This 1951 National Film Unit production looks at the Cook Islands, and marks the 50th anniversary of the islands’ annexation in 1901. Unusually long (half an hour) for an NFU film, it shows history ("Vikings of the Pacific" through Captain Cook to New Zealand administration) and island life: spear-fishing, catamaran sailing, breadfruit gathering, weaving, dancing and singing. The islands are depicted as paradise guided by NZ paternalism, with the Islanders grateful recipients of modern communication, technology, health services, education, and... tinned meat.
This eighth episode in the Landmarks series was the first episode filmed, to test how geographer Kenneth Cumberland handled being in front of the camera. On a Cook Strait ferry in a southerly, he begins exploring how trade and people have gotten about Aotearoa: from the “Māori main trunk line” (beach, water), sailing ships, Cobb & Co and ‘Shanks's Pony’, to the railways and Bob Semple’s roadmaking bulldozers.The episode ends with the national grid and airways, with a rocky landing at Wellington airport demonstrating that the wrestle with place is an unresolved one.
Over a two year stint from 2003, the devious Dominic 'Dominator' Thompson (Shane Cortese) did plenty to earn his place in the pantheon of Kiwi soap opera super villains. When his affair with a 16-year-old was revealed, he resorted to drugging his wife, two murders, framing others, and feigning insanity to cover it up. In December 2004, on the cusp of finally being sprung, the show’s evil bad boy lured his rival Chris Warner (Michael Galvin) to a remote barn and prepared to incinerate them both. But as the spectacular second clip reveals, it can be unwise to play with fire ...
Beneath the escarpments, the gold miners have perished as Wellington rockers Flesh D-Vice come thundering out of the wastelands of a Wild West desert landscape from hell. This studio performance video was made for a 1985 single. For all of the serious intent on display, 'Flaming Soul' is practically a torch song compared to some of the band's more ferocious outings and there are some lighter touches to be seen: a guitar lead plugged into the sand and lead singer Gerald Dwyer nonchalantly lighting his cigarette from the inferno of a flaming oil drum.
In this 1989 Holmes excerpt, visiting Brit jazz musicians Acker Bilk and Kenny Ball meet Prime Minister Geoffrey Palmer, a self-described “mediocre trumpeter”. The trio play ‘Tin Roof Blues’ in the PM’s office, before a circuit of the Beehive balcony. Unlike Bill Clinton’s 1992 campaign-defining saxophone slot on The Arsenio Hall Show, the Kiwi leader’s jazzy side earned more sniggers than kudos — although the former law professor recalled the jam fondly in his memoir as one of the lighter moments of his Prime Ministerial tenure: “I loved it”.
In Peru, beauty and poverty go hand in hand. Westie comedian Ewen Gilmour begins his Peruvian journey in Lima, the capital - which he describes as a "sprawling, largely chaotic urban mess". Locals offer drugs and warn of muggers, but there are lighter moments when Gilmour entertains an enthusiastic audience in the city's historic centre, despite speaking only un poco Español. Later the former stonemason is impressed by the precision stonework in the ancient hilltop city of Machu Picchu, and visits locals who live on floating islands of reeds, on Lake Titicaca.
Memories of Service captures the war experiences of Kiwi veterans who served in campaigns from World War II to Korea, Vietnam and beyond. Director David Blyth (Our Oldest Soldier) and Silverdale RSA museum curator Patricia Stroud wanted to make the series of interviews as an “archival/educational treasure for all New Zealanders.” In this selection of stories compiled from the first nine interviews, the returned servicemen recall training, survival, imprisonment, parachuting from crashing planes, lighter moments, and bonds of brotherhood.
Today Live was an interview show hosted by journalist Susan Wood; it was aimed at “the lighter, more conversational end of the spectrum” from her work at the time as stand-in on Holmes. Part of TVNZ’s search for a lead-in to the 6pm news, it screened 5:30pm weeknights from March 2000 to December 2001. Each episode typically featured three interviews with regular reviewers and guests that included actors, authors, sports people, musicians and newsmakers. Auckland’s rush hour traffic and weather provided a backdrop, courtesy of a rooftop studio with a glass wall.
10AM was among the first of a run of magazine-style arts shows to screen in a morning weekend slot. Debuting on TV1 in mid 1990, it was hosted by Radio New Zealand veteran Kathryn Asare. 10AM mixed reports and studio interviews (conducted by Asare) on various topics involving the Kiwi arts scene. Producer Gil Barker felt Asare was a television natural, fighting pressure to give the role to an established “telestar”, or change Asare’s image. He also brought in writer Peter Hawes to help bring a lighter touch to the show than arts programmes from the past.
By the mid 1980s, performer Ray Woolf had been a pop star, Play School presenter, Entertainer of the Year winner, presented his own TV show, and promoted Bic lighters in an ad campaign with Howard Morrison. Here, accompanied by dancers, he performs an abbreviated version of the Paul McCartney penned classic 'Penny Lane' (a rare Beatles single not to top the British charts). The song's nostalgic "blue suburban skies" are transplanted from Liverpool to Wellington’s Michael Fowler Centre, as part of a variety show celebrating 25 years of television in New Zealand.