Andrew Brough was the McCartney to Shayne Carter's Lennon when Straitjacket Fits led the southern charge, during Flying Nun's late 80s golden age. After leaving the band, eager to develop more of his own material, Brough rolled back into the spotlight in 1995 with Bike. 'Save My Life', from their debut EP, was a songwriting finalist at the 1996 Silver Scrolls, and featured in classic Dunedin movie Scarfies. Bike were nominated as most promising new band at the 1997 NZ Music Awards. Bike's sole album Take In The Sun affirmed Brough's status as an eminent crafter of yearning, liquid guitar pop.
'Circus Kids' was the second single from Bike’s sole long-play record Take In The Sun. It is a prime example of the layered, classically-inspired arrangements and pop songcraft that frontman Andrew Brough had touched on in his previous band Straitjacket Fits. In this swirling, elegantly-gothic promo video, an innocent young boy goes a-wandering, and discovers the seedy underbelly of circus life — all rendered in lush black and white by director Jonathan King, and veteran cinematographer Neil Cervin.
This video for Andrew Brough's band Bike features the group playing in a moving caravan, which is being driven by a frazzled father (Topless Women Talk about their Lives actor Ian Hughes). Says director Jonathan King: "I had a vision of Shayne Carter in mirror shades playing a policeman. He agreed on the condition he wouldn't shave his mo. Of course it just added to the moment. Ian Hughes brought his new puppy, Olive, along because he had no one to look after it, so we integrated it into the action. In fact much of the fun stuff he does was him just improvising on the day."
In 1992 songwriter and guitarist Andrew Brough left Straitjacket Fits, determined to perform his own brand of "f***ing uplifting pop music". Three years later he formed Bike with drummer Karl Buckley and bassist Tristan Mason. Debut single 'Save My Life' was a finalist in the APRA Silver Scrolls. Brough was a fan of sunny, West Coast guitar jangle and 'Save My Life' has a bob each way: guitars chime, while a morbid lyric ('Don't you try and save my life /cos' I'm already dead') floats overhead. Director Mark Tierney chooses a dreamy palette which combines orange with monochrome.