Ginny Loane began attracting award nominations in 2006 with Fog, one of many short films she has shot that have made a mark overseas. By then Loane had already shot her first feature, dark family tale Christmas. In 2013 she won praise — and a Moa Award — for another family tale, Shopping, the debut feature from Louis Sutherland and Mark Albiston. Loane went on to win two awards from the NZ Cinematographers Society for Mahana (2016), Lee Tamahori’s first Kiwi feature since Once Were Warriors. Her work also includes based on a true story TV movies Jean and Consent - The Louise Nicholas Story.
It's nice on set when there's a mix of people. I love it when there's a few more women on set. I love it when there's a few more ethnicities; when there's just a reflection of our society on set. It's much nicer. I mean no one wants to play in the sandpit alone with the same people, do they? Ginny Loane, in a July 2015 interview for RNZ National
Inspired by Witi Ihimaera's Bulibasha, Mahana saw director Lee Tamahori making his first film on local soil since a very different family tale: 1994's Once Were Warriors. Temuera Morrison stars as a 60s era farming patriarch who makes it clear his family should have absolutely nothing to do with rival family the Poatas. Then romance enters the picture, and son Simeon sets out to find out how the feud first started. The powerhouse Māori cast includes Nancy Brunning (who is included in the interview clips) and Jim Moriarty. Mahana debuted at the 2016 Berlin Film Festival, before NZ release.
After overhearing a parental argument which shows no signs of ending, a young boy (Nico Mu) decides to wander out onto the streets. Soon he is caught up in the K Road nightlife, clutching his sushi. Then a chance meeting with a talkative homeless woman (Verity George) and her dog offers him a new perspective. Inspired by an old woman who gave out mussel fritters to bus drivers, writer/director Karyn Childs set out with this short film to show K Road as a place where people of many backgrounds can feel they belong. Fritters was one of ten K' Rd Stories made in 2015.
In this 2013 short, a possum-trapping nature boy is challenged when a woman moves into a house on the edge of the bush, looking for a fresh start. Cinematographer Ginny Loane captures the wintry central plateau landscape where the fable of life and death plays out. Director Leo Woodhead co-wrote the script with Paul Stanley Ward; the result followed Woodhead’s short Cargo (2007) to the Venice Film Festival, and won the Jury Prize at the 2014 Hong Kong Film Festival. Director Andrew Adamson (Shrek) called it “a well structured, beautifully shot narrative.”
Shopping marks the feature debut of Mark Albiston and Louis Sutherland, who were acclaimed for their short films. Set on the Kapiti Coast, the 80s-set drama follows half-Samoan teenager Willie (Kevin Paulo), who is seduced into a world of petty crime. Adrift in muscle cars and boozy lawn parties, he finds stirrings of love, and escape from his volatile Pākehā father. Little brother Solomon (Julian Dennison) must fend for himself. Selected for the Berlin and Sundance Film Festivals, Shopping went on a winning spree at the 2013 NZ Film Awards (including Best Film and Screenplay).
Blue tells the story of a fallen kids’ TV mascot reduced to working as a waiter in an Asian restaurant. 'Blue' keeps his happy face on as he serves customers food; occasionally he's recognised from his screen fame days, but mostly he's ignored. One day bad news arrives. The urban alienation themed-film was awarded best short at Cannes Critics' Week 2011. Korean-born Stephen Kang moved to New Zealand in 1993; his digital feature Desert was released in New Zealand theatres in 2011, and was selected for South Korea's Pusan International Film Festival.
Music video director Sam Peacocke's confronting first short film reimagines the events that took place around the robbery of a Manurewa liquor store in 2008, in which owner Navtej Singh was tragically murdered. The film takes a kaleidoscopic perspective on colliding South Auckland lives, notably in an — almost unbearably — tense hold-up scene. Largely shot with non-actors, the production was self-funded. The result was selected for the Melbourne and Berlin Film Festivals; at Berlin it won the Crystal Bear for best short in the Generation 14plus youth section.
