Julian O'Brien, who shepherds the team of reporter/directors on Country Calendar, knows something about the job. He spent nine years in the field, before returning as the show's producer. O'Brien began as a newspaper journalist, and his broadcast career also includes stints directing current affairs, documentaries and corporate videos.
Certainly there are gorgeous backdrops and beautiful scenery, which we try to make the most of in the show, but in the end they are people stories: stories about people who are hands-on on the land. Julian O'Brien on Country Calendar, in The Press, 16 March 2010
This best of special culls history and highlights from 40 seasons of the longest running show on NZ television. Farming, forestry and fishing are all on the roster, but this edition is as much about observing people and the land. There is footage of high country musters, helicopter deer capture, floods and blizzards, as well as radio-controlled dogs and mice farmers. Longtime Country Calendar figures like John Gordon and Tony Trotter share their memories, and the show sets out to catch up again with some of the colourful New Zealanders that have featured on screen.
In this documentary children of well known Kiwis discuss what it's like to live in the shadow of their parents. Featuring Natasha and Shaan Turner (Mum, Sukhi, was mayor of Dunedin and Dad, Glen, was a well-known New Zealand cricketer). Hinemoa Awatere reveals the bond she has with her mother, politician and activist Donna Awatere-Huata. Martin Crump is candid about Dad Barry's talents as well as his shortcomings, as is Sam Hunt's son, Tom. The Muldoon family remembers their father and grandfather, ex-Prime Minister Robert Muldoon, fondly.
Screening each weekend after TV One's primetime news, Sunday mixes New Zealand stories with reports from overseas. The local contributions have ranged from celebrity interviews, to reports that took months to put together (including award-winning pieces on the 2008 Chinese poisoned milk scandal, and how patients were treated at Porirua Hospital). Over the years, Sunday's roster of journalists has included veterans John Hudson, Janet McIntyre, Ian Sinclair, and current presenter Miriama Kamo. The show has played in both hour and half-hour formats.
Backch@t was a magazine-style arts and culture show that appealed, from the opening acid-jazz theme tune, to a literate late-90s arts audience. Fronted by media personality Bill Ralston, the show included reporters Mark Crysell and Jodi Ihaka, and Chris Knox appears as the weekly film reviewer. In keeping with Ralston’s journalistic background, Backch@t took a ‘news’ approach to the arts, debating topics in the studio and interviewing the personalities, as well as covering the sector stories.
This documentary tells the story of how an unpromising horse with a nasty personality became the greatest thoroughbred stud stallion in New Zealand racing history. Interviews and archive footage are used to tell the entwined histories of Sir Tristram and his owner, Cambridge-based breeder Patrick Hogan. The path to success involves fires, potentially disastrous injuries, a $32 million buy offer, and special precautions every time Sir Tristram was taken out of his paddock for breeding.
Hour-long prime time current affairs slot Assignment replaced TVNZ's long-running Frontline in 1995, after Frontline had won controversy for a couple of its stories. A number of Frontline veterans moved across to the new series, including Susan Wood, Rod Vaughan, and Rob Harley. Vaughan and Harley would both win local media awards for their Assignment investigations. At the 1996 TV Guide New Zealand Film and Television Awards, Assignment was judged Best News and Current Affairs Programme.
Sunday was one of a number of magazine-style shows to screen on TVNZ, in a weekend morning slot. It was hosted by Radio New Zealand presenter Kathryn Asare, who the previous year had been drafted in to present a similar show, 10AM. Liz Gunn (Breakfast) later took over the reins. Many of the items on Sunday had an arts bent, including pieces on designer/producer Logan Brewer, and La Sagrada Família architect Mark Burry. Sunday is not to be confused with the long-running TVNZ current affairs show of the same name.
This excerpt from a 1986 episode of NZ TV’s longest running show comes from the heady pre-crash mid-80s when NZ farming was getting off the sheep’s back and diversifying to stay profitable in changing times. Here Robert Hall is stocking the “hard hill country” of a farm near Taumaranui with goats. Rather than hunting goats as pests, the young industry — fuelled by “large amounts of city money” — is attempting to farm them for their cashmere wool. It offers new opportunities for women in farming, but teething problems include low yields from feral animals.
Long-running afternoon show The Video Dispatch presented current affairs for younger viewers. Legend has it some politicians also used it to get a handle on the news. Topics ranged from poverty to a DIY polytech computer called ‘Poly’. The show's first presenter was Dick Weir, who in 1983 handed the reins to Lloyd Scott (best known at the time as Barry Crump's hapless pal in a series of Toyota ads). Rodney Bryant replaced Scott in 1987. Among the show's many reporters were Michele A'Court, Kerre McIvor (nee Woodham), and Bill Ralston. The title sequence will tickle nostalgia for 80s kids.
In 1975 TV One launched with a flagship 6.30 news bulletin which went largely unchanged with the move to TVNZ in 1980. In a 1987 revamp, it became the Network News with dual newsreaders Judy Bailey and Neil Billington (replaced by Richard Long). In 1988, the half hour programme moved to 6pm. With the advent of TV3 in late 1989, it was rebranded One Network News; and, from 1995, extended to an hour. The ill-fated replacing of Long with John Hawkesby in 1999 saw it make headlines rather than report them. In 1999, there was another name change to One News.
The iconic all-things-rural show is the longest running programme on New Zealand television. With its typical patient observational style (that allows stories of people and the land to gently unfold) it’s an unlikely broadcasting star, but New Zealanders continue, after 50 plus years, to tune in. Amongst the bucolic tales of farming, fishing and forestry, there are high country musters, floods, organic brewing, falconry, tobacco farming, as well as a fencing wire-playing farmer-musician, a radio-controlled dog, and Fred Dagg and the Trevs.