Jan Haynes has worked on numerous projects across film and TV, organising projects as diverse as Telethon, The Insider’s Guide to Happiness and The WotWots. She started her career as a legal advisor before moving into production management and producing roles.
As Peter Jackson's assistant, she was the focus for the exponentially growing interests that came seeking him; and the conduit for his many wishes, large and small. Jan seemed like the hardest working person alive. Costa Botes
This made-for-the-wee-kids series follows SpottyWot and DottyWot, two playful aliens exploring life on earth. In this episode, a chase around the farm sees the two stumbling upon a sheepdog helping a farmer herd his sheep, which gives DottyWot an idea about how cleaning up could be turned into a game. The CGI-animated WotWots appeared on more than 70 episodes, and screened in many countries. The show was produced by Pūkeko Pictures, a partnership between children’s author Martin Baynton, and Weta co-founders Richard Taylor and Tania Rodger.
In this documentary children's author Margaret Mahy is interviewed at her Governors Bay home by friend and fellow author Elizabeth Knox. Many of Mahy's beloved storybook characters also appear to put her on the spot about their origins. In this excerpt, the famous lion from A Lion in the Meadow thanks her for making him yellow, and Mahy talks about eating porridge thrice a day as a young solo mum. Yvonne Mackay directed this seamless mix of real life and Euan Frizzell-created animation. Read more about the doucmentary here.
Writer-director Barry Prescott’s third short film might have been entitled Strictly Legless. Alge (Joe Taylor) is a double amputee with a photo of Fred Astaire above his bed, whose dreams of dancing appear unlikely until he gets some inventive help from his sister (Emma Kinane) and dance teacher (John Bach, in a nosy prosthetic). Featuring cameos from veteran actors Donna Akersten and Alice Fraser, the black comedy treads on some sensitive toes for humorous effect, while remaining warm-hearted. It won awards at festivals for the differently-abled worldwide.
The Insiders Guide to Happiness follows the interconnecting lives of eight 20-something characters — one of them dead — as they search for happiness. Dramatic, comic, sexy, surreal, the drama won critical acclaim and was a ratings success. An ambitious chaos theory-derived 'meta' concept is underpinned by strong performances from the ensemble of burgeoning acting talent, and stylishly-shot Wellington city locations. The Gibson Group production won seven awards at the 2005 NZ Screen Awards, including Best Drama and Best Director (Mark Beesley)
This series follows the interconnecting lives of eight 20-something characters — one of them dead — as they search for happiness. An ambitious 'meta' concept, strong performances from the ensemble cast and stylishly-shot Wellington locations won the Gibson Group drama awards and acclaim, particularly from its targeted youth demographic. In this excerpt from Chapter Eleven, Lindy accepts a job in Toronto but fails to tell boyfriend William; Barry and James discuss Chaos Theory and relationships; and Sam uses flowers in an attempt to fix things with Tina.
This sex in the capital city series centres around 30-something Melissa (Luanne Gordon), who has shed a corporate legal career to set up a male strip revue. The Gibson Group-produced show married the fretful modern woman protagonist of Ally McBeal with the hen's night appeal of Ladies Night; it screened for two series on TV3. In this episode from the first series Melissa enjoys her towel-clad new flatmate Adam (Robbie Magasiva), while her copper boyfriend Shane (Stephen Lovatt) doesn't. And Mel's teenage daughter contemplates 'the first time'.
The Strip centres around 30-something Melissa (Luanne Gordon), who sheds a legal career to set up a male strip revue. Created by Alan Brash, The Strip played to a certain demographic's desire for ogling naked men (warmed up by 1987 play Ladies Night and 1997 film The Full Monty), but with a focus on female characters, as Melissa juggles business with raising a teenage daughter. Taking cues from Ally McBeal (with fantasy sequences to match) the Gibson Group tale of g-strings, feminism and red light romance screened for two series on TV3 and sold internationally.
Duggan stars John Bach as brooding Detective Inspector Duggan, attempting to solve murders amid the tranquillity of the Marlborough Sounds. New Zealand's answer to Inspector Morse, the show was conceived by Marion McLeod, and scripted by Donna Malane and Ken Duncum. Eleven episodes of the Gibson Group series were made, following on from introductory tele-features Death in Paradise and Sins of the Father. The turquoise waters of The Sounds make for an evocative setting in this sharp, classy Kiwi whodunit. Rachel Davies writes here about Duggan's birth.
Duggan features John Bach in the title role of the brooding detective who solves murders, amid the tranquillity of the Marlborough Sounds. In this excerpt from the first part of two-parter 'A Shadow of Doubt', Duggan finds himself investigating the kidnapping of the daughter of friend Joanne Taylor (Jennifer Ward-Lealand). The suspects includes Joanne's business partner (Andy Anderson). A sharp, stylish Kiwi take on the classic English whodunit, this episode won an award for scriptwriter Donna Malane, and features evocative imagery by cinematographer Leon Narbey.
Swimming Lessons is the story of jaded swimming coach Jim Sadler (Marshall - Came a Hot Friday, The Navigator - Napier) and a spirited seven-year-old delinquent who comes under his instruction. The troubled Samoan boy is a potential champion, but the challenges of training him force the coach to confront his own failings in life: one as seemingly straight as the pool's lane line. Directed by Steve La Hood, Swimming Lessons won two NZ TV Awards. It screened as part of Montana Sunday Theatre and was the TV producing debut for Philippa Campbell.