Gary Cradle (Gareth Reeves) wants to go straight but has to face up to a drug habit, family dysfunction, and the burden of guilt over a past sin. Mixing up dollops of dry wit and violence, Gregory King's redemptive recovery yarn debuted at the Rotterdam Film Festival. King's second feature won Qantas Film and TV Awards for best film made for under $1 million, and Ginny Loane's camera work; actors Reeves and Ian Mune (playing his father) were also nominated. In February 2009 the film gained media attention after being made available to watch free online, for 24 hours.
In this short film, a Cook Island school cleaner (Whale Rider's Rawiri Paratene) responds to an unusual graffiti message on a girls’ toilet wall, with life-changing consequences for him and the mysterious author. Paratene's performance won him a Qantas Film and TV Award; the film also won Best Short and Screenplay (Paul Stanley Ward). Tupaia travelled to more than 15 festivals and director Chris Dudman was nominated for a Leopard of Tomorrow (Best Short) at Locarno. Dudman, Ward and producer Vicky Pope teamed up on another short film success, Choice Night (2010).
"This is me. This is my husband …" So narrates Evie as she watches her younger self labour with child-birth. "And this is the bitch who will one day steal him, and ruin my life." When the bitch is shown as an angelic six-year-old the tone is set for Katie Wolfe’s award-winning black comedy (her debut short as a director). Writer Kate McDermott’s wry narration moves between then and now, as fate delivers a less than wonderful life in Auckland suburbia. The Sundance-selected film was a break-out festival success, earning Wolfe notice as a filmmaker to watch.
Ricky is shy and has an overbearing father. He and Telly, an extrovert misfit, slip out into the night and commandeer Ricky's father's fishing boat. They cast off and head out into the freedom of the fog. Peter Salmon's Fog highlights oppression, boredom and sex: the cultural trinity of the New Zealand small town. Shot in Ngawi, an isolated fishing village on the Wairarapa coastline, the crush of this world is palpable. Fog was selected for Critics' Week at Cannes; it also scored Chelsie Preston Crayford a gong for Best Actor in a Short Film at the NZ Film Awards.
A stoic Sean James Donnelly carries on singing while facing an aerial barrage of feathers, fruit, toys and worse, in this dreamy after dark video, directed by globetrotting commercials maker Lawrence Blankenbyl. The calm amidst chaos music clip captures the wistful essence of the song, which preaches rebellion in the chorus, and going with the flow in the verse. 'A Beautiful Haze' is taken from SJD's fourth album Songs from a Dictaphone (2007), which reached number 11 on the Kiwi music charts.
Tis the season to be toxic in this "distinctly Kiwi take on the f***ed up whanau" (Chris Knox, Real Groove). Broke, depressed oldest son Keri arrives home to face up to a suburban Christmas countdown and two messed up sisters, a gay brother, drunk kids, and narcoleptic parents. Director Gregory King wrests bleak comedy and holiday horrors from the tokes, tinsel and frequent toilet visits. The raw realism of his debut feature saw it selected for Toronto, Locarno, Edinburgh, and Melbourne festivals. It won best digital film and script at the 2003 NZ Film Awards.
This short film follows a freshly-arrived Korean immigrant, trapped in suburban Auckland while her husband Kim works. Su Jung befriends her neighbours, who take her to their weekly swimming lessons, where she finds release in the water. But when swimming affects the cooking of dinner, Kim is piqued. For 2009 Spada New Filmmaker of the Year Zia Mandviwalla, Eating Sausage was the first in a quartet of shorts exploring cross-cultural collisions (Clean Linen, Amadi and Cannes-selected Night Shift). It was selected for the London and Pusan Film Festivals.
In the pop-plastic milk-bar universe of Bubblegum Valley, true love is on the rocks. Blue pulls up to the Paperdoll Diner in his mint cadillac. Inside, Candy hears gossip that Blue has been untrue. Will Blue's musical extravaganza fantasy reunite him with his true love? Will his gel hold his quiff up for the length of the film? This is an excerpt from Kezia Barnett's confectionary tale of marching girls and rock'n'roll dreams on rollerskates. It was the first funded short shot by cinematographer Ginny Loane; and was scored by indie duo The Brunettes.