More than 100,000 New Zealanders served overseas in World War l. Over 18,000 died; at least 40,000 more were wounded. Campaigns involving Kiwis, from Gallipoli to the Western Front, were identity-forming, and the war's effects on society were deep. The World War l Collection is an evolving onscreen remembrance. Military expert Chris Pugsley writes about the collection here.
Jock Phillips begins his journey through our Waitangi collection by recalling an awkward encounter with a security guard at the treaty grounds. Wandering 50 years between the first film in this collection and the last, Phillips explores changing attitudes to the Treaty. Discover everything from Mike King on the treaty trail, to trench warfare, waka-building and epic drama.
Bernard Kearns presents a survey of NZ life in the 30s in this episode of the National Film Unit series The Years Back (“people and events that shaped the New Zealand of today”). The documentary includes a wealth of footage taken from NFU stock: the aftermath of the 1931 Napier earthquake, the Depression (as Kearns bluntly states, “there was a lot of misery in the 30s”), and runner Jack Lovelock’s gold medal triumph at the Berlin Olympics. There’s also editorial flair as King George VI’s lavish coronation ceremony is juxtaposed with the A&P show back home.
All Black Ranji Wilson was 30 when he set off for France to fight with the Rifle Brigade during WWl. When he wasn't involved with trench warfare, his rugby skills were used to full advantage. Wilson vice captained the "Trench Blacks" to win against the French in 1918. After France (where he was injured at the Battle of Havrincourt), Wilson visited South Africa but wasn't allowed to play rugby because he was "coloured". Wilson, whose father was West Indian, became an All Black selector on his return to New Zealand and died in Lower Hutt in 1953.
This slot in TV3’s Great War Stories series looks at Kiwi conscientious objector Mark Briggs. In World War I imprisonment faced those who objected to doing their bit for King and country on moral grounds. In 1917 unionist Briggs and 13 others (including Archibald Baxter) were shipped to the front and made an example of via ‘Field Punishment No.1’, which saw the pacifists bound to a post in the open, then forced into the trenches. Archive material and art by Wellington's Bob Kerr depict the torture in this short documentary, which screened during 3 News in 2014.
When 150 Niuean men were shipped off to Auckland en route to the Western Front, they had no idea what lay ahead. This Great War Story features the granddaughter of one of them, and the historian who researched his journey. Falaoa Tosene was “volunteered” to the NZ Māori Pioneer Battalion as a labourer. Unfamiliar food, uniforms and boots for men who had never worn shoes were the first shocks. In France, they faced freezing temperatures and disease. Tosene was hospitalised with trench foot. He survived, thanks to a former missionary, but 30 of his comrades died.
In Poppy two Kiwi soldiers discover a baby in a muddy WWI trench. For Paddy it will lead to redemption amidst the hell of war. From a David Coyle script — based on his great-grandfather’s war story — Poppy was another successful computer-animation collaboration between producer Paul Swadel and director James Cunningham (Infection, Delf). CGI evokes a bleak Western Front landscape on which the (motion-captured) human drama unfolds. Cunningham spent over 4500 hours making Poppy; the result was acclaim at Siggraph, and invites to Telluride and SXSW festivals.
This edition of Great War Stories series revisits “a candidate for the darkest day in New Zealand war history” — 12 October 1917. The Passchendaele disaster in Belgium is explored via a letter smuggled home from 23-year-old private Leonard Hart. The front was a quagmire of mud and blood where, in a catastrophic blunder, Kiwi soldiers were shelled by their own artillery fire before being caught in barbed wire, and slaughtered by enemy machine guns. Hart called it “the most appalling slaughter I’ve ever seen.” Presenter Hilary Barry also sings the opening hymn, 'Abide with Me'.
At 101 Arthur Asher offers a remarkable account of his experiences in World War II. Dates and events come easily to mind as he narrates his time in the North African desert war and Greece. Caught up in the gruelling battle at Bel Hamid near Tobruk, Asher was later wounded by an exploding mine. A stay in a convalescent camp felt more like being in prison to Asher, who went on to fight the German advance in Greece, shooting down a spotter plane in the process. Back in North Africa, he was hit by a car, ending his war with a broken leg and jaw. Asher died on 19 May 2017.
Vincent Ward's fifth feature follows an Irishwoman in 1860s New Zealand, as Māori tribes resist the occupation of their land by the British. Sarah (Samantha Morton) has had an affair with a Māori and borne his child. Years later the boy is kidnapped by his grandfather, a powerful tribal leader. Sarah embarks on a search for her child, aided by warrior Wiremu (Cliff Curtis). When she finds him, both mother and son must decide to which culture they belong. This excerpt from the notoriously ambitious film sees Sarah encountering charismatic chief Te Kai Po (Temuera Morrison).