00:00
/
00:00
It's Lizzie to those Close
It's Lizzie to those Close
Television (Excerpts) – 1983 Adaptation Drama
The Bruno Lawrence Collection
This collection celebrates the inimitable performances of...
Christchurch
As a showcase history of Christchurch onscreen this...
Rain
More award-winning acting from Sarah Peirse
River Queen
Another tale of 19th century immigrants in NZ
Angel Mine
Also directed by David Blyth
The Games Affair
Also produced by Grahame McLean
Canterbury is a Hundred
A booster's take on Canterbury's past
A State of Siege
Another portait of an isolated woman
Ngaio Marsh Theatre - Died in the Wool
Murder mystery on a Canterbury sheep station
Mesmerized
Another colonial woman looks for emancipation
Memories of Service 5 - Gwen Stevens
More from director David Blyth
Heart of the High Country - First Episode
Elizabeth Gowans later expanded the story in this
The Stolen
Another feature film set in settler era Canterbury
Home Kill
Post-colonial dramas on the farm
Utu Pihikete
Another story of a colonial woman
Compilation - Memories of Service 2
More from director David Blyth
Memories of Service 2 - Maurice Gasson
More from director David Blyth
Compilation - Memories of Service 3
More from director David Blyth
Pioneer House - Episode Two
21st century family travels back in time
In this tale of an English servant woman doing it hard down under, Lizzie (Sarah Peirse, who won a Feltex) finds herself trapped on a rundown Canterbury sheep farm alongside three men: one mean, one silent, and one simple-minded (Bruno Lawrence, who Lizzie first meets in this excerpt). Directed by David Blyth between his edgy debut Angel Mine and splatter-fest Death Warmed Up, the pioneer tale was written by English author Elizabeth Gowans. Newbie scribe Fran Walsh later extended the film to tele-movie length, from its original incarnation as A Woman of Good Character.
I want a life.– Lizzie (Sarah Peirse)
Produced by
Filmcraft
More information
Acknowledgements
Made with the assistance of Television New Zelaand, New Zealand Film Commission and the National Film Unit
Presented with thanks to the New Zealand Film Heritage Trust – Te Puna Ataata