Kevin Smith was the multi-talented actor who appeared in a host of television shows, starting with eighties soap Gloss. He also starred in three tele-movies as maverick private investigator John Lawless. His feature films include period melodrama Desperate Remedies, and offbeat drama Channelling Baby.
He came at things with such vigour that it was impossible not to go with him wherever he had decided to take you. He ate life, and loved the taste. Michael Hurst, on his friend Kevin Smith
A TV network hires actor Kevin Smith to front a documentary about a town divided by an unusual discovery. Gooey Duck — a shellfish with reputed aphrodisiac qualities — has appeared off Ureroa. The quota is owned by a local couple but the rest of the town, big business, the government and the local iwi all have their own ideas. Smith's involvement gets complicated when he innocently consumes the mollusk while watching Prime Minister Jenny Shipley on TV. Writer Stephen Sinclair satiries television, celebrity, gender, politicis, small town New Zealand and penises.
This TV2 promo is a cover of Sonny and Cher classic ‘I Got You Babe’. A roll call of turn of the century Kiwi celebrities take turns performing, starting with late actor Kevin Smith and actor/sometime Strawpeople singer Stephanie Tauevihi. Other stars include Jay Laga’aia, Havoc and Newsboy, Erika Takacs from band True Bliss, What Now? hosts, Shortland Street's Katrina Devine, and Spike the penguin from Squirt. Also popping by are Bart and Lisa from The Simpsons, and Aussie Portia de Rossi (then appearing on American show Ally McBeal). The promo was made by Saatchi & Saatchi.
Billy Williams (Cliff Curtis) is enthusiastic and likeable, but a bit hopeless. When the driving force behind the Waimatua School 75th Jubilee is killed in an accident, Billy takes over, determined to prove himself. Meanwhile, the arrival of ex-international rugby player Max Seddon (Kevin Smith) forces Billy's wife Pauline (Theresa Healey) to question the choices she has made in her life. This affectionate comedy drama about small town New Zealand life marked Cliff Curtis's first lead role in a feature film — and actor Michael Hurst's first time directing a movie.
In the last of a trilogy of tele-movies, private investigators John Lawless (Kevin Smith) and Jodie Keane (Shortland Street's Angela Dotchin) seek the truth behind an apparent suicide. Their client is visiting mystery woman Lana Vitale (a strong performance by American Jennifer Rubin) who wants to know why her husband is dead. For Lawless, the trial soon leads to romance, intrigue, plus a shady nightclub/ porn operator (singer Frankie Stevens). This Kiwi take on American crime shows includes an appearance by Snakeskin actor Dean O'Gorman.
The second Lawless tele-movie sees ex-cop John Lawless (Kevin Smith) drinking too much while working as a bouncer in a downmarket bar. Then former crime-solving partner Jodie Keen (Angela Dotchin) enlists his help, to investigate the case of an incarcerated American (C. Thomas Howell) who may have been framed. Someone is attacking hitchhikers, and the creepy finale sees Jodie using herself as bait, before getting trapped in a barn with a murderer. Evening Post reviewer Sarah Daniell found "the whole shebang was executed with wit and style".
A dark and mystery-filled drama about a 70s hippy (Danielle Cormack) who falls in love with a Vietnam vet (Kevin Smith). But has fate brought them together, only in order to drive them apart? And what exactly happened to their child? This twist-filled tale of seances, damaged people, and conflicting versions of truth marked the directorial debut of short filmmaker Christine Parker. At the 1999 New Zealand film awards, Channelling Baby was nominated in six categories, including best actress and best original screenplay. Read more about the film here.
Lawless saw Kevin Smith in one of his biggest roles: as undercover cop turned private investigator John Lawless. The character's career arc was told across three tele-movies. In this self-titled debut, Lawless struggles with divided loyalties while working for a dodgy drug lord (Joel Tobeck). Next thing, a robbery leaves Lawless framed by the good guys. This stylish Kiwi take on American crime shows won good reviews and a stash of awards, including gongs for Tobeck, co-star Angela Dotchin, director Chris Martin-Jones and best drama programme.
