Shirley Horrocks is one of New Zealand’s leading social and arts documentary filmmakers. Her film portraits, revealing the personality and process of photographer Marti Friedlander, writer Albert Wendt and artist Len Lye, among others, have won awards and have screened at festivals around the world.
Often the people I've made documentaries about are out there, but perhaps they're not widely known. I wanted to get them more widely known because I think they really should be. Shirley Horrocks, NZ Herald, July 12, 2007
A jandal-shod journey through Kiwi pop culture. Kiwiana takes a light-hearted look at the fashion, art, architecture, attitudes, and icons (Buzzy Bees, Edmonds, Swanndri, Pavlova etc) we call our own. Directed by Shirley Horrocks, and shot by Leon Narbey, it featured personalities Gary McCormick, Ginette McDonald, John Clarke, Peter Jackson, and others. Screening at a time (1996) when New Zealanders were just beginning to appreciate these neglected everyday objects as ‘collectibles,' it rated highly, and inspired a sequel, Kiwi As.
See What I Mean is a Shirley Horrocks' documentary about people with a hearing impairment and about those who identify as deaf. It tells the stories of a family who were all born deaf, and a journalist who began to lose her hearing in her twenties. It features footage of deaf community events including rugby, an education meeting and socialising at the Deaf Club. This was the documentary that first presented the idea of "Deaf Culture" on New Zealand television, relating it to protest activities by the American deaf community.
This documentary follows the experiences of two groups at the 1999 Sweetwaters music festival: six teenagers (including actor Kate Elliott, then 17), and a group of 30-somethings (many of them veterans of the 80s Sweetwaters). This excerpt catches up with them near the event's conclusion. Although some hangovers are being nursed, mostly spirits remain undimmed. English singer Elvis Costello drops the on-stage bomb that the artists haven't been paid, Chris Knox notes the "money fiasco" his own way; and the festivalgoers rate their weekend.
Shirley Horrocks' documentary profiles the life, work and influence of pioneering PI writer Albert Wendt (1973's Sons for the Return Home was the first novel published in English by a Samoan). The film accompanies the writer to various locations in the Pacific and addresses his Samoa upbringing, his education in New Zealand and his work as writer and teacher; and discusses the contemporary explosion of Pacific arts. "I belong to Oceania — or, at least, I am rooted in a fertile part of it and it nourishes my spirit, helps to define me, and feeds my imagination."
This documentary looks at the attempts by New Zealand's small towns to attract attention: ranging from giant statues of fish, fruit, and soft-drink bottles to festivals devoted to local vegetables or wild food. Actress Miranda Harcourt travels from Paeroa to Alexandra to explore the colourful expressions of small-town identity and pride. Shot by Leon Narbey, this was one of a series of documentaries directed by Shirley Horrocks about kiwi popular culture. A book by Claudia Bell and John Lyall (with the same title) was the film's starting-point.
Flip & Two Twisters is a Shirley Horrocks documentary about New Zealand artist Len Lye. Motion maestro Lye's international reputation rests on his work as a filmmaker and kinetic sculptor and his lively contributions to the London and New York avant-garde. The documentary explores Lye's career and ideas, with the help of historical footage and excerpts from his films. It includes footage of Lye in typically exuberant form outlining his process, introduces many of his kinetic works, and documents how some of his most ambitious plans are now being realised in NZ.
This film documents Miranda Harcourt taking her stageplay Verbatim (written by Harcourt and William Brandt) to prison audiences. The play is a six-character monologue made up of accounts of violent crime, all performed by Harcourt. Director Shirley Horrocks captures the reactions of the prison inmates watching their own lives unfold on stage. Harcourt’s powerful performance is augmented with revealing testimonies of the broken men and women who agree to be interviewed. The documentary won the premier prize at the 1993 Media Peace Awards.
Marti: The Passionate Eye is a film about leading New Zealand photographer, Marti Friedlander. Friedlander arrived in New Zealand from London in the late 1950s and photographed the country partly as a way of coming to terms with what she saw as its foreignness. In the process she captured aspects of New Zealand that familiarity had made invisible to its inhabitants, and created an important record of its social history.
There are around 3000 homes in New Zealand that open their doors to strangers as 'homestay' accommodation. This documentary meets some of the people running homestays, as they show 'the real New Zealand' to their visitors, who are often from other countries. This excerpt features Stella and Colin Lovering, who are operating a homestay in Seatoun, Wellington. Jim Mora narrates.
Who Laughs Last profiles Roger Hall, New Zealand’s most successful playwright. Three decades after the opening of Hall's Middle Age Spread became a hit, the original cast return for 2006 follow up Spreading Out. The Shirley Horrocks doco explores the secrets behind Hall’s successful brand of comedy (25+ stage plays, plus TV series and musical comedies) andclosely explores the popularity of Middle Age Spread and Spreading Out. Among those interviewed are John Clarke, Ginette McDonald, the late Grant Tilly, and Hall himself.
Early Days Yet, directed by Shirley Horrocks, is a documentary about New Zealand poet Allen Curnow, made in the last months of his life. The poet talks about his life and work, and visits the places of some of his most important poems. It includes interviews with other New Zealand poets about Curnow's significance as an advocate for New Zealand poetry. As Curnow famously mused in front of a moa skeleton displayed in Canterbury Museum: "Not I, some child, born in a marvellous year / Will learn the trick of standing upright here."
John Reynolds is one of New Zealand's most talked-about contemporary artists. His diverse practice takes in painting, photography, clothing, tattooing and landscaping. Director Shirley Horrocks frames the film as a series of questions. The answers reflect Reynold's exuberant personality, his strong family life, his sense of humour, and his adventurous art-making. Following a year in his life, the film observes him as he makes and debuts a work (Cloud) at the 2006 Biennale of Sydney, and takes time out to appear in an episode of bro'Town.
The writing and drawing of comic books has remained a little-known and under-rated area of New Zealand culture. Director Shirley Horrocks reveals it as a highly creative subculture with a rich local history. Eric Resetar, the grand old man of local comics, discusses the moral panic brought on by comics in the 1940s and 1950s; and other artists of the genre, such as Barry Linton, Dick Frizzell, Coco and Dylan (Hicksville) Horrocks, explore the wide variety of stories that have been drawn, framed and speech-ballooned since then.