In this episode of the real estate reality series, super salesman Michael Boulgaris has talked a restaurateur into selling his penthouse apartment — but the price has to be right and Boulgaris needs to find active buyers for the auction. Meanwhile, an Auckland woman is on a challenging quest to find an apartment big enough to house her super-sized 6'8" New York fiancée; and there are sellers, not buyers, getting cold feet in another Boulgaris transaction (while he waits on the national listings see if he’s still number one, and refurbishes his office).
There are trials and tribulations at both ends of the spectrum in these excerpts from the debut episode of this long-running real estate reality series. It features house prices that now seem almost quaint. A young couple, trading down to a cheaper property, are looking at a house long on what is euphemistically described as "potential". But can they get it at the right price? Meanwhile, Michael Boulgaris, the crown prince of NZ real estate, works an auction floor attempting to get top dollar for a client, selling what she hopes is a million dollar arts and crafts house.
Location Location Location followed the tension, conflict and frustrations of buying and selling real estate. One of New Zealand's longest-running popular factual programmes, it rode the wave of the Kiwi housing boom. Episodes covered all aspects of the housing market, from lower-priced ‘do-ups' to multi-million dollar mansions. The high-rating show made real estate agent Michael "million dollar man" Boulgaris famous as an agent for luxury homes. It was made by now-defunct production house Ninox.
For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."
As a showcase history of Christchurch on screen this collection is backwards looking; but the devastation caused by the earthquakes gives it much more than nostalgic poignancy. As Russell Brown reflects in his introduction, the clips are mementos from, "a place whose face has changed". They testify to the buildings, culture and life of a city now lost, but sure to rise.
After countless romances, breakups and revelations — plus the odd psycho and crashing helicopter — Shortland Street turned 25 in May 2017. Made on the run, sold round the globe, the Kiwi soap opera juggernaut has provided a launchpad for dozens of actors and behind the scenes talents. Alongside best of clips, the very first episode, musical moments and favourite memories from the cast, Shortland star turned director Angela Bloomfield writes about how the show has changed here, while Mihi Murray backgrounds how it began — and how it reflects New Zealand.
The Coming-of-Age collection includes many of New Zealand's most beloved films. Featured are grumpy uncles, annoying parents, plus a wide range of children and teens negotiating the challenges of growing older — and wiser. Among the young actors making an early mark are an Oscar-nominated Keisha Castle-Hughes (Whale Rider), James Rolleston (Boy) and 12-year-old Fiona Kaye (Vigil). The titles include Alone, the winner of NZ On Screen's very first ScreenTest film contest. In the backgrounder, young Kiwi actor Thomasin Harcourt McKenzie writes from New York.
Don McGlashan has played drums, horns, guitars and PVC pipes, created memorable songs with Blam Blam Blam, The Mutton Birds and as a solo artist, and won a run of awards for his soundtrack work. As Nick Bollinger puts it in this backgrounder, his songs are good for occasions big and small.
Greg Mayor was one of the only journalists in the world to visit the set of Jane Campion film The Piano. In this report, Mayor and a camera crew from Marae encounter Māori extras on location at Karekare Beach. Actor Pete Smith (The Quiet Earth) undergoes four hours of makeup, most of it getting his moko painstakingly applied; the film's Māori Advisor Waihoroi Shortland remarks that things are improving in terms of how Māori are treated in the film world, but argues that truly Māori stories are yet to be told; and ta moko artist Gordon Hatfield is among the waiting extras.
Letter to Blanchy was a gentle rural backblocks comedy, and a rare example of Kiwi TV comedy makers filming extensively on location. The show centres on a trio of bumbling smalltown mates: intellectual Derek (David McPhail), rough-diamond Barry (Jon Gadsby) and tradesman Ray (Petet Rowley). In this excerpt from the third episode, Barry and Ray give Derek advice on how to get rid of a stubborn tree trunk, and plant the explosives needed to blast it out of the ground. In the Kiwi DIY way things are destined not to go to plan. "Where did the stump go?" Ian Mune directs.