Double Booking was a one-off comedy about a bloke, Brett (Kevin Smith), reluctantly celebrating his stag night, and a woman, Jane (Theresa Healey) who is less than happy at her hen's party. When the titular double booking happens their paths collide. Brett and Jane are star-struck at the Ocean Moon restaurant; wedding days are threatened and much ado occurs. The cast is a virtual Gloss reunion. Double Booking was made as part of a series of comedy pilots for TVNZ. A series didn't ensue, but it won James Griffin a Best Comedy Script gong at the 1999 NZ Film and TV Awards.
This series was a mixed plate of reality television, cooking show and first stage anthropology. The (Kiwi) concept is simple: presenter Suzanne Paul invades a house with a camera crew, while restauranteur Varick Neilson cooks the inhabitants some dinner. This early episode features the under-stocked flat of a group of Auckland 20 somethings. When the week's mystery dinner guest turns out to be ‘New Zealand's sexiest man' (as voted repeatedly by TV Guide readers) Kevin Smith, the female flatmates applaud.
Lana Coc-Kroft and her all female Extreme Team swing, fall and paddle their way through this episode from their primetime, extreme sports TV series. There's a guest appearance from actor Kevin Smith who enthusiastically investigates bridge swinging with Jayne Mitchell (near Masterton). Lana forgets her fear of heights for long enough to take a tandem sky dive and check out the sport of sky surfing — and Emma Barry and Katrina Misa keep their feet much closer to the ground, but get them wet, on a canoe safari down the Whanganui River.
City Life follows a tight-knit group of apartment-dwelling twenty-somethings (lawyers, bartenders, drug dealers, art dealers, et al) on the emotional merry-go-round of urban living. Created by James Griffin, the television series was an effort to create popular drama relevant to contemporary Auckland city life and to appeal to a Gen X demographic – to inject Melrose Place into Mt Eden. A bevy of Kiwi acting talent drink, dramatise and prevaricate to a soundtrack of contemporary NZ pop.
City Life screened from 1996 to 1998 and made a direct appeal to New Zealand's Gen X apartment-dwelling demographic. Following the lives of a tight-knit group of friends, and featuring racy shots of Auckland's K-Road and nightlife set to contemporary NZ pop music, City Life was NZ's answer to Melrose Place. In this excerpt from the first episode, the friends are thrown into conflict when one of their own (played by Kevin Smith) decides to marry outside the circle. Complications ensue when Smith shares a brief, but notorious, screen kiss with Charles Mesure.
Created by writer Greg McGee, Marlin Bay was one of the first primetime drama series from South Pacific Pictures. It follows the events of a far-north resort and casino; a number of well-known actors made up the cast of earthy locals, wealthy foreigners and city weekenders, including Ilona Rodgers, Don Selwyn, Andy Anderson and Katie Wolfe. Kevin Smith received a 1995 Best Supporting Actor nod for his role as villain Paul Cosic. In this episode the swarthy Cosic cooks up an illegal smuggling scheme to diversify a farm's income stream.
This stylishly high camp melodrama from directors Stewart Main and Peter Wells won acclaim, after debuting at the 1993 Cannes Film Festival. In the imaginary 19th-century town of Hope, draper Dorothea Brooks (Jennifer Ward-Lealand) is desperate to save her sister from the clutches of opium, sex and the dastardly Fraser. She begs hunky migrant Lawrence Hayes to help; but complications ensue. Inspired partly by 1930s and 40s Hollywood melodramas, Desperate Remedies was sumptously shot by Leon Narbey (Whale Rider). Richard King writes about the film here.
