In Haka Māori myth is re-told through a series of stirring haka performances. Men stomp, invoke, and do pūkana (tongue out, eyes wide) amidst spitting mud and fire and ... in Paremoremo Prison and under a motorway. These scenes are intercut with archive imagery of post-pākehā Māori life, from first contact to Maori Battalion, urban drift and protest. The film is a tribute to the raw power, and art, of haka. Ultimately the Once Were Warriors-like message "is positive because of the fierce, irresistible pride of the performances." Peter Calder, (NZ Herald, 1989).
Entertainment legend Maui Dalvanius Prime rides an emotional roller coaster, as he looks back on his career in this documentary made in the final stages of his battle with lung cancer. The boy from South Taranaki who dreamed of becoming a circus ringmaster became a taonga of the Kiwi music industry, from success in Sydney with The Fascinations, to his groundbreaking kapa haka / te reo hit ‘Poi E’. He recalls his struggle to come to terms with making Māori music, and takes one last hikoi to the East Coast — where he wrote ‘Poi-E’ with the late Ngoi Pēwhairangi.
This courtroom drama sets in conflict opinions about the proposed sale of a block of Māori ancestral land. The arguments are intercut with footage of the 1975 land march, and Jim Moriarty comments on proceedings as a tangata whenua conscience. The drama shows its stage origins (it was adapted by Rowley Habib from his 1976 play) but it is passionate and articulate, and is notable as the first TV drama to be written by a Māori scriptwriter. The grievances aired echoed contemporary events, particularly the Eva Rickard-led occupation of the Raglan Golf Course.
This seven-part documentary series chronicled the history of modern Māori music, from the turn of the century and Rotorua tourist concert parties, through to the showband era (Howard Morrison Quartet, Māori Volcanics, Māori Hi-Five) and reggae and hip hop. The programme ranged from ‘Ten Guitars’ to Tui Teka, from Guide Rangi doing poi to The Patea Māori Club, from opera singer Kiri Te Kanawa to Upper Hutt Posse, Ardijah, Herbs and Moana and the Moa Hunters. The acclaimed 1990 series was directed by Tainui Stephens (My Party Song, The New Zealand Wars).
Set in and around the fictional town of Kapua in 1948, Ngāti is the story of a Māori community. The film comprises three narrative threads: a boy, Ropata, is dying of leukaemia; the return of a young Australian doctor, Greg, and his discovery that he has Māori heritage; and the fight to keep the local freezing works open. Unique in tone and quietly powerful in its storytelling, Ngāti was Barry Barclay's first dramatic feature, and the first feature to be written and directed by Māori. Ngati screened in Critics' Week at the Cannes Film Festival
Globetrotting music legend Dalvanius Prime energised small-town Patea and beyond, after managing to get a song in te reo onto the radio, then right to the top of the New Zealand charts. Aside from 'Poi E', the larger than life singer turned producer presented TV's Sweet Soul Music, and composed for the screen — including 1989 documentary Carmen and his award-winning work on classic Barry Barclay film Ngati (1987). Plans to make an animated Poi E fantasy failed to take flight, before Dalvanius passed on 3 October 2002. His life and work is celebrated in two documentaries: TV's Dalvanius and Poi E - The Movie.
Phillipa Dann’s work presenting music shows has taken her from 80s-era series Shazam! to MTV Europe. Dann studied English Literature and acted in series Pioneer Women, before winning a break fronting youth show Viewfinder. In 1986 she departed for a UK screen OE with husband Brent Hansen, before going on to present a run of shows for MTV Europe and VH1.
Ronald Hugh Morrieson fashioned dark yet exuberant novels from the provincial Taranaki towns where he spent most of his life. A classic Kiwi example of a writer who won increasing fame after death, Morrieson remains one of New Zealand's most filmed writers, despite writing only four books.
When television's nightly news finally went nationwide in 1969, newsreader Dougal Stevenson was the person chosen to read the very first bulletin. Six years later, Stevenson and Bill McCarthy were given alternating command of Television One's 6.30 news slot. These days the beloved broadcaster, occasional actor and car fan presents regional show Dunedin Diary, back in the town where his TV career first began in 1964.
Trained at Ilam School of Fine Arts, John McDonald cut his teeth directing at TVNZ in the 80s before producing sport for Sky TV. An OE producing at MTV Asia was followed by roles for Screentime. Since joining Mediaworks (TV3) in 2000, he has led an award-winning run of live coverage (Fight for Life, Rugby World Cup, the NZ Music Awards) and comedy. He is Head of In-House Production at Mediaworks.