This made-for-the-wee-kids series follows SpottyWot and DottyWot, two playful aliens exploring life on earth. In this episode, a chase around the farm sees the two stumbling upon a sheepdog helping a farmer herd his sheep, which gives DottyWot an idea about how cleaning up could be turned into a game. The CGI-animated WotWots appeared on more than 70 episodes, and screened in many countries. The show was produced by Pūkeko Pictures, a partnership between children’s author Martin Baynton, and Weta co-founders Richard Taylor and Tania Rodger.  

SpottyWot and DottyWot are young alien siblings exploring life on earth in this made-for-wee-kids TV series. In each 10 minute episode, the CGI-animated SpottyWot (blue) and DottyWot (pink) inhabit live action environments, like the zoo and the beach. The show was the second production (after Jane and the Dragon) for Pūkeko Pictures, a partnership between children’s author Martin Baynton and Richard Taylor and Tania Rodger (of Weta Workshop and Lord of the Rings fame). Two series were made of the Annie-nominated show, and it screened around the globe.

Tamatoa the Brave Warrior follows the adventures of a young Māori adventurer and his talkative pals Moko (the tuatara), Manu (the moa) and Kereru (the kereru). In this episode Tamatoa's chances of entering the great river race look dim after Aunty Hana forces him to guard the kumara patch instead. Tamatoa reluctantly obeys, and finds himself caught up battling some crazed pukeko who want to use the kumara as a rugby ball. There may still be time to race... The series of ten minute episodes was created by the prolific Flux Animation Studios.

This award-winning documentary from NHNZ reveals new information about the origins of the iconic kiwi. Presenter Peter Elliott travels the country investigating how "evolutionary mutants" — like giant meat-eating snails, kiwi, and tuatara — evolved over 20 million years in the face of massive tectonic upheavals and extreme isolation.  Elliott answers why Aotearoa has the "weirdest creatures", such as birds that don't fly and mammals that do. Company Weta Workshop used computer graphics to create images of extinct creatures for this TV One documentary.  

Made for the United Nation's first 'Earth Summit' in Stockholm in 1971, this film explores possible futures for Aotearoa's environment. Director Hugh Macdonald (This is New Zealand) presents an impressionistic ecosystem: mixing shots of natural wonders, urbanisation, and pollution with abstract montages and predictions from futurologists, including Jacques Cousteau’s “underwater man”. Before climate change heated up 21st Century doomsday debates, this film (made for the Ministry of Works!) emphasises individual responsibility. The score enlists French nursery rhyme ‘Are You Sleeping?’.

This documentary, made by TVNZ’s Natural History Unit (now NHNZ), charts the progress of the nor'west wind from its formation in the Tasman Sea across the Southern Alps to the Canterbury Plains and the east coast of the South Island. Along the way it dumps metres of precipitation on West Coast rain forest and snow on the Alps, then transforms to a dry, hot wind racing across the Plains. The film shows the wind's impact on the ecosystem and farming and muses on the mysterious effect it can have on humans. It screened as part of the beloved Wild South series.  

Winter is going. This impressionistic take on spring in Aotearoa focuses on details of regeneration, from the mountains to the sea. Director Ron Bowie and cameraman Grant Foster capture signs of the season: ice melt like tadpoles under snow grass, gannets nesting on their Cape Kidnappers tenement, fern koru unfurling, kōtuku and royal spoonbills perched in Ōkārito trees like Dr Suess characters, willow buds and kōwhai flowers. And of course, lambs and daffodils. The camera aptly obeys the title to end. Patrick Flynn (Don’t Let it Get You) composed the score. 

Eclectic comedy show Radiradirah featured Taika Waititi, Rhys Darby, Madeleine Sami and the talents behind animated hit bro'Town. The fast-paced sketch show included Monty Python-style animated inserts, the laconic talking sheep of The Pen, and bro'Town-ers Oscar Kightley and Dave Fane as elderly women who've done it all. This first episode introduces a number of ongoing characters, including an oddball alien with a beard, and crusading space captain Hemi T Cook (both played by Waititi). Radiradirah was created by bro'Town's Elizabeth Mitchell and Oscar Kightley.

Like the eponymous native plant this children's puppet programme stuck to the socks of many kiwis of a certain vintage. Produced in Dunedin by TVNZ's Natural History Unit (now NHNZ), Bidibidi followed the adventures of a sheep on a South Island station for two series. Adapted from the children's book by Gavin Bishop, the show interspersed puppet scenes and musical numbers with actual wildlife footage. This first episode sees Bidibidi chasing a rainbow with advice from Stella the kea; includes beautifully shot images of a menagerie of native birds.

For their fourth web series, creative collective The Candle Wasters shifted from using the plays of Shakespeare as inspiration, to an original story. Set in a children's indoor adventure playground, Happy Playland is a "queer rom-com musical" where employees cope with crushes, anxiety and life as digital natives. Neenah Dekkers-Reihana and Dani Yourukova (who both acted in Candle Wasters web series Bright Summer Night) play young lovers Billie and Zara. Billie is an agitated actress, while Cris is a social justice warrior. When the playground faces closure, the pair face upheaval.