You are here:

Synopsis

Episode four, series four of this Māori artists’ profile series, tracks eminent photographer Fiona Pardington. In this extract Pardington works with her brother Neil, and discusses her life path: her Māori roots, wanting to be a photographer at age six, art school, and the hard road to making a living as an artist. Describing her medium as one of mood and depth, her search is for a balance of knowledge and wairua. Includes images of her stunning interpretations of cultural taonga, such as specimens of esteemed (and extinct) huia birds, and carved pounamu.

Credits (10)

 Tessa Tylee
 Chelsea Winstanley
 Oliver Kraft

Post a comment

   
I am:
 

Please keep your comments relevant to this title. Email addresses are never displayed, but they are required to confirm your comments.

Comments

No one has commented yet. Go on, be the first!

Produced by

Source

Favourite:

You need to be logged in to add to your favourites.

Related Titles (6)

 Sense Of Place: Robin Morrison, Photographer

Television, 1993 (Full Length)

A doco on photographer Robin Morrison

 Despondent Divorcee

Short Film, 1995 (Full Length)

A short film made out of a photo

 Peter Peryer: Portrait of a Photographer

Television, 1994 (Full Length)

A doco on photographer Peter Peryer

 Ans Westra - Private Journeys / Public Signposts

Television, 2006 (Excerpts)

A doco on photographer Ans Westra

 Marti: The Passionate Eye

Television, 2004 (Excerpts)

A doco on photographer Marti Friedlander

 A Cat Among the Pigeons

Television, 1992 (Full Length)

Doco on Māori sculptor

Quotes

Simply I could describe my art as being … it may have many different faces but it's always from the heart. That is something that I think is often lacking, or frowned upon, in contemporary practice. But I've decided since I'm a little bit older that I don't really have time for worrying about what people are thinking about me, I'm much more interested in following the intuitions I have about what's right for the things that I see. 
It has turned out to be a fundamentally remarkable medium. I'm still as engaged and enthralled as the first day that I picked a camera up. That's got to be good.