Gary McCormick travels to the furthest corner of New Zealand and hangs out with fishermen, farmers, and ghosts. He reads the weather report on the islands' radio station (where the forecast is more rain); explores the vibrant nightlife, endures a Ministerial speech at the opening of a new wharf facility, and goes hunting at night for a local delicacy: weka. This instalment of the series is notable for some especially beautiful location photography by Swami Hansa.
In the mid 1970s the Chatham Island black robin was the world's rarest bird. With only two females left, the conservation ante was extreme. Enter saviour Don Merton and his Wildlife Service team. Their pioneering efforts ranged from abseiling the birds (including the 'Eve' of her species, 'Old Blue') down cliff faces, to left-field libido spurs. This 1988 Listener Film and TV award-winner united two earlier Wild South documentaries, and updated the robin’s rescue story to 1987. It originally screened on Christmas Day 1987, before being modified for this 1989 edition.
Celebrate iconic Māori television, film and music with this collection, in time for Māori New Year. Watch everything from haka to hip hop, Billy T to the birth of Māori Television. Two backgrounders by former TVNZ Head of Māori Programming Whai Ngata (Koha, Marae) look at Matariki, and the history of Māori programming on New Zealand television.
By 1976 there were only seven Chatham Islands black robins left. It was the world's rarest bird. In a bid to save the species, the surviving birds were taken from one island to another more hospitable island in a desperate rescue mission. This was part of an incredible conservation success story led by Don Merton and his NZ Wildlife Service team. Seven Black Robins and Project Takahē captured viewers' imaginations as part of an acclaimed series of 'rare bird' films that screened on TV series Wild South. They helped forge the reputation of TVNZ’s Natural History Unit (later NHNZ).
“These three birds are over half the world population of their species.” Peter Hayden’s narration lays bare the stakes for the Chatham Island black robin, and the Wildlife Service team (led by Don Merton) trying to save them. Merton’s innovative methods include removing eggs from nests – to encourage the last two females to lay again – and placing them in riroriro (grey warbler) foster homes. The black robin documentaries helped forge the reputation of TVNZ's Natural History Unit. Paul Stanley Ward writes about the documentaries here, and the mission to save the black robin.
This Feltex Award-winning documentary follows two grandchildren of Tommy Solomon — the last full-blooded Moriori — on a pilgrimage to Rēkohu in the Chatham Islands, to rediscover their heritage. They learn about 1000 years of Moriori settlement: Polynesian origins, pacifist beliefs (tragically tested by 19th Century Māori invasion), carvings and a seafood-based way of life. Years before Michael King’s 1989 book Moriori: A People Discovered and Barry Barclay film Feathers of Peace, this 1980 doco launched a revival of Moriori culture, and revised popular misconceptions.
Predators (possums, rats, rabbits, deer) forced much of the cargo of 'Moa's Ark' to abandon ship and live on off-shore island lifeboats. Moa's Ark presenter David Bellamy visits them (and recently-established mainland 'islands'), and tells some of New Zealand's most dramatic conservation stories. In the fourth clip, he praises the pioneering leadership of Don Merton. The episode includes footage of kōkako and its haunting song, cheeky kaka parrots, tieke (saddleback), hoiho (yellow-eyed penguin), black robins, fierce-looking giant wētā, and the Castle Hill buttercup (the world's rarest).
Kim Hill interviews historian and writer Dr Michael King at the time of the release of his acclaimed book The Penguin History of New Zealand, in 2003 (the year before King's death). King talks about his optimism about Māori and Pākehā relations. He says one of the reasons he writes books is because "information dissolves prejudice". He offers a theory that you can have two indigenous peoples in one country - that Māori are our first people and Pākehā are our second people.
Once upon a time the Kiwi accent was a broadcasting crime, and politicians decided in advance which questions they would answer on-screen. Here is the News examines three decades (up to 1992) of Kiwi TV journalism and news presentation. The roll-call of on and off camera talent provides fascinating glimpses behind key events, including early jury-rigged attempts at nationwide broadcast, Dougal Stevenson announcing the 1975 arrival of competing TV networks, the Wahine, Erebus, Muldoon, turkeys in gumboots, and the tour - where journalists too, became "objects of hatred".
When TV began in New Zealand in 1960, posh English accents on screen were de rigueur. As veteran broadcaster Judy Callingham recalls in this sixth episode of Kiwi TV history: "every trace of a New Zealand vowel was knocked out of you." But as ties to Mother England weakened, Kiwis began to feel proud of their identity and culture. John Clarke invented farming comedy legend Fred Dagg, while Karyn Hay showed a Kiwi accent could be cool on Radio with Pictures. Sam Neill and director Geoff Murphy add their thoughts on the changing ways that Kiwis saw themselves.