This selection — in partnership with the NZ Film Commission — showcases award-winning examples of Kiwi short filmmaking. From the the tale of two men and a Cow, to the sleazy charms of The Lounge Bar, from Cannes to Ngawi; this collection is a celebration of "a beautiful medium for nailing an idea to the fence post with a piece of No.8 wire."
Nature documentary A Flock of Students captures footage of a species rarely caught on camera: a colony of young human 'freshers' who have migrated south to Dunedin. Over footage of nesting, university pie-eating contests and social gatherings, narrator Sydney Jackson provides insights into student display rituals, social groupings and early, "somewhat unfocused" attempts at courtship. As winter bites, temperatures fall below zero, and the male of the species builds up resistance by exposing itself to all available germs. David Kilgour (The Clean) provides the music.
Director, writer and actor Taika Cohen (aka Waititi) features in this episode of the stand-up comedy TV series with an off the wall performance as Gunter the German "joke" teller — a buck-toothed, bewigged persona pitched somewhere between Andy Kaufman and Sacha Baron Cohen. Fiona MacKinnon is in more conventional territory recounting her graduation and 21st, and musing about moving suburbs in Wellington. While Andrew Clay has tattoos and one night stands on his mind, and a concern that the early years of the 21st century are lacking in poetry.
This edition of the mid 1990s TV One arts series sees host Alison Parr interviewing literary rising star Emily Perkins, then 26, while the expat author is visiting from London. Perkins talks about her time at drama school, her debut short story collection Not Her Real Name (whose Generation X life stories won international notice), and nerves about her upcoming first novel. The episode opens with poet Bill Manhire talking about book Mutes and Earthquakes, which anthologised the work and processes of his Victoria University creative writing programme. Perkins was a graduate.
'Spill The Light' kicked off a fruitful collaboration between Betchadupa and Gerald Phillips, with the recent design school graduate taking on the roles of director, animator, actor and cameraperson. The process involved filming himself, then drawing over the footage frame by frame. The result has our head-bopping protagonist sitting down and losing himself in this mellow single from Betchadupa's self-titled EP. The band appear in animated cameos, going about their daily routine, while our listener remains blissfully oblivious.
This episode of current affairs show Close Up offers a fascinating portrait of the early days of New Zealand's foreign exchange market. Reporter Ted Sheehan heads into "the pit" (trading room), and chronicles the working life of a senior forex dealer, 25-year-old accountancy graduate John Key. The "smiling assassin" (and future Prime Minister) is a calm and earnest presence amongst the young cowboys playing for fortunes and Porsches, months before the 1987 sharemarket crash. As Sheehan says, "they're like addicts who eat, breathe and sleep foreign exchange dealing".
Bad Dates peeks into a fictional evening of speed dating; those evenings where singles meet prospective partners on fast rotation. This quick-paced short film turns the idea into tragicomedy, where, in the vital opening bouts of small talk, a series of prospective relationships go down in flames before they've even begun. Writer/director Grant Lahood democratically gives equal screen time amongst the ensemble cast (made up of graduating students from drama school Toi Whakaari) and to a range of idiosyncrasies, from the infantile to the sex-obsessed.
In this 2007 short, a young refugee boy is smuggled out of an unnamed European country. When he realises he and his companion are victims of people trafficking, he faces an untenable choice. Cargo was produced as director Leo Woodhead’s graduating film while completing a masters in film at Auckland University. A collaboration with Czech cinematographer Martin Priess led to a student exchange with FAMU in Prague and saw the film shot in the Czech Republic. It premiered at Venice Film Festival, before a successful (London, Tribeca, Telluride) festival run.
Law graduate, documentary director and onetime talkback host Moana Maniapoto is also a longtime champion of music in te reo. With the Moahunters — vocalists Teremoana Rapley and Mina Ripia, backed by an accomplished team of funk musicians — she fused pop and hip hop with Māori culture and politics, and scored hit singles with ‘Black Pearl’ and ‘AEIOU’. After disbanding the Moahunters in 1998, she formed Moana and the Tribe. The group adds haka and video projections to create a multi-media experience which has enjoyed considerable international success on the world music circuit.
One of NZ TV's first forays into stand-up comedy, this talent quest based show ran for two series (the second as A Bit More after Ten). It was hosted by Jeremy Corbett and his brother Nigel (in his TV debut), with Ian Harcourt (ex-Funny Business) as a resident judge (aided by two celebrities each week). Home viewers also voted, helping propel eventual winner Late Night Mike into the first final. Michele A'Court, Te Radar, Jon Bridges, Dean Butler and Andrew Clay graced its set and later graduated to its stand-up successor, the long running Pulp Comedy.