After beginning her career as a television journalist, Amanda Robertshawe has gone on to direct acclaimed documentaries on challenging issues like addiction (The Dark Side of the Moon), confronting death from cancer (My Name is Jane) and sexual responsibility (Is There Anybody Out There?). Her films reflect a fascination with the emotional consequences of life experiences.
It was well-judged, with deft camera work and delicate but pointed interrogation .... It will be one of the year’s most memorable programmes. Waikato Times writer Paul Thompson, on documentary My Name is Jane
This Inside New Zealand doco takes a calm, no nonsense look at one man’s encounter with heroin addiction — a habit he estimates cost him a seven figure sum. Far from being the clichéd junkie loser, Tim was a husband, father and successful businessman who remarkably didn’t think twice about dabbling with a drug that had already taken the life of one of his sisters. Nine years after it led him to detox and rehab, Tim and his mother and sister talk about his addiction and its impact on their lives — without glamorising or demonising the drug or its users.
Shot on the run in 1998, My Name is Jane is built around the biggest deadline a filmmaker could face: the death of its subject. With a history of cancer in her family, musician and cancer sufferer Jane Devine proposed a film to director Amanda Robertshawe: one in which the personable Devine takes us through the process of making peace with her own passing — and the impossible task of preparing a son for life without her. The resulting documentary, surely among our most affecting hours of television, won repeat screenings and international plaudits.
In this documentary, Kiwi icon Lynn of Tawa (Ginette McDonald) — she of mangled vowel fame — goes on the prowl in search of the ultimate Kiwi bloke. The girl from the suburbs explores the gamut of masculine mythology, from Man Alone to mateship, and asks "can a woman ever be a mate?". Made when the good keen man was facing up to the challenge from SNAGs, the documentary travels from the West Coast (for sex education) to a men's club, from rugby scrums to rabbit culls, and meets hunters, lawyers and gay ten-pin bowlers. The opening credits mispell Lynn as Lyn.
Long-running afternoon show The Video Dispatch presented current affairs for younger viewers. Legend has it some politicians also used it to get a handle on the news. Topics ranged from poverty to a DIY polytech computer called ‘Poly’. The show's first presenter was Dick Weir, who in 1983 handed the reins to Lloyd Scott (best known at the time as Barry Crump's hapless pal in a series of Toyota ads). Rodney Bryant replaced Scott in 1987. Among the show's many reporters were Michele A'Court, Kerre McIvor (nee Woodham), and Bill Ralston. The title sequence will tickle nostalgia for 80s kids.
Kaleidoscope was a magazine-style arts series which ran from 30 July 1976 until 1989. Running for many years in a 90 minute format, the show tried varied approaches over its run, from an initial mix of local and international items — including live performances — to episodes which focused on a single artist or topic. In the early 80s Kaleidoscope collected three Feltex awards for Speciality Programme. Hosts over the years included initial presenter Jeremy Payne, newsreader Angela D'Audney, future Auckland music professor Heath Lees, and Warratahs fiddler Nic Brown.
In 1975 TV One launched with a flagship 6.30 news bulletin which went largely unchanged with the move to TVNZ in 1980. In a 1987 revamp, it became the Network News with dual newsreaders Judy Bailey and Neil Billington (replaced by Richard Long). In 1988, the half hour programme moved to 6pm. With the advent of TV3 in late 1989, it was rebranded One Network News; and, from 1995, extended to an hour. The ill-fated replacing of Long with John Hawkesby in 1999 saw it make headlines rather than report them. In 1999, there was another name change to One News.
The iconic all-things-rural show is the longest running programme on New Zealand television. With its typical patient observational style (that allows stories of people and the land to gently unfold) it’s an unlikely broadcasting star, but New Zealanders continue, after 50 plus years, to tune in. Amongst the bucolic tales of farming, fishing and forestry, there are high country musters, floods, organic brewing, falconry, tobacco farming, as well as a fencing wire-playing farmer-musician, a radio-controlled dog, and Fred Dagg and the Trevs.