This short profiles the work of Gisa Taglicht. A pioneer of women's rhythmical gymnastics, Taglicht advocated the benefits of physical exercise for women. Risqué at the time for the women’s skimpy outfits, the Wellington-set film sees women escaping machine and washing line oppression via a YWCA hilltop session: limbs reaching and stretching towards a stark sky. The National Film Unit's post-war Weekly Reviews became less overtly patriotic, and some, like this Michael Forlong-directed one, were unabashedly experimental. The score was composed by Douglas Lilburn.

Joan Daniel was excited to learn she was going overseas as a volunteer nurse in World War II — her mother less so. But it was the beginning of a three year adventure for Joan, as she recounts in this interview. First it took her to Egypt. The cases there were mainly related to ordinary illnesses, and there was time for sightseeing and fun too. Tragedy struck though, when three nurses were killed in a traffic accident. From the Middle East she was sent to Italy and a hospital close to Cassino. The patients now were casualties of war: the wounded, the shell-shocked and the dying. 

This 1945 newsreel reports on the repatriation of New Zealand prisoners held in Japanese camps during the war in the Pacific. Cameraman Stan Wemyss (grandfather of Russell Crowe) ranges across Asia with the RNZAF — from Changi in Singapore, to camps in Java (Indonesia), and Siam (Thailand). The narration notes grimly that “the movie camera does not record the stench of death”; and returned PoW, Dr Johns of Auckland, implores for the sake of the children: “that the experiences that we have gone through at the hands of the Japanese shall never, never again be possible.”