Auckland composer and clarinetist Peter Scholes began his screen career in style, composing and arranging the lush score for Desperate Remedies (1993). Since then he has supplied sounds for tragic romances (Memory and Desire), horror (The Tattooist) and three one-off TV dramas. Scholes has conducted for orchestras in London and Prague; he also founded and is musical director of the Auckland Chamber Orchestra.
Scholes chose to use an unconventional orchestration utilizing a mix of samples, real sounds, synthetic sounds, and processed real sounds — a variety of sound material that would appear disguised and balanced in unorthodox ways. Randall Larson on Peter Scholes’ score for The Tattooist - Cinefantastique website
In this sensitive short film written and directed by James Blick, a young boy (Ted Holmstead-Scott) breaks into an old man’s house in search of dirty magazines. The intrusion is just one more trial for the man (Grant Tilly), as he copes with loss and loneliness by clinging on to keepsakes and memories. He is eager for even a small measure of human contact — and the chance to do one last thing for his wife. For the boy there is an inkling of a world beyond his friend’s narrow experiences. The film was shot by Blick's father, cinematographer John Blick.
Tattoo artist Jake Sawyer (Jason Behr, American star of Roswell) travels the world looking for ethnic designs to exploit for his art. At a tattoo expo in Singapore, he is introduced to the traditional Samoan tattoo, and falls for Sina (No. 2's Mia Blake) the beautiful cousin of tattooist Alipati. When Jake recklessly steals a Samoan tattooing tool, he unwittingly unleashes a powerful spirit that endangers everyone he touches. This inaugural Kiwi-Singaporean co-production was directed by Peter Burger and produced by Robin Scholes (Once Were Warriors).
Set in Central Otago in the drought-parched summer of 1975, gay-themed feature film 50 Ways of Saying Fabulous follows a chubby 12-year-old named Billy (Andrew Paterson) as he embarks on a challenging journey of sexual discovery. Adapting Graeme Aitken's novel, writer/director Stewart Main (Desperate Remedies) depicts a boy escaping into fantasy from the drudgery of farming duties — and learning about himself, his sexuality, and dealing with change. 50 Ways won a Special Jury Award at Italy's Turin International Gay and Lesbian Film Festival in 2005.
Passion project The Lunatics' Ball follows an unorthodox psychologist who arrives at a psychiatric hospital and tries to use art, joy and respect to motivate his patients. First-timer Michael Thorp wrote the script partly out of worries that drug-based treatment programmes could prove more of a trap than a solution. After casting American-born oboist Russel Walder in the main role, and shooting on a shoestring, Thorp completed editing thanks to $400,000 in Film Commission funding, and help from some major industry names. The result won a jury prize at the Shanghai Film Festival.
This debut feature from director Niki Caro follows a Tokyo woman and her fiance who elope to New Zealand. A stunted beginning to their sexual relationship is overcome in a cave on an isolated West Coast beach. Shortly afterwards he drowns. She returns to a suffocating Tokyo before being drawn back to the cave. The restrained study of eroticism and grief was based on a short story by Peter Wells (itself inspired by a true story). Desire was selected for Critics' Week at Cannes (1998), and won best film at 1999's NZ Film Awards and a special jury prize for Caro.
Made for TV ONE’s Montana Sunday Theatre slot, this award-winning one-off drama stars Peter Elliott as a disgraced lawyer, who may or may not have a gambling problem. A down-on-his-luck reporter (Mark Clare) on the trail of the story finds there is more to it than meets the eye, and decides to scam the scammer, with dangerous consequences. Writer/director Jonothan Cullinane went on to make the feature film We’re Here to Help.
This short, written and directed by Christine Parker (Channelling Baby) takes an allegorical look at the creative process. A writer (Rima Te Wiata) has a korero with a trickster spirit guide Hinekaro (voiced by Rena Owen), and conjures worlds from the words she inks on a page. In her imaginative struggles she’s visited by a ruru owl and her younger self, and other creatures are brought strikingly to life via special effects (beetles from a book, an eel hiding in a toilet bowl). Hinekaro was adapted from a 1991 short story by Booker Prize-winner Keri Hulme.
Blessed with a top-notch cast, this hour long drama chronicled the final 48 hours of leave before three soldiers head to Bosnia. One soldier is forced to share a car with the man who caused his demotion; the trio go on to use their break for various encounters with lovers, families and strangers. Based on a story by Richard Lymposs, whose experiences helped inspire 1986 teen rebel movie Queen City Rocker, The Call Up was shown as part of the debut season of one-off Kiwi dramas which screened in primetime, on the Montana Sunday Theatre. This excerpt features the opening 10 minutes.
This stylishly high camp melodrama from directors Stewart Main and Peter Wells won acclaim, after debuting at the 1993 Cannes Film Festival. In the imaginary 19th-century town of Hope, draper Dorothea Brooks (Jennifer Ward-Lealand) is desperate to save her sister from the clutches of opium, sex and the dastardly Fraser. She begs hunky migrant Lawrence Hayes to help; but complications ensue. Inspired partly by 1930s and 40s Hollywood melodramas, Desperate Remedies was sumptously shot by Leon Narbey (Whale Rider). Richard King writes about the film here.