A profile of New Zealand artist Julia Morison, made in the year she became an Arts Laureate. Morison is filmed in her studio “forming order from the chaos of her materials”. She explains how her tools and materials guide her image making – which in her thirty-year career, has ranged across a variety of media. The film also features her lesser known work – her collaborations with fellow artist Heather Straka, which include a series of short films, and a project entitled Madame and the Bastard.
Sam Hunt is New Zealand’s best known and most visible contemporary poet; and, in an archive excerpt from this feature length documentary, Ginette McDonald calls him “the most impersonated man in New Zealand”. Director Tim Rose, who has known Hunt since he was a boy, decided too little was known about him beyond his flamboyant, public persona. So Rose spent four years making this documentary — mixing a wealth of archive material with interviews with Hunt, and those who know him best, and new footage of him reading his work and performing with David Kilgour.
This 1978 National Film Unit documentary provides a potted history of settler groups that came to New Zealand from Europe. Archive material and narration covers the colonials. Then visits are paid to the German-descended Eggers, tobacco growers from Moutere, and newly arrived French bakers and Dutch dairy farmers. Aptly for a film directed by actor and future winemaker Sam Neill, the film drops in on an Italian play and the Babich family of Dalmatian winemakers. Neill worked at the NFU in his 20s, around the time of his breakout acting role in Sleeping Dogs (1977).
Kiwi soul sister Emma Paki made her mark with 1993 classic 'System Virtue'. The song earned the Whakatāne-born singer-songwriter a hat-trick (Most Promising Female Vocalist, Best Songwriter and Music Video) at the 1994 NZ Music Awards, and also won her a live support slot for American songstress Sheryl Crow. Her award-winning debut album Oxygen of Love (1996) was a long time coming; it also included top five hit 'Greenstone', produced by Neil Finn. Paki began releasing further material in 2004.
This reality show provides an eco-twist to the home DIY genre by giving households a green makeover. At each episode's end presenter Francesca Price gifts the house in cash what their earth-friendly conversion has cut from their bills. This household from the show’s first season is an Auckland flat of material girls; their power-hungry cosmetics and takeaways lifestyle gets audited by Price and builder Tristan Glendinning. Created by producer Carthew Neal, the WA$TED! format sold successfully overseas, and a US version screened for three seasons on Planet Green.
Following the demise of The Mint Chicks in 2010, lead singer Kody Nielson worked with Bic Runga, played in his brother Ruban's new band Unknown Mortal Orchestra and started his own solo project. Utilising influences ranging from jazz, lounge and Pacifica to 60s pop and psychedelica, he wrote and performed most of the material himself (with occasional contributions from Runga and his father Chris). He christened the project Opossom; album Electric Hawaii won Best Alternative Album at the 2012 NZ Music Awards.
Spats are better known as the band they soon became: The Crocodiles. Formed in mid 1977, originally as Les Hots, Spats performed everything from jazz to doo-wop, as well as sellout shows at the Gluepot with Limbs Dance Company. In 1979 legendary American producer Kim Fowley (The Runaways) was won over by the band during a visit to New Zealand — especially energetic track 'New Wave Goodbye'. He encouraged singer Fane Flaws and company to change their name, and concentrate on more original material. And so they did.
This classic wartime newsreel profiles the coal mining towns of Westland. It compares the town of Rūnanga, where mining has brought prosperity and a strong community life, with Denniston, which is set in rocky, inhospitable land high up a West Coast mountainside. Its tone is patriotic: “Here then are the men who feed New Zealand with the raw material of industrial prosperity ... They work in the darkness of the mines, buried away from the fresh splendours of the air above them.” The Weekly Reviews were screened in cinemas 1942 - 1950.
At any one time between mid 1942 and mid 1944, between 15,000 and 45,000 US servicemen were camped in NZ preparing for, and recovering from, war in the Pacific. The marines brought colour and drama to the austerity of home front life. Fifty years later this TV documentary used interviews, reenactments and archive material to explore the “American invasion”. Sonja Davies recalls a Wellington street fight kicked off by a racist insult directed at Māori, and her wartime pregnancy and romance (1,500 marriages ensued from “when the Americans were here”).
This slot in TV3’s Great War Stories series looks at Kiwi conscientious objector Mark Briggs. In World War I imprisonment faced those who objected to doing their bit for King and country on moral grounds. In 1917 unionist Briggs and 13 others (including Archibald Baxter) were shipped to the front and made an example of via ‘Field Punishment No.1’, which saw the pacifists bound to a post in the open, then forced into the trenches. Archive material and art by Wellington's Bob Kerr depict the torture in this short documentary, which screened during 3 News in 2014.