A profile of New Zealand artist Julia Morison, made in the year she became an Arts Laureate. Morison is filmed in her studio “forming order from the chaos of her materials”. She explains how her tools and materials guide her image making – which in her thirty-year career, has ranged across a variety of media. The film also features her lesser known work – her collaborations with fellow artist Heather Straka, which include a series of short films, and a project entitled Madame and the Bastard.
In 2003 Toi Māori Aotearoa engaged Charlotte Yates to produce an album and stage performance celebrating the verse of poet Hone Tuwhare. Yates co-opted various musicians (including Dallas Tamaira from Fat Freddy's Drop, and the late Graham Brazier) to transform Tuwhare's poetry into lyrics, using a range of music from rock to dub. This short film by Lala Rolls was commissioned for the album launch; the material was also used in the live show. We see Tuwhare at home at Kaka Point and reciting his poetry against the songs, and glimpse his warmth, humour and literary verve.
Released in February 1969, this National Film Unit documentary offers an impressionistic view on the making of sheet glass. Director Lynton Diggle follows the raw materials (sand, limestone, dolomite) to a Whangarei factory, where they’re combined with broken glass. There, men in protective gear look like they’re enacting an alchemical ritual, as the ‘frit’ mixture is melted in the “punishing heat” of a crucible. Then it’s transferred to the drawing chamber where a toffee-like wall of glass is pulled up for cooling and slicing. Ambient sounds are used to forge a percussive score.
Kiwi soul sister Emma Paki made her mark with 1993 classic 'System Virtue'. The song earned the Whakatane-born singer-songwriter a hat-trick (Most Promising Female Vocalist, Best Songwriter and Music Video) at the 1994 NZ Music Awards, and also won her a live support slot for American songstress Sheryl Crow. Her award-winning debut album Oxygen of Love (1996) was a long time coming; it also included top five hit 'Greenstone', produced by Neil Finn. Paki began releasing further material in 2004.
"I like to pull rabbits out of hats to surprise people". So said young director David Blyth, before unleashing Angel Mine. Inspired partly by the surrealism of Luis Buñuel, Blyth's inventive debut is one of a handful of Kiwi experimental feature films to win mainstream release. Featuring a whitebread suburban couple and their liberated alter egos, the film explores ideas of consumerism, sexuality, the media, and taboo-breaking. The film excited criticism from Patricia Bartlett, and a notorious addition to its R18 certificate: "contains punk cult material."
Following the demise of The Mint Chicks in 2010, lead singer Kody Nielson worked with Bic Runga, played in his brother Ruban's new band Unknown Mortal Orchestra and started his own solo project. Utilising influences ranging from jazz, lounge and Pacifica to 60s pop and psychedelica, he wrote and performed most of the material himself (with occasional contributions from Runga and his father Chris). He christened the project Opossom; album Electric Hawaii won Best Alternative Album at the 2012 NZ Music Awards.
Spats are better known as the band they soon became: The Crocodiles. Formed in mid 1977, originally as Les Hots, the eclectic act performed everything from jazz to doo-wop, as well as sellout shows at the Gluepot with Limbs Dance Company. In 1979 visiting US producer Kim Fowley (The Runaways) was won over by the band, especially the energetic 'New Wave Goodbye'. He encouraged singer Fane Flaws and company to change their name, and concentrate on more original material.
This classic wartime newsreel profiles the coal mining towns of Westland. It compares the town of Rūnanga, where mining has brought prosperity and a strong community life, with Denniston, which is set in rocky, inhospitable land high up a West Coast mountainside. Its tone is patriotic: “Here then are the men who feed New Zealand with the raw material of industrial prosperity ... They work in the darkness of the mines, buried away from the fresh splendours of the air above them.” The Weekly Reviews were screened in cinemas 1942 - 1950.
At any one time between mid 1942 and mid 1944, between 15,000 and 45,000 US servicemen were camped in NZ preparing for, and recovering from, war in the Pacific. The marines brought colour and drama to the austerity of home front life. Fifty years later this TV documentary used interviews, reenactments and archive material to explore the “American invasion”. Sonja Davies recalls a Wellington street fight kicked off by a racist insult directed at Māori, and her wartime pregnancy and romance (1,500 marriages ensued from “when the Americans were here”).
This slot in TV3’s Great War Stories series looks at Kiwi conscientious objector Mark Briggs. In World War I imprisonment faced those who objected to doing their bit for King and country on moral grounds. In 1917 unionist Briggs and 13 others (including Archibald Baxter) were shipped to the front and made an example of via ‘Field Punishment No.1’, which saw the pacifists bound to a post in the open, then forced into the trenches. Archive material and art by Wellington's Bob Kerr depict the torture in this short documentary, which screened during 3 News in 2014.