This series centred on a weekly TV current affairs programme in mid-90s Wellington. Katie Wolfe stars as stroppy journalist Amanda Robbins: lured back from Australia for her tabloid style in an effort to boost the show's ratings. Tackling timely storylines and shot ‘handheld’ in the NYPD Blue-inspired style, the TV3 series was well reviewed but faced its own ratings struggles (a later series screened on TV One). It was Gibson Group’s second foray into producing a TV drama series, after Shark in the Park. A pre-Lord of the Rings Fran Walsh was a series writer.
The Gibson Group drama series centres on a team of TV journalists working on a weekly current affairs programme. Katie Wolfe plays stroppy journalist Amanda Robbins, who has been lured back to Wellington from Australia by a network boss hoping her tabloid style will help ratings. Her workmates are not so confident. In this excerpt from the start of the first episode, Robbins hits the news (literally) as she runs into a disturbed nightclubber (Katrina Hobbs) on a rainy night. A pre-Lord of the Rings Fran Walsh was one of the series writers.
This 1994 ‘home front noir’ is set in World War II Wellington, where the plots — a murdered marine, exploited working girls and gonorrhea — spread amidst the invasion of US soldiers stationed at Paekakariki. Kerry Fox (An Angel at My Table) is a public health nurse who becomes romantically linked with the US investigating officer (Tony Goldwyn — Ghost, TV's Scandal) while pursuing the STDs and the truth. They’re supported by Oscar-winning US veterans Rod Steiger and Robert Loggia. John Reid (Middle Age Spread) directs, from a Keith Aberdein script.
In 1992 Australian soap star Craig McLachlan (Neighbours) landed in NZ, to tackle one of his only starring roles in a movie to date. McLachlan plays Ed — a WWll soldier who goes AWOL — in a story 74-year-old writer James Edwards drew from his own life. When Ed is shipped overseas with no leave, he feels obliged to make sure that his recently pregnant wife Daisy (Katrina Hobbs) is OK before he departs. But then the days become weeks. For director John Laing the road movie offered a chance to explore changing gender roles, as women discovered life beyond house and family.
Set over a Christmas beach holiday in 1935, The End of the Golden Weather chronicles the friendship between a teenage boy and the wild-limbed Firpo, dreamer and social outcast. Writer/director Ian Mune spent more than 15 years "massaging" Bruce Mason's classic solo play into a movie, before assembling a dream team to bring it to the screen. The finished film captures the world view of a boy for whom fantasy, hope and disappointment intermingle. Among an impressive awards haul, 12-year-old star Stephen Fulford was recognised at America's Youth in Film Awards.
This Christmas 1989 episode of the TVNZ teen magazine show sees newbie reporter Nadia Neave on Stewart Island to meet a crayfisherman, an artist and a conservation worker. Reporter Kerre McIvor (nee Woodham) quizzes David Lange about quitting as PM, as he prepares to drive in a street race. Natalie Brunt interviews Cher songwriter Diane Warren. Dr Watt (DJ Grant Kereama) looks at solvent abuse, and future Amazing Race host Phil Keoghan joins a trio of young actors (including Tandi Wright) to give tips on overseas travel. Graeme Tetley (Ruby and Rata) was a series writer.
Kingpin was the second of a trilogy of films from Mike Walker about troubled New Zealand youth (the others were Kingi's Story and TV movie Mark II) Filmed at, and inspired by residents of Kohitere Boys Training Centre in Levin, the bros-in-borstal tale follows a group of teens who are wards of the state. Kingpin focuses on the bond between Riki (Mitchell Manuel) and Willie (Fafua 'Junior' Amiga), who along with the other kids are terrorised by Karl (Nicholas Rogers), the Kingpin of the title. It was directed by Walker, who co-wrote the script with Manuel.
One of an early 80s series of stand-alone dramas, Coming and Going is set in a boozy officers’ mess in Maadi in Egypt during World War II. Based on a short story by Dan Davin (who saw service in North Africa and Europe), it centres on Reading (David McPhail in a rare serious role) who will never be one of the blokes — but who is now facing ostracism and open hostility. Andy (Kevin Wilson) has just rejoined the unit after being wounded; and he gradually discovers that Reading’s plight is the result of something far more serious than standoffishness.
TVNZ’s Loose Enz was a series of 12 stand-alone dramas that canvassed a broad range of subjects. With a distinct NZ voice, the series’ 1982 9:30 scheduling allowed the array of writers to pen racier and more confrontational content. Funding exceeded the (mostly) meagre levels of the 70s, and talent pooled around the production: names such as Tony Isaac (who produced the series), Caterina De Nave, Billy T James, Merata Mita, John Toon, and Angela D’Audney, made up an illustrious cast and crew who had forged, or were yet to cut, vital paths in the screen industry.
In this infamous edition of the Loose Enz anthology series, sexologist Rufus (Grant Tilly) has marriage problems, due to being more theoretical than practical when it comes to the ways of the flesh. Things grow more complicated when patient Ernest (Bruno Lawrence, playing nerdy for a change) claims he is suffering from having a magic touch with women. Alongside Joy of Sex japes and punning pillow talk galore, this sex farce gained notoriety for scenes of high-profile newsreader Angela D’Audney (as the dissatisfied wife) going topless, then donning a turquoise catsuit.
This episode of the Loose Enz series features small town intrigue in Hawkes Bay. Prickly, violin playing, ex-POW Austin (Derek Hardwick) refuses to retire despite handing over the farm to son Wesley (Goodbye Pork Pie director Geoff Murphy) — and the impending sale of the neighbouring property (to Japanese buyers) puts him on the warpath one boozy night at the local. Rural land politics and identities are nicely observed, the farmers’ band is delightfully chaotic (with Paul Holmes as a sax-playing fencer), and the Land Rover stuck in reverse is worthy of Fred Dagg.