Marlin Bay was a drama series following the comings and goings of a far-north resort and casino. Andy Anderson, Ilona Rogers, Don Selwyn, Pete Smith, Katie Wolfe and others made up the cast of earthy locals, wealthy foreigners, and city weekenders. Created by writer Greg McGee, Marlin Bay was one of the first primetime drama series from South Pacific Pictures. Kevin Smith received a 1995 Best Supporting Actor nod for his role as villain Paul Cosic.
Away Laughing was an early sketch comedy show from Wellington company Gibson Group. In this episode from the second series, skaters, spies, panelbeaters and Buck Shelford are the butt of jokes. Kevin Smith and Murray Keane play two Australians mocking New Zealand place names; a trio of firefighters make idiots of themselves in a classroom; ingratiating priest Phineas O'Diddle (Danny Mulheron) arrives at the pub in time to join in on Hori's birthday; and onetime Telecom promo man Gordon McLauchlan interviews two gorillas about Telecom's privatisation.
Shortland Street is a fast-paced serial drama set in an eponymous inner city Auckland hospital. A South Pacific Pictures production, the iconic show is based around the births, deaths and marriages of the staff, family and patients. Screening five days a week on TV2 it is New Zealand’s longest running drama. Characters and lines from the show have entered the culture, most famously, "you're not in Guatemala now, Dr Ropata!". This 2007 promo, set to the theme song, collects together highlights from the first 15 years of the show.
Debuting on 6 May 1991, this TV3 comedy show saw sketches tested out before a live (unseen) audience — and dropped from the episode if no one laughed. The performers were a mixture of rising standup comics (Jon Bridges) and theatre talents (Danny Mulheron, Carol Smith), plus late actors Kevin Smith and Peta Rutter. Producer Dave Gibson wanted to avoid satire and politics, in favour of the challenge of broad social comedy. Among the regular sketches were a pair of gormless skateboarders and ingratiating priest Phineas O’Diddle. Another season followed in 1992.
This sketch comedy series screened over two years in the early 90s. Many of the Gibson Group show's skits were tested and filmed in a theatre, in front of a paying audience. This first episode sees laughs come from Watties spaghetti and a roll call of emerging comic talent of the era. Danny Mulheron and Hori Ahipene act up, Tim Balme plays Trivial Pursuit, Kevin Smith gets his vernacular on negotiating NZ customs, Peta Rutter crushes on Steve Parr, and Facial DBX comedians Jon Bridges and David Downs are teenage skaters who talk digital watches while wearing day-glo.
Beneath her twinset, repressed housewife Gwyneth (Mandy McMullin) is close to the edge: of attacking the dishwasher, and giving in to lust (thanks to neighbour Kevin Smith). Especially after learning the husband has done the dirty on her. Based on a Fiona Farrell story, Mon Desir blends fantasy, satire and domestic tragedy. Writer/director Nicky Marshall scratches under the fingernails of Kiwi small towns, to reveal “what happens behind the facade of wholesome goodness and normality”. Mon Desir was chosen for the 'Un Certain Regard' section of the Cannes Film Festival.
"I get around. I know everything. Except your name." Kevin Smith made his television debut (in a speaking part) on this episode from the third series of Gloss, playing smirking DJ and man-about-town Damien Vermeer. Keen to rise above his working class origins, the character sets his sights on rich brat Chelsea Redfern within moments of meeting her. Smith left work at Christchurch's Court theatre for the role, when the decision was made to up the show's male quotient. Mikey Havoc also appears in this scene, as a member of his real-life band Push Push.
A big smoke cousin to Mortimer's Patch, Shark in the Park was New Zealand's first urban cop show. Devised by Graeme Tetley (Ruby and Rata), it portrayed a unit policing inner city Wellington, under the guidance of Inspector Brian 'Sharkie' Finn (Jeffrey Thomas). With its focus on the working lives of the officers, the show followed the character-based storytelling of overseas programmes like The Bill and Hill Street Blues. The first season marked one of the last in-house productions for TVNZ's drama department. The next two series were made independently by The Gibson Group.