In the first all celebrity version of Touchdown reality TV hit Treasure Island, 14 marooned contestants must provide food, water, fire, and shelter for themselves on a Fijian island, as they compete to find treasure and avoid elimination. Presented by Pieta Keating — who was runner-up on the original Treasure Island — the "household names" include Olympians and All Blacks (Frank Bunce), model Nicky Watson, actors and TV tradesman John Cocks. Hunger and cheating suspicions soon exacerbate tensions between the teams.
In this episode from New Zealand television’s first local documentary series, pioneering producer Shirley Maddock visits the Hauraki Gulf island of Waiheke — just 11 miles from downtown Auckland. A time-consuming boat trip has kept it as the preserve of holidaymakers and retirees, but faster transport is on the way. In a nicely judged delve into island life, Maddock is eloquent and engaging as she meets local identities, visits a wedding, a 21st, and the primary school sports day — and ponders Waiheke’s past, present and future, as Auckland inevitably reels it in.
Presented by Kiwi TV pioneer Shirley Maddock, Islands of the Gulf was New Zealand’s first locally made documentary series. In this episode Maddock makes the 50 mile seaplane flight from Auckland to Great Barrier. Accompanied by ever present birdsong, she proves an eloquent, attentive guide to ‘The Barrier’. She recounts the SS Wairarapa tragedy and pigeon post, tramps to old kauri dams, and surveys the quirks of transport for the 240 people then living on the rugged bush-clad island, from the Land Rover-driving nurse, to a Chrysler taxi once owned by Al Capone.
This documentary looks at the history of the island of Motutaiko, the prominent landmark in the middle of Lake Taupō. Motutaiko is a sacred site for Ngāti Tūwharetoa. Directors Toby Mills and Moana Maniapoto use interviews and shots of island life to examine Motutaiko’s geological and mythological origins, its strategic place in Māori history (from the muttonbirds that gave the island its name, to its role as a stronghold), desecration of burial sites, and its contemporary place as a conservation bastion free of predators — and home to rare birds, insects and trees.
This edition of the 60s Sunday night magazine show travels to New Zealand’s most active volcano: White Island, situated offshore in the Bay of Plenty. The thermal activity on the privately owned scenic reserve is vividly captured as the camera roams the roaring, shuddering landscape and ventures past seething fumaroles into the crater. The tenuous history of human engagement with ‘Whakaari’ is covered: from Maui and Māori myth to the derelict remains of sulphur mining; including a 1914 eruption that killed 11 miners (with their black cat the only survivor).
RWP reporter/director Brent Hansen (later head of MTV Europe) visits the South Island: checking venues, talking to local luminaries, catching live bands and generally taking the pulse of the local music scene. Flying Nun is on the rise (and just starting to attract international attention) although none of the label's major acts are playing near the RWP cameras. Christchurch is in flux waiting on the next big pop act to emerge, while Dunedin is a hive of activity with a new generation of Flying Nun acts starting to come through. Then there's Crystal Zoom...
This pirates of the South Seas tale stars Tommy Lee Jones (Men in Black, The Fugitive) as rogue Bully Hayes, who helps a missionary save his kidnapped-by-savages wife. Produced by Kiwis Rob Whitehouse and Lloyd Phillips (12 Monkeys, Inglorious Basterds), the film was made in the 80s ‘tax-break’ feature surge and filmed in Fiji and New Zealand (with an NZ crew and supporting cast). John Hughes (Breakfast Club) and David Odell (Dark Crystal) scripted the old-fashioned swashbuckler from a Phillips story. It was released by Paramount in the US as Nate and Hayes.
This 1968 Looking at New Zealand episode travels to NZ’s third-largest island: Stewart Island/Rakiura. The history of the people who've faced the “raging southerlies” ranges from Norwegian whalers to the 400-odd modern folk drawn there by a self-reliant way of life. Mod-cons (phone, TV) alleviate the isolation, and the post office, store, wharf and pub are hubs. The booming industry is crayfish and cod fishing (an old mariner wisely feeds an albatross); and the arrival of tourists to enjoy the native birds and wildness anticipates future prospects for the island.
In this full-length Heartland episode, Gary McCormick travels to New Zealand's southernmost community: the town of Oban on Stewart Island's Half Moon Bay. Another gently discursive ramble through time and geography is held together by a focus on the island's annual Festival of The Sea, and appearances by a range of locals from fishermen to conservationists. The highlight of this marine mardi gras is the drag competition ‘Miss Catch of the Day', where hairy blokes dress like sheilas and walk on stage. Thankfully Gary keeps his pants on.
From humble beginnings in Wellington's working class Island Bay, Ron Brierley went on to become one of New Zealand’s wealthiest businessmen. This documentary tells the story of his meteoric rise. At its peak, Brierley’s company BIL held assets worth billions, and had 150,000+ Kiwi investors. Brierley gives his take on being ousted from BIL, and the company’s mixed fortunes in the 90s. Among those interviewed are Bob Jones and Roger Douglas. After leaving BIL, Brierley moved on to investment company Guiness Peat Group, and in 2012, Mercantile Investment Company.