Karl Urban's screen career has included dysfunctional family comedies, epic fantasies and offbeat romances — and that's only the Kiwi projects. Urban was award-nominated for films The Price of Milk and The Irrefutable Truth about Demons, and won for Out of the Blue. In recent years he has appeared in a run of Hollywood projects, including The Bourne Supremacy, Star Trek, and as Judge Dredd in Dredd 3D.
My philosophy is whatever you do, you’ve got to invest in yourself. If you don’t, there are a lot of people out there who will get the job because they’re more prepared than you. Karl Urban
In the final episode of the season, larrikin presenters Bill and Ben pretend to offend rugby league stars Monty Betham and Awen Guttenbeil (with a nod to American Beauty). The show's closing references the controversial finale of The Sopranos (complete with mocking soundtrack), and there are cameos from Karl Urban and Temuera Morrison. Ben revels in extended torture of Bill, while Auckland Blues coach Pat Lam concentrates on golfing. Elsewhere a shop dummy does some begging, and a unique interpretation of cross-training enrages a passing screen producer.
In November 1990, misfit loner David Gray (played by Matthew Sunderland) murdered 13 of his neighbours in the seaside town of Aramoana near Dunedin. His rampage lasted 22 hours before he was gunned down by police. Out of the Blue is a dramatised re-enactment of these traumatic events. Directed by Robert Sarkies and co-written with Graeme Tetley, this gut-wrenching film did respectable box office and was lauded at 2008's Qantas Film and TV Awards, winning most feature categories, including best film and screenplay. Warning: excerpt contains realistic gun violence.
Monstrous spiders, dragon-aided epic battles, endangered hobbits and final farewells ... the finale of the Lord of the Rings trilogy boldly upped the ante. Although the first two films had excited viewers, critics and accountants, Return of the King sealed Peter Jackson's place in movie legend. Reviewers praised it with gusto and Return won a staggering 11 Oscars, a total matched only by Titanic and Ben-Hur. Return anointed a Hollywood empire in the Wellington suburb of Miramar; the box office figures weren't half bad, and nor was the effect on NZ tourism.
The second Lord of the Rings installment sees hobbit Frodo Baggins continuing his mission to destroy the ring. Meanwhile the Fellowship is breaking apart, and an epic night battle ensues at Helm's Deep. The film marked a star turn by Gollum, the emaciated Andy Serkis-voiced creature whose realisation was a cinema landmark and a triumph for the design and special effects team. Alongside praise for the film's pace and spectacle, The Two Towers broke international opening records, before going on to outgross Fellowship of the Ring, and win two technical Oscars.
The debut feature from writer-director Glenn Standring, The Irrefutable Truth about Demons sees anthropologist Harry Ballard (Karl Urban) threatened by a sinister cult. With the help of beautifully bizarre Bennie (Katie Wolfe) he endures a terrifying night as his friends are killed by demons. Or are they? Hounded by the memory of his dead brother, Harry suffers beatings, heart surgery and assault by cockroaches. Variety said Demons "conjures a creepy, brooding atmosphere and enough thrills to keep young horror enthusiasts glued." The film sold to more than 50 countries.
Lucinda (Danielle Cormack) lives a fairytale life with dairy farmer Rob (Karl Urban), and his 117 cows. But after a freak car accident she decides to test Rob's love for her by trying to make him angry. He passes her tests until a quilt goes missing from their bed; the price of getting it back is high. Harry Sinclair's follow-up to Topless Women Talk about their Lives is quirky and romantic, but not especially fantastical — yet it won a trio of awards at specialist fantasy film festivals overseas. The fulsome soundtrack is performed by the Moscow Symphony Orchestra.
Biographer Michael King takes us through the life of pioneering writer Frank Sargeson: from puritanical parents to self-discovery in London, through to decades encouraging an emerging tide of New Zealand writers. The documentary’s most priceless moments are the tales told when four of those writers return to Sargeson’s fabled fibrolite bach, in Takapuna. Kevin Ireland calls it an “oasis, this marvellous place where books ruled supreme”. Sargeson’s purposefuly minimalistic writing style, the doco argues, helped NZ literature find its own voice.
The first movie written and directed by playwright Anthony McCarten is a portrait of a family melting down under the media spotlight. The comedy/drama stars Danielle Cormack in two roles — as a swimmer on the cusp of Olympic glory, and as the twin sister back home, looking on as her family descends into spats and bickering as they find the pressure to perform too much to bear. Via Satellite showcases a topline cast, including Tim Balme, Rima Te Wiata, and a scene-stealing and heavily-pregnant Jodie Dorday, who won an NZ TV and Film Award for her work.
Designed to inspire school leavers to find their career, Pathways sees a selection of young New Zealanders talk about their job paths. The pilot episode of this 1994 Careers NZ resource is bookended with a 'mini-drama' about young people flatting together, which includes some familiar faces. Karl Urban plays lazy surfer Wayne, while Robbie Magasiva is the sales assistant whose plans of climbing the career ladder go awry. Marcus Lush plays a DJ who links a series of interviews with people either working or training. Later Lush interviews experts on youth employment prospects.
A family reunion is the perfect vehicle to introduce the characters of this early TV3 soap. Set in a rural hamlet just south of the Bombay Hills, it revolves around the Johnstone family who have farmed the area for 100 years; but times are changing and, following the market crash, so are their fortunes. Beneath the surface of reunion civilities lurks a marriage in tatters, a prodigal son returned, a family inheritance spat and a mystery teenager (Simone Kessell) confusing the bloodlines. The cast included Liddy Holloway, Peter Elliott and a young Karl Urban.
Shortland Street is a fast-paced serial drama set in an inner city Auckland hospital. The long-running South Pacific Pictures production is based around the births, deaths and marriages of the hospital's staff and patients. It screens on TVNZ’s TV2 network five days a week. In 2017 the show was set to celebrate its 25th anniversary, making it New Zealand’s longest running drama by far. Characters and lines from the show have entered the culture — starting with “you’re not in Guatemala now, Dr Ropata!” in the very first episode. Mihi Murray writes about Shortland Street here.
Homeward Bound was TV3’s bid for New Zealand on Air funding for a local soap opera. Set around the lives of the rural Johnson family, 22 episodes were produced for the then-nascent network (the series ultimately lost out to TVNZ’s Shortland Street). Created by Ross Jennings and written by Michael Noonan, it represented a move back to a small town way of life after the Gloss-y urban excesses of the 1980s; it also explored pressures facing country communities following the stock market crash. The cast included Liddy Holloway, Peter Elliott and a young Karl Urban.
This feature dramatises an ill-fated offensive that Kiwi soldiers undertook during World War I’s Gallipoli campaign. On 8 August 1915 the Wellington Battalion briefly seized Chunuk Bair, a pivotal peak overlooking the Dardanelles; they suffered huge losses. The film pitches the attack as a formative New Zealand nationhood moment, with Kiwi guts and resilience countered by inept, careless British generals, as much as their Turkish foes. Filmed on an Avalon set and the Wainuiomata coast, the story was based on Maurice Shadbolt’s classic play Once On Chunuk Bair.
A big smoke cousin to Mortimer's Patch, Shark in the Park was NZ's first urban cop show and first true genre police drama. Devised by Graham Tetley, it portrayed a unit policing Wellington's inner city under the guidance of Inspector Brian "Sharkie" Finn (Jeffrey Thomas). With its focus on the working lives of the officers, it was firmly in the mould of overseas programmes like The Bill and Hill Street Blues. The first of three series was the last in-house production for TVNZ's drama department. The other two were made independently by The Gibson Group.