Our People Our Century was a documentary series from Ninox productions, that looked back over the past 100 years of New Zealand society as it turned over the millennium. Major events and changes over the century were shaped into six themed episodes: war, land, poverty and prosperity, families, state support and national identity, with apposite interviews providing personal and dramatic context. Our People Our Century won Best Factual Series at the 2000 NZ TV Awards, with Philip Temple winning a best documentary script award for the 'Families at War' episode.
This Philip Temple-scripted episode of Our People, Our Century covers stories of New Zealanders and their turangawaewae: a piece of land they call their own. The importance of the land to farming families, and to the economy of NZ is explored through the eyes of three families. Elworthy Station in South Canterbury is being farmed by a 5th generation Elworthy. Two elderly ladies reminisce on their childhood in remote Mangapurua, near Raetihi in the central North Island. And a Māori family in Taranaki reflects on their decision to sell the family farm.
This episode of the six-part Our People, Our Century series explores the mix of cultures that Aotearoa-New Zealand has become. In these excerpts, a Chinese Kiwi family speaks of the racism they experienced, from the poll tax of the 1890s to their relative isolation — despite living in downtown Wellington. Artist Trevor Moffitt describes his father's “heavy silent disapproval” at his artwork; Moffitt went on receive acclaim for paintings that explore themes of New Zealand identity. Finally, mixed marriages between Māori and Pākehā shed some light on biculturalism.
This episode of the Kiwi social history series explores the importance of the ‘cradle to grave' beliefs about education, health and social welfare that have underpinned NZ governance since the 1930s. But radical reforms toward the end of the 20th century were more focused on individual opportunity than the wider social contract. Excerpts here use influential unionist James ‘Big Jim’ Roberts and generations of his family to chart social change. Written by feminist Sandra Coney, this episode also provides an overview of the monumental change in the lives of women.
New Zealand is a nation that has been scarred by war: from the horrendous loss of lives at Gallipoli to the decimation of the 28th Māori Battalion, Kiwis have gone to war in their 1000s, and many have not returned. This Our People, Our Century edition explores the experiences of soldiers, and the families who waited at home. It also examines the long tradition of protest against war, from the anti-Vietnam movement to the more recent anti-nuclear protests. The script by Philip Temple, won a best documentary script award at the 2000 NZ TV Guide Television awards.
In this edition of the Kiwi social history series all things whānau are explored: a single mother who burnt the bills she couldn't pay; a man hurt by his father's inability to express emotion; and a gay Māori man lay their souls bare. This programme explores the changes in attitudes towards family life, marriage and children, from the restrictive early years of the century to more permissive times. The intersections between race, class and gender illuminate the personal stories, and put them in a social and historical context.
Taking in depression and prosperity, this edition of the Kiwi social history series explores the boom and bust cycles of the economy. Stories include TJ Edmonds, of baking powder fame, who made his fortune by hawking his wares around Christchurch before opening his iconic factory. Factory workforces expanded, and with them unions. Worker dissatisfaction with pay and conditions led to the Queen Street riot of 1932, a defining moment in NZ history retold here by protest leader Jim Edwards' son. Edwards’ real estate agent granddaughter is also interviewed.