Pioneer Women series screened in a high profile slot on TV One, and challenged the view that white male statesmen were the only noteworthy figures in New Zealand colonial history.

The Feltex-winning series Pioneer Women dramatised the lives of groundbreaking New Zealand women. This episode looks at the story of controversial safe-sex campaigner Ettie Rout. In World War I she travelled to Egypt to care for Kiwi soldiers; there she found venereal disease was rife, and recommended that prophylactic kits be issued and that brothels be inspected for hygiene. To the establishment her pioneering ideas on health, sex and gender were ‘immoral’ and received with hostility; while the RSA and some doctors considered her a “guardian angel of the ANZACs”.

This is the first four minute episode of the late-night TV3 micro-series, written and directed by Harry Sinclair. As wannabe air hostess Liz (Danielle Cormack) and her aspiring scriptwriter boyfriend Ant (Ian Hughes) are getting ready for a night-out, the hapless Ant seems oblivious to the fact that he’s wearing out his welcome — and the hairbrush remedy for his 'itchy mouth' does little to heighten his allure. Meanwhile, Neil (Joel Tobeck) ponders one of the great male mysteries. The soundtrack is 'Into You', courtesy of Flying Nun act The JPS Experience.

The award-winning Pioneer Women series was producer Pamela Meekings-Stewart’s response to her perception that histories on NZ television, like The Governor, hadn’t adequately recognised the role played by women in shaping the nation. The initial series of six episodes focussed on the lives of Nurse Maude, Ettie Rout, Hera Ngoungou, Princess Te Puea, Elizabeth Colsenso and Ellen Hewett; it celebrated women who not only had to face hardship and deprivation but were charged with raising the next generation. A second series of three episodes screened in 1990.

A group of 20-somethings revolving around pregnant Liz (Danielle Cormack) confront a Generation X medley of 'births, deaths, and marriages' in Harry Sinclair’s debut feature, developed from the eponymous TV3 series. They experience, "the agony of failed love and ambiguous love, the agony of loneliness, the ecstasy of sex and the discovery of maturity" (Australian critic Andrew L Urban). In this excerpt from the well-received film the cast faces vexing coathangers, skirts, rubber gloves and panic attacks. NSFW caution: features actual Teutonic topless women.

Open Door is a community-based TV series where groups or individuals make a documentary about an issue that concerns them. This frank and moving episode is about Positive Women, a support organisation for women and families living with HIV or AIDS. The HIV positive women interviewed include health care worker Jan Waddell, who became HIV positive after a needle stick injury, and Marama Pala, who was diagnosed after sleeping with Peter Mwai, the musician who was later charged with having sex with multiple partners while knowing he was HIV positive.

Singer Jackie Clarke attends the NZ Smokefree Composing Women’s Festival to find out what goes on there, and find the guidance and inspiration to write a song for the first time. Made for TV ONE’s Work of Art slot, the documentary mixes interviews with performance footage covering a wide range of musical styles, from classical to rock. Among the singer/songwriters appearing are Moana Maniapoto, Shona Laing, Hinewehi Mohi, Mahinarangi Tocker and Jan Hellriegel, plus sometime film composers Janet Roddick and Jan Preston.