Niki Caro's career is littered with awards and major name global film festivals, but it could be argued her career really went international thanks to a single project: her 2002 adaptation of Witi Ihimaera novel Whale Rider, which won fans in cinemas across the globe, and rave reviews to match.
Caro graduated from Auckland's Elam School of Fine Arts in 1988, then got a diploma at Melbourne's Swinburne Film and Television School. Returning to New Zealand, she wrote and directed several short films and TV dramas.
In 1992 producer Owen Hughes invited her to contribute to a trilogy of half-hour TV dramas, which were intended to bridge the gap for filmmakers between shorts and features. Caro's contribution was The Summer the Queen Came, an affectionate look at the small, twisted details of a family in suburbia. The film earned the self-described "writer/director/waitress" two nominations at the 1994 NZ Film and Television Awards.
The same year, Caro's short Sure To Rise was selected to compete at the Cannes Film Festival in France (as was fellow NZ film Lemming Aid). One of only eight films chosen, out of roughly 300 entries, Sure to Rise tells a moody, near wordless story of a woman who discovers an injured airman.
Caro's work was growing more ambitious. Plain Tastes, her acclaimed Montana Sunday Theatre drama, was an hour-long piece about a middle class woman (Meryl Main) trying to find happiness and love. It was nominated in the Best Television Drama and Writer categories at the 1996 New Zealand Film and Television Awards.
There was also a rare excursion into documentary — although documentary that sometimes seemed more like drama — with short film Old Bastards (1994) and Footage (1996). Made for the Work of Art series, Footage was an offbeat documentary about the cult of the shoe. It managed to win invitation to the Venice Film Festival.
Caro's first feature film Memory and Desire was selected for Critics Week at Cannes in 1998. Based on a short story by Peter Wells, the drama follows the unraveling relationship of a Japanese couple as they travel New Zealand. Voted Best Film at the 1999 New Zealand Film Awards, Memory and Desire won a Special Jury Prize for Caro's work as both writer and director.
It was follow-up feature Whale Rider that brought Caro to a large international audience. Caro said the film was "essentially about leadership and the fact that leadership presents itself in the form of a young girl". The film had been in development for many years. Caro's take on the script saw her signed up to direct. The result scooped more than 27 awards and impressive international box office, including audience awards for favourite film at the Toronto, Sundance and Rotterdam film festivals, and best film and director at Seattle. First-time screen actor, 12-year-old Keisha Castle-Hughes, was Oscar-nominated after starring as a young East Coast Māori girl, struggling to establish her place in her community.
Los Angeles Times critic Kenneth Turan singled Caro out for particular praise, arguing that among other qualities she brought to the film "a willingness to let this story tell itself in its own time and the ability to create emotion that is intense without being cloying or dishonest. She is also able, and this is critical, to leave the mundane behind and steer the film to a higher level when the story demands to go there."
Caro followed Whale Rider with her Hollywood debut North Country, another story of a female being told what she can't do because of her gender. Inspired by a landmark American court case, the film stars Charlize Theron as a woman in a remote mining town who dares to stand up to sexual harassment in the workplace. Caro argued that despite being warned about the challenges of working with a Hollywood studio, funders Warner Brothers "couldn't have been more respectful of my creative choices". Theron and fellow cast member Frances McDormand were both nominated for Oscar, BAFTA, Golden Globe, and Screen Actors Guild awards for their work.
Caro's next production, The Vintner's Luck (aka A Heavenly Vintage) was released in New Zealand in November 2009, after debuting at the Toronto Film Festival. Mixing fantasy and the passing of the seasons, the tale of angels, friendships and winemaking was adapted from the acclaimed novel by Elizabeth Knox, and shot in France, Belgium and New Zealand. The multi-national cast included Whale Rider star Keisha Castle-Hughes.
Caro went on to spend time in a Mexican-American community, while developing small town drama McFarland USA (2015). Inspired by a true story, the film stars Kevin Costner (JFK) as a coach at a Latino-heavy high school who brings hope to a track and field team.
From there, Caro's career got increasingly busy. Aside from writing a biopic about legendary opera singer Maria Callas, she directed The Zookeeper's Wife, based on the true story of a couple who used Warsaw Zoo to hide hundreds of Jews from the Nazis, after the 1939 German-Soviet invasion of Poland. Set for New Zealand release in May 2017, the film stars Jessica Chastain (Zero Dark Thirty) and German Daniel Brühl (Good Bye Lenin!).
Press reports had Caro in the running to direct superhero movie Captain Marvel. In February 2017 The Hollywood Reporter broke the story that she would instead be directing a live action adaptation of 1998 animated hit Mulan, inspired by the Chinese legend of warrior woman Hua Mulan.
Caro's work also includes short films, episodes of 90s TV series Jackson's Wharf, and a number of music videos — including an awardwinning interpretation of Straitjacket Fits single Bad Note for a Heart.
Wilson Morales, 'North Country: An Interview with Director Niki Caro' Blackfilm.com website. Loaded October 2005. Accessed 21 November 2016
Rebecca Sun, 'Disney's Live-Action 'Mulan' Finds Director (Exclusive)' - The Hollywood Reporter, 14 February 2017
Kenneth Turan, 'Riding high -- and low' (Review of Whale Rider) - The Los Angeles Times, 6 June 2003
Whale Rider website. Accessed 21 November 2016
The Vintner's Luck press kit. Accessed 21 November 2016